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Bee
MARIMBA
Flute and Piano
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Alan Ridout: To Autumn: Flute: Instrumental Album
Flute and Piano
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Intermediate
ABRSM Publishing
Contains six descriptive miniatures for flute and piano titles have been taken f...
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Contains six descriptive miniatures for flute and piano titles have been taken from Keat?s poem ?To Autumn? melodic and typical of Alan Ridout?s simple but colourful musical style.
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Nikolai Rimsky-Korsakov: Flight of the Bumblebee: Flute and Accomp.:
Flute and Piano
Rubank Publications
Flight of the Bumblebee
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Kovacs L. - Popular Performance Pieces - Flute, Piano
Flute and Piano
EMB (Editio Musica Budapest)
For flute with piano accompaniment Édité par Kovács Lóránt Instrument: Flut...
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For flute with piano accompaniment Édité par Kovács Lóránt Instrument: Flute et piano Genre: Pedagogical performance pieces Pages: 76 pp Date du parution: 1985 Contenu: 1. Vivaldi, Antonio: Largo from The Four Seasons 2. Bach, Johann Sebastian: Vivaldi: Largo from the Concerto in D minor 3. Bach, Johann Sebastian: Badinerie from the Suite in B minor 4. Händel, Georg Friedrich: Largo from Xerxes 5. Mozart, Wolfgang Amadeus: Minuet from the Sonata in C major K 14 6. Paganini, Niccolo: Moto perpetuo 7. Mendelssohn-Bartholdy, Felix: Frühlingslied op. 62 no. 6 8. Bizet, Georges: Minuet from L'Arlesienne 9. Gounod, Charles: Ave Maria 10. Rimsky-Korsakov, Nicolai: The Flight of the Bumble-Bee 11. Schumann, Robert: Träumerei 12. Chopin, Frédéric: Variations on a Theme by Rossini 13. Schubert, Franz: Ave Maria 14. Saint-Saens, Camille: The Swan 15. Massenet, Jules: Tha´s Meditation
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Easy Concert Pieces Band 2
Flute and Piano
Schott
Ce deuxième volume de pièces flûte, trop, repose sur la flûte aujourd'hui en...
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Ce deuxième volume de pièces flûte, trop, repose sur la flûte aujourd'hui enseignement pratique, contenant des dispositions dans le répertoire classique ainsi que des compositions propres par Günther Johannes Schmitz. Les pièces sont très différentes à l'égard de la style, en partie influencé par le jazz, l'impressionnisme, musiques du monde ou la musique de film. ' Das Mäusefest ' contient des éléments stylistiques de la musique juive, ' Zyklop ' combine les sonorités orientales et impressionnistes. ' Fanfare der Gaukler ', cependant, évoque les associations sonores médiévales mélangées avec des techniques modernes de jouer sur la flûte. ' Ragtime vacances ' et ' The observations ' ont été inspirés par le roi de Ragtime, Scott Joplin. Une version jazz de Rimski-Korsakov ' The Flight of the Bumble Bee ' est un rappel intéressant et contenue aux présentes comme Badinerie de Bach. Certaines des pièces ont déjà été effectuées au concours ' Jugend musiziert ' et sont avérées un succès. / Flûte Traversière Et Piano
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Stephen Sondheim: Sondheim for Classical Players: Flute and Accomp.: Artist
Flute and Piano
[Sheet music + Audio access]
Hal Leonard
Flute and Piano With Online Accompaniments. This collection features intermediat...
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Flute and Piano With Online Accompaniments. This collection features intermediate-level arrangements for flute and piano accompaniment in a range flattering to the flute. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.
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Sonata For Flûte And Piano (Audio Edition)
Flute and Piano
[Sheet music + Audio access]
Chester
This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And P...
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This is an updated edition of Francis Poulenc's 1957 work Sonata For Flute And Piano, edited by Carl Schmidt. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.After having begun a Sonata for Flute as early as 1952, questions arose over whether Poulenc would be able to complete this work on top of his various other compositions at the time. The piece was, thankfully, finally finished after being commissioned by Harold Spivacke, the Chief of the Music Division of the Library of Congress, for a festival in honour of Elizabeth Coolidge. The world premiere, at Poulenc's request, took place at the Strasbourg Music Festival, performed by renowned flautist Jean-Pierre Rampal, while the American premiere took place in the Coolidge Auditorium at the Library of Congress. This new edition includes an extensive introduction to the piece, a detailing of the different sources that were used, and the inherent difficulty of compiling such an edition as this, all in English, French and German. Furthermore, an in-depth discussion of the problems of authority, as well as a vast number of critical notes is included, giving a true sense of the care and attention that has gone into producing this new edition of Poulenc's Sonata For Flute And Piano. At all points, Schmidt has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Flute And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned flautist Michael Cox and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the flautist in your very own performance. This is a unique opportunity for flautists to learn from an authoritative score, and play along to a special backing track, with a work that, since its premiere, has become one of the most frequently-performed and well-loved works in the Flute repertoire.For flautist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for stunning music, this edition of Sonata For Flute And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Flûte Et Piano
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Wolfgang Amadeus Mozart: Concerto In G For Flute And Orchestra K.313: Flute:
Flute and Piano
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Advanced
Schirmer
In a letter dating from 1777 Mozart reported to his father from Mannheim that Jo...
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In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.
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Johann Sebastian Bach: Sinfonia: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Zimmermann
und Arie aus dem Weihnachtsoratorium BWV 248 Schlafe mein Liebster-Two celebrat...
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und Arie aus dem Weihnachtsoratorium BWV 248 Schlafe mein Liebster-Two celebrated pieces by Beet hoven arranged for Flute and Piano by Werner Richter. Sinfonia from Cantata Bwv 209 and Aria from Christmas Oratorio. Score and Part.
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César Franck: Sonata: Flute: Instrumental Work
Flute and Piano
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Intermediate
Barenreiter
Arranged for Piano and Flute-Cesar Franck’s Sonata for Piano and Violin i...
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Arranged for Piano and Flute-Cesar Franck’s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.After Franck’s death in 1890 the original publisher of the Sonata the Parisian house Julien Hamelle announced an arrangement of the work for Flute in 1910. However it has not been possible to locate any copy of this publication. That the Flute version of Franck’s Sonata has found a permanent place in the chamber musicrepertoire is primarily the achievement of Jean-Pierre Rampal who frequently performed his own arrangement of the work.There were no idiomatic Violin techniques to overcome and the cantabile solo part with its broadly arched melodies seems perfectly natural on a wind instrument. The present Flute arrangement largely adopts the original Violin part unchanged merely transposing those passages that go beneath the Flute’s range. In such cases the change of register begins early enough to avoid disruptions to the melodic line and the musical context. The balance between the solo instrument and the (unaltered) Piano accompaniment remains intact.The edition is rounded off by an informative text on the genesis and reception history of the sonata (Ger/Fr/Eng).
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Charles-Marie Widor: Suite Opus 34 für Flöte und Klavier: Flute: Score and Parts
Flute and Piano
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Advanced
G. Henle
Suite op. 34 for Flute and Piano-The name Widor is so closely associated with mu...
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Suite op. 34 for Flute and Piano-The name Widor is so closely associated with music for the Organ that his many compositions for other instruments can easily be overlooked. The Suite for Flute and Piano presumably composed in1877 stands out amongst chamber music works on account of the wealth of expressive and tonal nuances.The late Romantic work is specially tailored to the possibilities of the Flute; and it is no accident that it wasdedicated to the most important French flautist and flute teacher of the time Paul Taffanel who gave its first performance in 1884. From the very beginning the four-movement Suite has been very popular and now belongs to thecore repertoire for Flute and Piano.
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Leonard Bernstein: West Side Story: Flute: Instrumental Album
Flute and Piano
[Sheet music + CD]
-
Intermediate
Boosey and Hawkes
Instrumental Solos-Since its opening in 1957 the musical West Side Story has bee...
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Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades. The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Flute. This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more. West Side Story:Instrumental Solos - Flute comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.
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Aus Liebe Will Mein Heiland Sterben (BACH JOHANN-SEBASTIAN)
Flute and Piano
Alry Publications
Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1...
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Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question./ Répertoire / Flûte Traversière et Piano
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Woodwind World: Flute Bk 4 (flute & pno): Flute: Instrumental Album
Flute and Piano
[Sheet music]
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Intermediate
Trinity College London
Flute teaching material-Twelve arrangements for Flute with Piano accompaniment ...
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Flute teaching material-Twelve arrangements for Flute with Piano accompaniment of Traditional Baroque and Classical pieces. This selection has been edited with regard to current concepts of performance practice by Michelle Lee. Some additional editorial comments and suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the twelve pieces are unaccompanied.
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Johann Sebastian Bach: Overture - Orchestal Suite In B Minor: Flute:
Flute and Piano
[Sheet music]
Barenreiter
for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special plac...
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for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special place among the four extant Orchestral suites by Johann Sebastian Bach (BWV 1066-1069) for two reasons: it is the only suite that calls for only one wind instrument and the only one with extensive solo passages for one instrument. Since moreover it is essentially Bach's only composition for solo Flute with Orchestra it enjoys great favour among flutists.A proper string ensemble is not always at one's disposal. Therefore an arrangement {or Flute and Obbligato Harpsichord has been prepared similar to one Bach himself might have written. The aim here has been to do nothing thatBach himself would not have done yet to refrain from doing everything of which he was capable.
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Wilhelm Popp: Sonatine Op. 388 Nr. 3: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Spartan Press
For Flute and Piano-Wilhelm Popp studied with the great Louis Drouet in the 1850...
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For Flute and Piano-Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are aperfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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H. Taggart: Piece It Together: Flute: Instrumental Album
Flute and Piano
[Sheet music]
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Intermediate
Spartan Press
An album with clear expressive aims which helps to develop specific strengths i...
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An album with clear expressive aims which helps to develop specific strengths in tone and technique. These pieces can be played either with the Piano or practised unaccompanied by also playing the Piano cues that are printed in the Flute parts which complete the melody lines.ContentsBerceuseDeebeedeebeedeeGymnopédieHebridean LamentRussian SteppesThe Octave WaltzThe SparrowThe Woodpecker
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Concerto for flute and orchestra (1985)
Flute and Piano
[Sheet music]
Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1...
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Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano
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First Book of Flute Solos (complete): Flute: Instrumental Album
Flute and Piano
Faber Music Limited
Collections of easy pieces to introduce players at an early stage to a wide rang...
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Collections of easy pieces to introduce players at an early stage to a wide range of music. With piano accompaniments. SpecificationsDescription The First Book of Flute Solos (Complete) is a collection of pieces arranged and edited by Christopher Gunning and Judith Pearce that introduces players at beginner level to an unusually wide range of music. All 27 pieces have been chosen to encourage attention to the basic technical aspects of flute playing, and have been arranged in approximate order of difficulty, with special attention paid to good sound production. It is hoped that the pieces will also prove to be a pleasure to play, encouraging the young flautist to develop their own naturally expressive style alongside good technique.
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Wilhelm Popp: Wilhelm Popp Sonatine Op. 388 No 2: Flute: Score
Flute and Piano
[Sheet music]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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Wilhelm Popp: Sonatine Op. 388 No. 5: Flute: Score
Flute and Piano
[Sheet music]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850's and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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Wilhelm Popp: Sonatine op. 388 No. 4: Flute: Score
Flute and Piano
[Sheet music]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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Pyotr Ilyich Tchaikovsky: Kinderalbum: Flute: Instrumental Album
Flute and Piano
Universal Edition
Magic Flute on Stage-Album for Children?Tomorrow I am going to write a collectio...
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Magic Flute on Stage-Album for Children?Tomorrow I am going to write a collection of miniatures for children. For some time I have been thinking it would be good to alleviate the dearth of musical literature for children.? (From a letter Tchaikovsky wrote to Nadezhda von Meck on 30 April 1878) Tchaikovsky?s collection of piano pieces for children is subtitled ?Collection of easy pieces in the style of Schumann.? The instruments Pyotr Il?yich Tchaikovsky studied included the flute but he never wrote any music for it. How ever many of the miniatures from the Album for Children suit the flute perfectly - from the expressive and romantic Morning Prayer and Sweet Dream to the moretechnical Mazurka and Neapolitan Song. These touchingly lyrical miniatures and almost virtuosic dance pieces arranged for flute and piano will be loved by young flautists and met with enthusiasm by concert audiences.
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Gabriel Fauré: Anthology Of Selected Pieces - Flute/Piano: Flute: Instrumental
Flute and Piano
[Sheet music]
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Intermediate
Peters
Faure’s two original pieces for flute and piano – the Fantaisie Op.7...
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Faure’s two original pieces for flute and piano – the Fantaisie Op.79 and the Morceau de Lecture – Sarabande - appear here in Urtext form beside arrangements of other pieces that either feature famous orchestral flute solos or happen to suit the flute especially well. This is a highly comprehensive edition of these pieces which have been edited and arranged by Roy Howat and includes detailed commentaries with thorough editorial markings and suggestions.The solo flute part is also included on a separate insert.
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Anton Emil Titl: Serenade: Flute and Accomp.: Instrumental Work
Flute and Piano
[Sheet music]
Southern Music Ltd
for Flute and Piano-Emil Titl's Serenade was originally composed for flute and h...
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for Flute and Piano-Emil Titl's Serenade was originally composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8 its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute and piano has been carefully arranged and edited by world-renowned flutist and teacher Sir James Galway.
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Jules Massenet: Méditation de Thaïs pour Flûte et Piano: Flute: Instrumental
Flute and Piano
[Sheet music]
Heugel
The instantly recognisable and ever-popular Méditation from the opera Thaïs b...
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The instantly recognisable and ever-popular Méditation from the opera Thaïs by Jules Massenet (1842-1912) remains a strong favourite in the classical repertoire superbly arranged for Flute and Piano by French flautist Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas of which he composed over thirty. Thaïs was first performed at the Opéra Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Méditation isan intermezzo originally for Violin and Orchestra which has since been arranged for many different instruments making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel's adaptions include breath marks phrasing changing octaves for some notes and articulation among other aspects. Massenet's Méditation is challenging through its use of lyricism in the upper register yet it remains a favoured and popular piece in the Flute's repertoire.
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