SKU: TM.02315SET
Faint and Fainter is my Slumber; E (modulating to Db); Sc in set.
SKU: HL.49013382
ISBN 9790001119306.
SKU: CL.014-0105-00
Note: This is a reprint from a vintage publication of 1931. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: CL.013-0105-00
Includes TABB vocal parts Note: This is a reprint from a vintage publication of 1895. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: CL.SCM-1050-00
Med. tempo 12 bar Blues in C written in a Classic Count Basie style that can get your band in a groove quickly.
SKU: CL.SCM-1050-01
SKU: GH.GE-10522
ISBN 9790070105224. Key: C dur / c major.
SKU: BA.BA05090-41
ISBN 9790006494699. 24.7 x 17.8 cm inches.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5032105
ISBN 9790007080990. Key: C minor. Language: Latin.
Johann Michael Haydn's Requiem in C minor heavily influenced W. A. Mozart's Requiem. In just two weeks Michael Haydn composed his work in December 1771, on the occasion of the death of his employer, Prince Bishop Sigismund Count Schrattenbach, who was beloved among the people and was a great patron of the arts. The work was written under the impression of personal tragedy: Haydn's only child, Aloisia Josepha, died in January 1771, before completing her first year of life. Parts of the Schrattenbach-Requiem were played together with the completed movements from his second, unfinished Requiem during his own furneral service. During the funeral service in Vienna for Joseph Haydn, parts of his younger brother's C-minor Requiem were also performed. Score available separately - see item CA.5032100.
SKU: CA.5165105
ISBN 9790007182021. Key: C minor. Language: Latin.
The C Minor Mass K. 427 by Wolfgang Amadeus Mozart is a fascinating work. But to speak of the Mass is inaccurate, for basically it is no more than a musical torso, full of enigmas and problems, yet full of magnificent music. It is hardly surprising that attempts have been made to create a performable version of Mozart's fragment since the 19th century. Depending on the date of reconstruction and background of the arranger, these attempts sound quite different, and often the individual style of the respective arranger can be clearly discerned. Now Frieder Bernius and Uwe Wolf have published a new edition of the Mozart mass which attempts to produce a performing version whilst maintaining the greatest respect for the available material, and without obscuring Mozart's musical manuscript with their own contributions. The joint version by Wolf, a renowned musicologist, and Bernius, an expert in historically-informed performance practice, is based on a thorough knowledge of Mozart's compositions, his notational habits, and church music practice of Mozart's day. At the same time it fully meets the requirements of today's performance practice. As well as the paperback full score, we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources. A first recording of this version, with the Kammerchor Stuttgart and the Barockorchester Stuttgart conducted by Frieder Bernius, is also available. Score available separately - see item CA.5165100.
SKU: CL.013-1050-00
SKU: CL.SCM-1052-01
Medium fast modern swing chart with lots of unison and ensemble passages making this very playable.
SKU: CL.SCM-1053-00
Medium tempo Jazz Samba that captures a tinge of Spain while allowing Jazz elements to shine through. Solo sections are on 2 chord changes (Cm/Db) making for easy soloing.
SKU: CL.013-1105-00
SKU: CL.SCM-1051-01
This funk chart is based on two chord changes which make soloing a breeze. A short interlude (Bridge) provides a break from the 2 chords.
SKU: CL.SCM-1054-01
Medium groove Basie style written as a tribute to the great Ernie Wilkins. This one really lays well with solos for tenor and trumpet. Includes well-written sax soli.
SKU: CL.083-0105-08
This solo has a nice range. From its lowest note to the highest, it's a great choice for a player who's looking to improve!
SKU: CL.SCM-1059-00
This 6/8 jazz groove is reiniscent of A Walk on the Wild Side which Mike arranged while he was staff arranger for the 3rd Army Band in Atlanta, GA. This Bb minor blues has a touch of Charles Mingus in it.
SKU: CL.SCM-1056-01
An easy Basie/Nestico style swinger at a Medium Fast tempo. Brass ranges are very comfortable with lots of unisons and full ensemble sections.
SKU: CL.SCM-1055-00
This chart captures that island feel of the Caribbean. The simple unison melody is based on the A section of Gershwin's I've Got Rhythm. Calypso feel.
SKU: CL.SCM-1054-00
SKU: CL.SCM-1055-01
SKU: CL.013-1054-00
SKU: CL.SCM-1052-00
SKU: CL.013-1051-00
SKU: CL.013-1056-00
SKU: CL.SCM-1058-01
A medium tempo Basie Style swing tune that really captures the idiom. Written trumpet and tenor sax solos. Andy Farber is our newest writer who is currently writing for the Lincoln Center Orchestra and for a jingle house in NYC. He conducted his own big band at Birdland for over a year on Sunday nights.
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