SKU: BR.EB-8531
Eckart Schloifer, solo violist of the Saarland Radio Orchestra and co-founder of the 'trio basso', is an uncontested authority on viola composition today:
ISBN 9790004178232. 9 x 12 inches. German / English.
The series Studies for Playing Contemporary Music for ... offers a collection of short contemporary pieces for the resp. Solo instrument. The series addresses musicians who are particularly interested in contemporary music and seek ways of becoming familiar with this domain. Many pieces were written especially for these collections. The editors have especially stressed that the contributions should, on the one hand, correspond to the personality of the composer and, on the other hand, treat definite technical and musical problems. Meanwhile, several have made it into the repertoire of solo literature. Other pieces have been drawn from larger works. Particular on the notation of the respective pieces are contained in the comments. There the instructions of the editor for the instrumental realization as well as, if necessary, the composers' own explanations are given.Eckart Schloifer, solo violist of the Saarland Radio Orchestra and co-founder of the 'trio basso', is an uncontested authority on viola composition today.
SKU: HL.49046513
ISBN 9783795715502. UPC: 840126936537.
Today, the mediation of contemporary (art) music offers a large, interdisciplinary field for activities and research, which in terms of institutions and methodology is particularly heterogeneous. It encompasses the work of cultural agents in institutions and music ensembles as well as at schools and music schools and it includes diverse concepts, pre-conditions, goals and certain courses of action. This collection documents work and results of the program area ConTempOhr. Mediating Contemporary Music in Salzburg and consists of papers on elementary music pedagogy, dance and choreography, composition und improvisation, psychology and cultural sociology and intermedia artistic work. It also contains papers referring to music mediation for leadership development in businesses, at festivals of contemporary (art) music, as part of work in music ensembles, at general schools, music schools, universities, and in instrumental pedagogy.
SKU: HL.50499300
UPC: 884088951306. 9x12 inches.
This collection, the result of a cooperation with the Verlag Sonus Mundi, contains selected solos for violin by twelve contemporary composers: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin and Yoram Paporis. This collection, the result of a cooperation with the Verlag Sonus Mundi, contains selected solos for violin by twelve contemporary composers: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-LucDarbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin and Yoram Paporis.In Zusammenarbeit mit dem Verlag Sonus Mundi entstand diese Sammlung ausgewahlter Solowerke fur Violine von zeitgenossischen Komponisten: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin und Yoram Paporis. Questa raccolta, frutto di una collaborazione con la casa editrice Sonus Mundi, contiene una selezione di brani per violino solo di dodici compositori contemporanei: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin e Yoram Paporis.
SKU: BR.BG-780
ISBN 9790004131541. 9 x 12 inches. German / English.
The series Studies for Playing Contemporary Music for ... offers a collection of short contemporary pieces for the resp. Solo instrument. The series addresses musicians who are particularly interested in contemporary music and seek ways of becoming familiar with this domain. Many pieces were written especially for these collections. The editors have especially stressed that the contributions should, on the one hand, correspond to the personality of the composer and, on the other hand, treat definite technical and musical problems. Meanwhile, several have made it into the repertoire of solo literature. Other pieces have been drawn from larger works. Particular on the notation of the respective pieces are contained in the comments. There the instructions of the editor for the instrumental realization as well as, if necessary, the composers' own explanations are given.
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