SKU: CL.013-0015-00
Note: This is a reprint from a vintage publication of 1889. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: OU.9780193505179
ISBN 9780193505179. 10 x 7 inches.
For SATB and organ This is a jubilant, richly-textured anthem. Accessible and uplifting, the piece is embroidered throughout with references to Vaughan Williams's revered hymn tune 'Sine Nomine'; this eventually emerges in its entirety, embellished with a triumphant descant and short passage for congregation.
SKU: HL.248688
UPC: 888680729080. 9x12 inches. English.
“Gordon Wright was the friend of a lifetime. For thirty years Gordon and I shared our two greatest passions: music and Alaska. Gordon was my musical collaborator, my next-door neighbor, my fellow environmentalist and my camping buddy. These miniatures are musical sketches of three moments and places in our friendship. Like Alaska, Gordon was larger than life. He always lived his own way. And he died just as he would have wanted. We found him lying on the deck of his cabin in the Chugach Mountains, curled up against his favorite birch tree, looking across the waters of Turnagain Arm toward the Resurrection Valley and the tiny settlement of Hope.” - John Luther AdamsThis music contains no normal stopped tones. All the sounds are produced as natural harmonics or on open strings. There are no harmonics higher than the sixth. So these sounds should be clear and resonant. Even so, balancing the harmonics with the open strings requires careful attention.The durations of the individual pieces are given at the end of each.The total duration of the set is about ten minutes.
SKU: OU.9780193868113
ISBN 9780193868113.
For SATB and organ.
SKU: HL.14022429
English.
A fun musical play in rhyme with seven songs for Primary schools based on the Grimm Brothers' story. Meet the flamboyant donkey who revels in showing-off, the kindly old dog who discovers he can sing, the slinky cat the night-singer, and the always-in-a-flap Rooster. Whilst perfect singing voices are not required, enthusiasm and humour are! The play has nine main characters, a unison speaking chorus, a body of singers and a troupe of dancing forest animals. If you need to license a school/youth theatre performance of this product, please use the online application form.
SKU: SU.26180020
These sixteen songs are a selection of those I've composed over the course of several decades. The texts are primarily by Americans, including William Carlos Williams, James Wright, and Elizabeth Bishop, though three are by British poets. The subject of most of the songs is the natural world and, often, humans' interaction with it. There are also several that merely celebrate love. —William McClellandMedium Voice & Piano Composed: 2005-2014 Published by: WMC Music (BMI).
SKU: CF.CM9592
ISBN 9781491154144. UPC: 680160912643. 6.875 x 10.5 inches. Key: Ab major. English. Henry F. Lyte (1793-1847).
Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to Abide with us, for it is toward evening, and the day is far spent. The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy. Though Lyte wrote his own tune for the poem, the tune most associated with the text is Eventide by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymns inclusion in Hymns Ancient and Modern, published in 1861. Be intentional to sing a tall, pure /a/ sound on the word abide. Also be mindful that the original Abide with me hymn melody should be primary with the prayerful Pater Noster providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly. For more information visit www.reginalwright.com.Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to aAbide with us, for it is toward evening, and the day is far spent.a The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy. Though Lyte wrote his own tune for the poem, the tune most associated with the text is aEventidea by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymnas inclusion in Hymns Ancient and Modern, published in 1861. Be intentional to sing a tall, pure /a/ sound on the word aabidea. Also be mindful that the original aAbide with mea hymn melody should be primary with the prayerful aPater Nostera providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly. For more information visit www.reginalwright.com.Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to Abide with us, for it is toward evening, and the day is far spent. The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy. Though Lyte wrote his own tune for the poem, the tune most associated with the text is Eventide by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymn's inclusion in Hymns Ancient and Modern, published in 1861. Be intentional to sing a tall, pure /a/ sound on the word abide. Also be mindful that the original Abide with me hymn melody should be primary with the prayerful Pater Noster providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly. For more information visit www.reginalwright.com.Henry Francis Lyte, 19th century Scottish minister and poet, wrote this hymn text during the last year of his life. The opening line of the hymn is misquoted from Luke 24:29, when the disciples meet the resurrected Jesus, but do not recognize him. They ask him to “Abide with us, for it is toward evening, and the day is far spent.†The change to the singular pronoun gives the hymn its comforting, personal and emotional intimacy.Though Lyte wrote his own tune for the poem, the tune most associated with the text is “Eventide†by William Henry Monk. Monk, a composer, arranger, and editor wrote this tune for the hymn’s inclusion in Hymns Ancient and Modern, published in 1861.Be intentional to sing a tall, pure /a/ sound on the word “abideâ€. Also be mindful that the original “Abide with me†hymn melody should be primary with the prayerful “Pater Noster†providing its support. Overall, bear in mind the prayerful mood of the selection and mold the color of the tone accordingly.For more information visit www.reginalwright.com.
SKU: JK.02007
This is the E flat (original) edition of the popular Christmas carol for duet and piano, arranged with both English and Spanish lyrics (Estrella de Luz). Guitar chords included. Angels sing of glory when Jesus comes on earth to dwell. The above demo recording reflects this arrangement a half-step down in the key of D, as is found in the D edition, here.Composer: Lorin F. WheelwrightLyricist: Lorin F. WheelwrightDifficulty: Medium-easy / medium-easy acc.Performance time: 3:30Reference: Luke 2.
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