SKU: CA.2041200
ISBN 9790007035617. Key: G dorian. Language: German/English.
SKU: HL.49044367
ISBN 9790001199629. UPC: 841886024755. Latin.
Meine Seele durstet nach Gott, nach dem lebendigen Gott - diese Psalmvertonung wird von einem kleinen und einem grosseren Chor antiphonisch vorgetragen. Mit zarten Harmonien, ruhigem Gestus und spannungsgeladenen Zwischenteilen wirkt das Stuck besonders in Raumen mit unterstutzender Akustik.
SKU: SU.96030022
May be performed with an option cut. (duration 6')SSATB Chorus, a cappella Duration: 11' Composed: 2016 Published by: Albert Hurwit.
SKU: BA.BA02553
ISBN 9790006422920. 27 x 19 cm inches.
Motet no. 3 from Israelsbrunnlein.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.139200
ISBN 9790007003517. Key: A minor. Language: German.
For the 5th Sunday after Easter.
SKU: CA.926400
ISBN 9790007261870. French. Text: Victor Hugo.
In his poem Soiree en mer, Victor Hugo describes how the sea can be perceived very differently by two lovers at the same time in the same place. While the man perceives the deepening shadows on the dancing waves, the woman marvels at the stars shining ever brighter in the firmament. In nature, as in the words of the poem, the painful ambiguity that represents life at its core can be experienced. Like no other poet, Hugo captures this almost unbearable simultaneity of living and dying, of love and suffering. Saint-Saens translates this into music - probably the most ephemeral and contemporary of all art forms. His balanced musical form leaves plenty of room for the poetry and his subtle variations in timbre, which also inspired Denis Rouger to his choral arrangement, create a seething motion under the surface of the sea.This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD ...wo die Ztronen bluhn (Carus 83.514).
SKU: SU.80209102
A festival anthem for worship or concert 16 page octavo Duration: 7'22 Text: Book of Revelation Published by: Dunstan House Minimum order quantity: 8 copies. Perusal copies are available by contacting office@DunstanHouse.com (include the organization name with your request). To order quantities fewer than 8.
SKU: SU.80209605
Soothing prayer on a text by St. Augustine; worship or concert 8 page octavo Published by: Dunstan House Minimum order quantity: 8 copies. Perusal copies are available by contacting office@DunstanHouse.com Please include the organization name with your request). To order quantities less than 8.
SKU: SU.90180040
Text: Stephen Oles.
SSATBB, a cappella Duration: 4' Text: Stephen Oles Composed: 2004 Published by: Subito Music Publishing.
SKU: CA.141900
ISBN 9790007003784. Key: F major. Language: German.
For the 24th Sunday after Trinity Sunday.
SKU: CA.141500
ISBN 9790007003746. Key: D minor. Language: German.
For the 20th Sunday after Trinity Sunday.
SKU: HL.50605353
ISBN 9781705180310. UPC: 196288106210.
Dániel Dobos (* 1994) studied with Gyula Fekete and Máté Bella at the Department of Composition of the Liszt Ferenc Academy of Music. In his violin concerto Sylvanus, he uses the technical repertoire of Transylvanian folk violinists. His piano piece, Drumul dracului, which won the first prize in 2018 at the Béla Bartók World Competition, also focuses on a new interpretation of Transylvanian folk music roots. In Callis stellarum, Dobos set one of the apocalyptic visions by the prophet Isaiah: “For the stars of heaven and the constellations thereof shall not give their light: the sun shall be darkened in his going forth, and the moon shall not cause her light to shine.†At the end of the composition, the Hungarian folk song “Csillagok, csillagok†(Stars and Stars) is heard as a kind of hopeful association. Commissioned by the municipality of Debrecen, this piece won the first prize in the youth mixed choir category of the HangKELTO Youth Composition Competition held in 2021.
SKU: SU.80401000
SSATB & Organ Commissioned by the University of St. Thomas Liturgical Choir Saint Paul, Minnesota Robert Strusinski, director First Performance: December 9 and 10, 1995 University of St. Thomas Liturgical Choir Robert Strusinski, conductor University of St. Thomas Saint Paul, MN Published by: Paulus Publications.
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
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