SKU: HL.14043787
ISBN 9789788759836. 10.25x14.5 inches. English.
Trio Super: Wer Gott Vertraut for Organ solo was composed by Poul Ruders in 2014.Commissioned by The Queen's College, Oxford,to mark the 50th anniversary of the installation of the College's Frobenius organ, and first performed by Stephen Farr on 13 June 2015.
Trio Super: Wer Gott Vertraut for Organ solo was composed by Poul Ruders in 2014.Commissioned by The Queen’s College, Oxford,to mark the 50th anniversary of the installation of the College’s Frobenius organ, and first performed by Stephen Farr on 13 June 2015.
SKU: ST.H477
ISBN 9790220223532.
Written in the year of the Queen's Diamond Jubilee, Malcolm Archer reflects the mood of national celebration in his new march for organ The Royal Standard. The title alludes to the famous emblem of royalty that flies proudly over Buckingham Palace when the sovereign is in residence. Befitting its subject, this stirring music is in the high ceremonial style of Elgar and Walton, as colourful as the royal banner in blue, red and gold, but with a modern flavour too in its syncopated main theme. Director of Chapel Music at Winchester College, Malcolm Archer needs no introduction as a church musician, conductor, composer and recitalist. The piece is of intermediate standard, and is suitable for a variety of instruments with two manuals and pedals.
SKU: SU.80101409
Radegund Variations (2017) was written for and is dedicated to Hartmut Siebmanns, cantor and organist in Possneck, in the Thuringia region of Germany. This work was inspired by the life of Radegund (ca. 520-587), who was a Thuringian princess (and later Frankish queen) most famous for founding the Abbey of the Holy Cross in Poitiers, France. The piece begins with an original theme: its contemporary view of ancient modality represents looking back from the present time into Radegund's era. The theme is followed by six contrasting variations, inspiration for which are drawn from events in Radegund's life: her marriage and joining the Frankish court (1st variation); her flight from the court (after the murder of her brother) to seek protection from the church (2nd variation); her devotion to the needy (3rd variation); her friendship with the poet Venantius Fortunatus and her commissioning of his sacred poem Vexilla Regis (4th variation); her gifts of healing (5th variation); and the building of the abbey (6th variation). Instrumentation: Organ Duration: 11' Composed: 2017 Published by: Zimbel Press.
SKU: OU.9780193532854
ISBN 9780193532854. 12 x 9 inches.
This famous march was commissioned for the coronation of Queen Elizabeth II in 1953. The stirring music, skilfully conveyed in this arrangement, offers everything from sweeping melodies to playful syncopations and magnificent fanfares. This piece has often been paired with Walton's Crown Imperial.
SKU: M7.DOHR-13776
ISBN 9790202027769.
SKU: HL.50512719
SKU: VD.ED17662
ISBN 9790202036624. 12 x 9 inches.
SKU: M7.DOHR-17662
ISBN 9790202036624.
Zur BearbeitungBei dem Stück handelt es sich um die Sinfonia zum dritten Akt aus Händels Oratorium Solomon HWV 67. Der dritte Akt handelt von dem glänzenden Fest, das König Salomo für die Königin von Saba veranstaltet. Das Vorspiel gleicht einem sprühenden Klangfeuerwerk.
SKU: HL.14005770
9.0x12.0x0.047 inches.
Charles Villiers Stanford was an Irish composer, music teacher, and conductor. Stanford composed a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. Admitted to Queens College, Cambridge with an Organ scholarship Stanford had written a substantial number of compositions, including vocal music, both sacred and secular, and orchestral works before getting involved with the university's Musical Society. While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge.
Part of the'Four Intermezzi Op. 189' Intermezzo On An Irish Air for Organ is based on the melody of the well-known 'Londonderry Air'. The traditional Irish tune was first collected in the mid 19th century by Jane Ross, and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.
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