SKU: SU.94010340

Tehillim to Yahweh is a very short paraphrase of part of Psalm 150, and in English is translated to Psalms to the Lord. It is meant to be of an easy level for an average church choir and is intended to be used as an introit in the divine worship service. There is a declamatory opening followed by a short passage of canonical entrances; the end of the work employs a small use of chromaticism. SATB Chorus, a cappella Duration: 1 ' Composed: 2013 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8.

SKU: CA.3913605

ISBN 9790007097929. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score available separately - see item CA.3913600.

SKU: CA.3914305

ISBN 9790007187309. Language: Latin.

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church works setting Latin texts. In addition to works for smaller ensembles there is presently only one larger psalm setting, Deus judicium tuum, that is available in a new edition. This is now joined by the first ever scholarly, critical edition of his Magnificat in C major. Telemann probably composed this impressive work for the dedication of the organ in the Leipzig Neukirche in 1704. Like Bach's well-known Magnificat, it is scored for three trumpets and timpani. For ambitious church choirs, the work is really worthwhile, and is also a most effective piece for audiences to enjoy. Score available separately - see item CA.3914300.

SKU: CA.3912005

ISBN 9790007055622. Language: German/English.

This three-movement solo cantata can be performed in several ways. The instruments basically required are the trio sonata ensemble of recorder, oboe and keyboard instrument (+ a continuo melody instrument ad lib.). If necessary, as Telemann stated, the two woodwind parts can be placed by violins. The instrumental parts can also be augmented by a body of strings, playing in the ritornello sections of the two arias. Moreover, the new edition expands the performance possibilities for the work by adding a four-part chorus from the more fully scored original version, which Telemann did not publish. Score available separately - see item CA.3912000.

SKU: CA.3913619

ISBN 9790007144258. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and parts available separately - see item CA.3913600.

SKU: CA.3913612

ISBN 9790007216047. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

SKU: CA.3913611

ISBN 9790007216030. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.

Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and part available separately - see item CA.3913600.

SKU: CA.3909805

ISBN 9790007162122. Language: Latin.

Telemann's Missa brevis on the Easter chorale Christ lag in Todes Banden is one of his eleven surviving Latin Missae breves based on church hymns. The motet-like composition calls for a mixed choir accompanied by a basso continuo, reinforced by colla-parte instruments. However, the mass can also be performed solely with an organ accompaniment. Score available separately - see item CA.3909800.

SKU: CA.3949519

ISBN 9790007134358. Language: German/English.

Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here: as an opening, during the scene on the Mount of Olives, and as a closing. This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements. Score and parts available separately - see item CA.3949500.

SKU: CA.3949509

ISBN 9790007056490. Language: German/English.

Of the five surviving St. Luke Passions by Telemann, this first printing of the Passion of 1744 distinguishes itself first with, aside from expressive arias, the dramatic choruses. In contrast to his other Passions, Telemann only uses three chorales here: as an opening, during the scene on the Mount of Olives, and as a closing. This setting of the Passion is an full-evening of music of only moderate difficulty and moderate scoring requirements. Score and parts available separately - see item CA.3949500.