By Judith Weir. For Clarinet, Piano. 20th Century. Sheet Music. 62 pages. Published by Novello & Co Ltd.

Composed by William Averitt. Christmas, Sacred. E.C. Schirmer Publishing #9149. Published by E.C. Schirmer Publishing

(More Than 100 Folk Songs from Countries Across the Globe). By Various. Piano/Vocal/Guitar Songbook. Softcover. 248 pages. Published by Hal Leonard

Things That Go Bump in the Night (Grade 1.5 - Score and Parts). By Philip Sparke (1951-). Arranged by Philip Sparke. Anglo Music Concert Band. Grade 1.5. De Haske Publications #AMP207. Published by De Haske Publications

Score and Parts. By Jaromir Weinberger. Arranged by Glenn Cliffe Bainum. Hal Leonard Concert Band Series. Size 9x12 inches. Published by Associated.

Orchestra

SKU: BT.EMBZ40071

Composed by Bela Bartok. EMB Study Scores. Book Only. Composed 1985. 28 pages. Editio Musica Budapest #EMBZ40071. Published by Editio Musica Budapest (BT.EMBZ40071).

English-German-Hungarian.

'Dances of Transylvania is the orchestral version of 'Sonatina' (1915). In Sonatina, Bartók had arranged Romanian instrumental (chiefly bagpipe) music. The three movements of the work, 'Bagpipers', 'Bear Dance' and 'Finale' comprise five melodies. Bartók explained that each of the two melodies of the first movement had been played by two pipers, the second by a peasant violinist using the lower strings of the instrument to reproduce the sounds of a bear, and the two melodies of the 'Finale' again by two violinists. In the orchestral version Bartók was out to reproduce the original sonority created by the peasants.' (HCD 32505 Bartók New Series Vol. 5, Virág Büky).

(A Global Songbook or Program for Unison and 2-Part Voices (Kit)). By Sally K. Albrecht. This edition: CD Kit. Book; CD; Classroom/Pre-School; Musicals; Musicals and Programs; Reproducible. Christmas; Sacred; Secular; Winter. 68 pages. Published by Alfred Music Publishing

Concert Band - Grade 1.5

SKU: HL.44006694

Grade 1.5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert. Score Only. Composed 2007. 20 pages. Anglo Music Press #AMP207. Published by Anglo Music Press (HL.44006694).

UPC: 884088142049. 9x12 inches. English-German-French-Dutch.

It is dark and raining. You are on holiday in the Scottish highlands and looking for somewhere to stay for the night when you come across a magnificent Gothic castle. Even though the place looks a bit spooky, you book a room. As you are dropping off to sleep, you are startled by the sudden appearance in your room of a ghostly bagpiper and a loud scream from somewhere down the corridor. You jump out of bed and decide to make a quick exit. All members of your band will love this spooky tale especially as they can add their own ghostly sounds and effects.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

(Holiday Songs from Around the World) Arranged by William Ryden (1939-), edited by Thom Proctor. Instrumental trio book for 3 flutes or piccolos. With standard notation. Series: Educational Instrumental Collection. 24 pages. Published by Belwin.

(12 Pieces for Children). Composed by Gian Carlo Menotti (1911-). Edited by Sylvia Watkins Ryan. For Piano. Book; Masterworks; Piano Collection. Alfred Masterwork Edition. 20th Century; Children; Masterwork; Recital. Advanced. 28 pages. Published by Alfred Music

By Fletcher, S., Rolland, P., Rowell, M., Krolick, E. For Rolland publications. Published by Boosey and Hawkes.

(Holiday Songs from Around the World) Arranged by William Ryden (1939-), edited by Thom Proctor. Instrumental trio book for 3 cellos/basses. Series: Educational Instrumental Collection. 24 pages. Published by Belwin.