| Steven Reineke: Goddess of Fire Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Steven Reineke. Concert Band. Level: Grade 4.5. Score and set of parts. Compo...(+)
By Steven Reineke. Concert Band. Level: Grade 4.5. Score and set of parts. Composed 2006. Duration 0:09:59. Published by C.L. Barnhouse.
(2)$98.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| When Music Sounds Choral SATB SATB A Cappella Pavane Publishing
Mit Werken von Brabec und Hannig. Composed by Nancy Hill Cobb. Arranged by Vac...(+)
Mit Werken von Brabec und
Hannig. Composed by Nancy
Hill Cobb. Arranged by Vaclav
Pokorny. Sheet music. Pavane
Choral. A Cappella, Concert,
Poetry. Set of parts. 1431.
12 pages. Pavane Publishing
#P1431. Published by Pavane
Publishing
$2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Sounds Of Christmas Choral SATB SATB, Keyboard Carl Fischer
Choral SATB Choir, keyboard SKU: CF.CM9230 Composed by Vicki Tucker Court...(+)
Choral SATB Choir, keyboard SKU: CF.CM9230 Composed by Vicki Tucker Courtney. Christmas and Holiday. Performance. With Standard notation. 8 pages. Duration 2:10. Carl Fischer Music #CM9230. Published by Carl Fischer Music (CF.CM9230). ISBN 9780825883484. UPC: 798408083489. 6.875 x 10.5 inches. Key: C major. Text: Bert Stratton. Bert Stratton. Holiday cheer abounds in this charming selection from Vicki Tucker Courtney and Bert Stratton. In a gentle 6/8 meter, we are reminded that the sounds of Christmas linger in our hearts throughout the year. A beautiful school selection for a holiday concert. Duration: 2:10. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Air Mail Special Big band [Score and Parts] Jazz Lines Publications
By Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big b...(+)
By Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big band. Swing. Medium-difficult. Score and parts. Published by Jazz Lines Publications
$65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Soleil-Feu Violin and Piano SSA Schott
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.4904445...(+)
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.49044450 Violin and Piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. String. Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic moti. Classical, Contemporary. Softcover. Composed 2013. 32 pages. Duration 6'. Schott Music #ED21888. Published by Schott Music (HL.49044450). ISBN 9790001198639. 9.0x12.0x0.124 inches. This work is part of a cycle of five short pieces for a single instrument and piano, focused on the five ages in the cosmogony of Ancient Mexican civilisation. The peoples of the Mexican highlands believe that time follows specific cycles and that the world was created following the pattern of 'trial and error'. The creation of the world is divided into several periods which are termed 'suns' (we are currently living in the fifth phase named 'Ollin'). Each period will be brought to an end through a natural catastrophe.Solei-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl).The element of fire is reflected in the musical soundscape of this work, constructed from rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space. An intimate dialogue develops between violin and piano on the basis of extremely simple figures. Interconnecting lines and dense musical material are thrown against each other in a play of contrasting registers and blended tonal colouring, creating a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou
Soleil-Feu refers to the first attempt to create a world out of a rain of fire (nahui quiahuitl) as described in the cosmogony of Ancient Mexican civilisation. The element of fire is reflected in the musical soundscape of this work; rampant, rhythmic motifs, fragmented splinters, spinning upswings and impacts reverberating through space create a mysterious and disturbing mythological universe coloured by its ontological pessimism. Thierry Pecou. $22.99 - See more - Buy online | | |
| Coming Together for Wine and for Bread / This Is My Body, Holy and Good Choral SATB SATB, Keyboard - Beginner GIA Publications
SATB choir, assembly, keyboard accompaniment, C instrument - Beginning SKU: G...(+)
SATB choir, assembly, keyboard accompaniment, C instrument - Beginning SKU: GI.G-8598 The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Eastertide, OT 28 A, Body and Blood of Christ, OT 22 C, Easter PM, Easter 3 A, Holy Thursday, Easter Vigil, OT 13 A. Celebration Series. Tune Name: Banquet, Ewing. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #8598. Published by GIA Publications (GI.G-8598). UPC: 785147859802. English. Text by Adam M. L. Tice. Scripture: Matthew 22:1–14, Mark 14:22–24, Luke 14:7–24, Luke 24:30–31, John 6:35, 1 Corinthians 11:23–26, Romans 6:8–13, Romans 12:1–2. Patterns, a new hymn tune by Sally Ann Morris, is the setting for an intriguing but simple text by Adam Tice that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. Coming Together for Wine and for Bread has a tune that sounds as though it has always been with us—but in actuality, it is from the creative mind of Sally Ann Morris. The coupling of a Morris tune with an Adam Tice text can prove to be very enriching to those who sing the new creation, as well as to those who hear it. This edition offers two such gems! EWING is yoked with an intriguing but simple text that repeats sentiments of longing for God, yet the entreaty is profoundly changed with the subsitution of one word in each verse. C Instrument part is only for This Is My Body, Holy and Good. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Evening Gale Choral SATB SATB, Piano - Intermediate GIA Publications
SATB choir, piano accompaniment, cello, percussion - Intermediate SKU: GI.G-1...(+)
SATB choir, piano accompaniment, cello, percussion - Intermediate SKU: GI.G-10239 Night Song / Acquainted with the Night / The Sundown Sea. Composed by Anthony Bernarducci. Evoking Sound. Music Education. Octavo. 56 pages. GIA Publications #10239. Published by GIA Publications (GI.G-10239). English. Text Source: Prairie Waters by Night, Acquainted with the Night, A Song of Creation Text by Carl Sandburg. Each movement of this work describes aspects of the night in a different location, utilizing the poetry of Carl Sandburg, Robert Frost, and Joaquin Miller. The music strives to portray the artistic intention of each poem while also illustrating sounds of the locations through the use of instrument and voice. The percussion part is for orchestral chimes, wind chimes, bass drum, low brake drum, ocean drum and tom-toms. $9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Without Form and Void Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION ...(+)
Choral SATB choir, piano SKU: PR.362034230 A Prologue to THE CREATION by Franz Joseph Haydn. Composed by Dan Welcher. Sws. Premiered at the Northwest Hills United Methodist Church, Austin, TX. Choral. Performance Score. With Standard notation. Composed July 5 2014. 16 pages. Duration 5:15. Theodore Presser Company #362-03423. Published by Theodore Presser Company (PR.362034230). ISBN 9781598069556. UPC: 680160624225. Letter inches. English. When the Texas Choral Consort asked Welcher to write a short prologue to Haydn's The Creation, his first reaction was that Haydn already presents Chaos in his introductory movement. As he thought about it, Welcher began envisioning a truer void to precede Haydn's depiction of Chaos within the scope of 18th-century classical style - quoting some of Haydn's themes and showing human voices and inhuman sounds in a kind of pre-creation melange of color, mood, and atmosphere. Welcher accepted this challenge with the proviso that his prologue would lead directly into Haydn's masterpiece without stopping, and certainly without applause in between. Scored for mixed chorus and Haydn's instrumentation, Without Form and Void is a dramatically fresh yet pragmatic enhancement to deepen any performance of Haydn's The Creation. Orchestral score and parts are available on rental. When Brent Baldwin asked me to consider writing a short prologue to THE CREATION, my first response was “Why?â€Â THE CREATION already contains a prologue; it’s called “Representation of Chaosâ€, and it’s Haydn’s way of showing the formless universe. How could a new piece do anything but get in the way? But the more I thought about it, the more it made sense. The Age of Enlightenment’s idea of “Chaos†was just extended chromaticism, no more than Bach used (in fact, Bach went further).Perhaps there might be a way to use the full resources of the modern orchestra (or at least, a Haydn-sized orchestra) and the modern chorus to really present a cosmic soup of unborn musical atoms, just waiting for Haydn’s sure touch to animate them. Perhaps it could even quote some of Haydn’s themes before he knew them himself, and also show human voices and inhuman sounds in a kind of pre-creation mélange of color, mood, and atmosphere. So I accepted the challenge, with the proviso that my new piece not be treated as some kind of “overtureâ€, but would instead be allowed to lead directly into Haydn’s masterpiece without stopping, and certainly without applause. I crafted this five minute piece to begin with a kind of “music of the spheres†universe-hum, created by tuned wine glasses and violin harmonics. The chorus enters very soon after, with the opening words of Genesis whispered simultaneously in as many languages as can be found in a chorus. The first two minutes of my work are all about unborn human voices and unfocused planetary sounds, gradually becoming more and more “coherent†until we finally hear actual pitches, melodies, and words. Three of Haydn’s melodies will be heard, to be specific, but not in the way he will present them an hour from now. It’s almost as if we are listening inside the womb of the universe, looking for a faint heartbeat of worlds, animals, and people to come. At the end of the piece, the chorus finally finds its voice with a single word: “God!â€, and the orchestra finally finds its own pulse as well. The unstoppable desire for birth must now be answered, and it is----by Haydn’s marvelous oratorio. I am not a religious man in any traditional sense. Neither was Haydn, nor Mozart, nor Beethoven. But all of them, as well as I, share in what is now called a humanistic view of how things came to be, how life in its many forms developed on this planet, and how Man became the recorder of history. The gospel according to John begins with a parody of Genesis: “In the beginning was the Word, and the Word was with God, and the Word was God.â€Â  I love that phrase, and it’s in that spirit that I offer my humble “opener†to the finest work of one of the greatest composers Western music has ever known. My piece is not supposed to sound like Haydn. It’s supposed to sound like a giant palette, on which a composer in 1798 might find more outrageous colors than his era would permit…but which, I hope, he would have been delighted to hear. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gloria, Sing Out His Praise Choral SATB Fred Bock Music Company
Choral (SATB) SKU: HL.1436084 Composed by Patricia Mock. Arranged by Faye...(+)
Choral (SATB) SKU: HL.1436084 Composed by Patricia Mock. Arranged by Faye Ló and Johann Christoph Pez. Fred Bock Publications. Octavo. 12 pages. Fred Bock Music Company #BG2702. Published by Fred Bock Music Company (HL.1436084). UPC: 196288203858. 6.75x10.5x0.029 inches. “Let every breath on earth be raised, and every creature join in praise!” This anthem begins with an energetic and engaging invitation to join the sounds of celebration in response to the goodness and greatness of God from all His creation! The syncopated rhythms in the opening accompaniment quickly set the tone for an uplifting time of worship and lead to an interlude of praise to the familiar tune, “Praise Him, Praise Him.”. $3.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| His Eye Is On The Sparrow Handbells Hope Publishing Company
Arranged by Joel Raney. General Worship, Sacred. Handbell score. 8 pages. Publi...(+)
Arranged by Joel Raney. General Worship, Sacred. Handbell score. 8 pages. Published by Hope Publishing Company (HP.2792).
$6.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Centavo Warm Audio
SKU: HL.1122872 Professional Overdrive Pedal. Warm Guitar Pedals. ...(+)
SKU: HL.1122872 Professional Overdrive Pedal. Warm Guitar Pedals. Guitar Pedal. Duration 69 seconds. Warm Audio #WA-CV. Published by Warm Audio (HL.1122872). UPC: 850031640146. 6.5x8.25x4.0 inches. The Warm Audio Centavo is an accurate recreation of the most sought-after overdrive pedal of the 90's and beyond. Whether you're after the fabled clean boost tones, transparent overdrive, or you want to push your dirty channels to true grit, the Centavo has all of the adored tones of the vintage box. In addition, the Warm Audio Centavo has the infamous “MOD†selectable on the back. When in the “up†position, low-end response on the bottom strings is extended. With a true-to-original, custom-cast golden enclosure & all the signature sounds of the original, Centavo delivers an authentically legendary pedal experience. $179.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Soundbreaking Hal Leonard
SKU: HL.275913 Stories from the Cutting Edge of Recording Music. E...(+)
SKU: HL.275913 Stories from the Cutting Edge of Recording Music. Edited by Robert Santelli. Book. Biography / Music Bisac, Biography/Composers & Musicians, Recording/Music Business. Hardcover Media Online. 144 pages. Published by Hal Leonard (HL.275913). ISBN 9781495177538. UPC: 888680745134. 9.0x12.0x0.756 inches. As Told By The Artists Foreword by George Martin Introductory Essays - Robert Santelli. This book was inspired by the eight-part Grammy(r) nominated film series titled, Soundbreaking: Stories from the Cutting Edge of Recorded Music. As Executive Producer, Sir George Martin, was the inspiration and intellectual force behind the series, which explores a century's worth of innovation and experimentation in the creation of music to present a behind-the-scenes look at the birth of new sounds. From the Beatles' groundbreaking use of multitrack technology to the synthesized stylings of Stevie Wonder, from disco-era drum machines to the modern art of sampling, Soundbreaking tells the stories behind the sounds and reveals how innovation redefined not only what we listen to and how we listen to it, but our very sense of what music is and can be. Soundbreaking features original interviews with more than 150 of the most celebrated artists, producers, and music industry pioneers of our time. This volume presents a curated selection of those interviews from across eras and genres. The twenty-one artists featured here share their personal insights, which point to themes that emerge and echo throughout: the importance of varied cultural influences on music careers; the role of technology innovation in the creative process; and most commonly, the human connection to music. Through their lens we discover fascinating new insights into music and especially into the relationship between artist and genres, an area that has been rarely studied. For some readers, this book will evoke many of the sounds and textures of days gone by. For others, it will serve to open doors to further enjoyment and that those readers will pursue artists and others whose names may not be familiar. Robert Santelli's introductions to each of the profiles puts each artist in context. They have all made valuable contributions to what has often been referred to as the soundtrack of our lives. Their music is as relevant today as when we first heard it. Recorded music has crossed the lines that separate cultures, ideas, and generations. In exploring the story of their own music, the voices in this book provide thoughtful insight to the extraordinary influences of recorded music on the modern world. $39.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| America, The Beautiful Choral SATB SATB [Octavo] Beckenhorst Press
By John Ness Beck Foundation. (SATB). Choral. Sacred. Published by Beckenhorst ...(+)
By John Ness Beck Foundation. (SATB). Choral. Sacred. Published by Beckenhorst Press.
$2.10 $1.995 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Marsling Octafuzzdrive Hal Leonard
SKU: HL.1458137 Interstellar Audio Machines. Guitar Pedal. Hal Leonard #I...(+)
SKU: HL.1458137 Interstellar Audio Machines. Guitar Pedal. Hal Leonard #IAMMOV2.0. Published by Hal Leonard (HL.1458137). Introducing the Marsling Octafuzzdrive – a pedal as distinctive as its sound. The Beings at IAM take a modern spin on the discontinued '70s era fOXX, enhanced with two interstellar modifications. First, the octave-up effect is now at your feet, offering on-the-fly versatility with a footswitch. Additionally, a tone control toggle switch has been incorporated, empowering players to select from three unique tonal profiles. The Marsling stands out as the epitome of versatility within the Interstellar galaxy. The Marsling Octafuzzdrive is a recreation of the fOXX Tone Machine, first released in 1971 and discontinued in 1978. The Tone Machine is a thick fuzz that uses a phase spliter and complementary rectifier to create an octave overtone. The Tone Machine has a lot in common with the Fender Blender, but with a more pronounced octave and smoother tone, as well as the ability to disable the octave by turning off half of the phase splitter. And the tone is not unlike the Superfuzz, although it uses a different method of octave generation to get there. The Marsling is faithful to the original, but with two added modifications. First, the octave switch for octave up is on a footswitch for on and off capabilities instead of a toggle switch. The second modification is the tone control. The tone control of the original is somewhat similar to the Big Muff, but many people find it's difficult to get good sounds from the treble side of the rotation. By increasing the value of the treble-side tone capacitor, it improves the usability. A switch has been added to let you choose between two different capacitors in addition to the original. $199.00 - See more - Buy online | | |
| Carl Martin 2Wah Pedal Hal Leonard
SKU: HL.438850 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0205. Pu...(+)
SKU: HL.438850 EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0205. Published by Hal Leonard (HL.438850). UPC: 196288079422. 4.75x11.75x3.333 inches. Have you ever wanted two distinctly different vintage 'wah' sounds at your feet? Perhaps you wished for a brighter wah for rhythm work and a deeper, darker wah for leads; and the ability to switch back and forth quickly? Well, Carl Martin has been busy creating your wish; the 2 Wah. This familiar looking, retro-styled pedal, has an all-metal casing with a non-slip foot pad. It can be powered by 9v battery, but we always recommend using a regulated power supply (like the Carl Martin Big John Power Supply) for maximum headroom and effect. Input is on the right and output on the left (remember your Wah should be the first pedal in your chain), and the standard effect on-off by stepping on the front of the rocker to engage the true bypass on-off switch. There are two three-way mode switches on the front of the 2 Wah marked Low (red LED) and High (green LED). These are connected to an on-off switch at the back of the pedal (step on back of rocker to engage this switch). The three low and the three high settings are recreations of six of the most popular vintage wah sounds since the beginning of wah. The Attack knob allows you to fine-tune exactly how you want the rocker to modulate your guitar signal. Six different wah sounds, from Hendrix to Trower to Earth Wind & Fire and beyond, all in one pedal. So why didn't we call it the 6 Wah? Well you would have to ask Carl... $209.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mass for use in a Royal Abbey - CD audio Organ Anne Fuzeau Productions
Organ SKU: FZ.50529 Vocal Ensemble Ad Limina. Composed by Gaspard ...(+)
Organ SKU: FZ.50529 Vocal Ensemble Ad Limina. Composed by Gaspard Corrette. Edited by Regis Allard. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50529). 12.5 x 14 cm inches. Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard. Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult. Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise. Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'. This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Conducting Business Biography Amadeus Press
Unveiling the Mystery Behind the Maestro. Amadeus. Biography/Composers an...(+)
Unveiling the Mystery Behind the Maestro. Amadeus. Biography/Composers and Musicians, Classical Reference. Hardcover. 312 pages. Published by Amadeus Press (HL.333460).
$33.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Allegria for Large Orchestra Orchestra [Study Score / Miniature] Schott
Orchestra (Study Score) SKU: HL.49004865 Score. Composed by Werner...(+)
Orchestra (Study Score) SKU: HL.49004865 Score. Composed by Werner Egk. Edition Schott. Classical. Book with Audio-Online. Composed 1952. 132 pages. Schott Music #ED4408. Published by Schott Music (HL.49004865). ISBN 9781423413134. UPC: 073999276947. 6.0x9.0x0.366 inches. Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.
Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations
With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.
The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano. $23.95 - See more - Buy online | | |
| Dj Mixing And Remixing Dj Stlyes Series [DVD] Alfred Publishing
DJ Mixing and Remixing. By Featuring DJ KNS. Books and DVDs; Method/Instruction;...(+)
DJ Mixing and Remixing. By Featuring DJ KNS. Books and DVDs; Method/Instruction; Pro Audio; Pro Audio DJ DVD. DJ Styles Series. DVD. Alfred Music #00-904926. Published by Alfred Music
$16.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jatekok - Games - Spiele 1 Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ8377 Composed by Gyorgy Kurtag. Educational Tool. Book ...(+)
Piano SKU: BT.EMBZ8377 Composed by Gyorgy Kurtag. Educational Tool. Book Only. Composed 1979. 88 pages. Editio Musica Budapest #EMBZ8377. Published by Editio Musica Budapest (BT.EMBZ8377). English-German-Hungarian. The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139). $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jatekok - Games - Spiele 5 Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14002 Tagebucheintragungen, persönliche Botschaft...(+)
Piano SKU: BT.EMBZ14002 Tagebucheintragungen, persönliche Botschaften. Composed by Gyorgy Kurtag. Contemporary Music. Book Only. Composed 1997. 48 pages. Editio Musica Budapest #EMBZ14002. Published by Editio Musica Budapest (BT.EMBZ14002). English-German-Hungarian. The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139). $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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