SKU: KN.9951
UPC: 822795099515.
This grade 4 arrangement contains selected themes from the 1st Movement of Symphony No. 41, K. 551. This was Wolfgang Amadeus Mozart's last symphony composed before his death, and clearly shows his brilliance as a composer. Mozart's adventurous approach to the material paves the way for Beethoven. Each set includes three copies of the 3rd Violin/Viola T.C. piano part. Duration 4:00.
SKU: BA.BA07887-82
ISBN 9790006558537. 32.5 x 25.5 cm inches.
The popularity of Faure's Pavane is mostly attributed to its many arrangements but the original version for orchestra is being published here for the first time. Shortly after completing the orchestral work, Faure began work on a version for choir, which was actually premiered before the orchestral version.This new Barenreiter edition offers conductors and orchestras a reliable Urtext edition of the Pavane's original orchestral version which will surely enhance symphonic concert programmes everywhere.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: KJ.SO379F
UPC: 8402704725.
William Hofeldt's inspiration comes from the Oscar Wilde poem with the same name. It's sheer depth and beauty is clearly Hofeldt at his best, once again. G Major. 3/4 time. Shifting work during octave divisi moments. Duration: 4:37.
SKU: BA.BA07887-79
ISBN 9790006558520. 32.5 x 25.5 cm inches.
SKU: BR.PB-5234
This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
ISBN 9790004210154. 10 x 12.5 inches.
The Urtext edition of Ludwig van Beethovens Fourth Symphony presented here is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score. The score contains the complete Critical Report. Observations deemed particularly important, as well as divergences from established editions, are clearly marked within it.Words are not enough to praise this exemplary edition, resulting from many years of systematic editorial work on the sources. Breitkopf's source-critical, practice-oriented edition by Clive Brown and Peter Hauschild will provide valuable new impulses in the interpretation of Beethoven's music.(Kurt Masur)This Urtext edition is based on the surviving primary sources: the autograph score, a copy of the score examined by Beethoven, two copies of the part material which he personally used, and the first edition of the parts and score.
SKU: HL.49002031
ISBN 9790001116992. 9.0x12.0x0.102 inches.
The musical baroque of Eastern Europe is not enough known. In this edition, a number of dances from Hungary have been arranged reflecting clearly the characteristic features of this style. Flutes, oboes and harpsichord are ad libitum, the pieces can also be performed effectively with strings alone.
SKU: HL.49002030
ISBN 9790001116985. 9.0x12.0x0.425 inches.
SKU: BT.EMBZ10012
Cinque studi per orchestra (1959?60) clearly documents the process by which Maros - starting from Bartók's expressionist works written during the 1920s, especially The Miraculous Mandarin and The Night's Music -escaped from the earlier tonal, classicizing realm of music. The composition takes the form of a suite, with alternating notturno and scherzo movements. Decisive to the character of both are percussion instruments hitherto used solo only rarely in Hungarian orchestral practice. (Anna Dalos).
SKU: HH.HH401-FSC
ISBN 9790708059806.
Pleyel was one of the most popular and prolific composers in western Europe at the turn of the nineteenth century. This symphony, composed in 1791, represents a grandiose gesture to his teacher Haydn, since the Adagio second movement and the Finale are clearly related to his music. A dramatic first movement and a surprisingly rich Minuet and Trio complete this striking work, written for London's Professional Concerts society.
SKU: HL.14000910
ISBN 9788759858875. 12.0x16.5x0.52 inches.
Nacht Und Trompeten by Hans Abrahamsen (1981). Programme note: The piece is dedicated to Hans Werner Henze, from whose request the piece arose. The music unfolds in a space, in which the memory of the earlier music has the same reality as the music of today. But the music of the memory is naturally distant and vague, whereas the music of today is present and gesticulated. In the opening section the past and the present are clearly separated, but during the piece, this balance is lifted, as the music of the past (trumpet signals, Sicilian melodicity, romantic Pathos, strawinskian neo-classicism) in a dynamic and often dramatic surrealistic play with minimalism and modernism oftoday is unravelled. Orchestration: 2.2.2.2/2.3.0.0/5perc/pf/str. Parts are for hire: hire@ewh.dk.
SKU: HL.49018044
ISBN 9783795765590. UPC: 841886014275. 6.25x9.0x0.284 inches.
The Eulenburg Audio+Score Series covers more than 200 years of the world's favorite classical music. Each of the 50 volumes consists of a clearly-presented and authoritative musical score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length. Eulenburg Audio+Score is the new way to hear, read, and understand music for everyone from the casual music lover to the expert enthusiast. Each volume includes a study score of the music with an informative article and a CD with a complete recording of the featured piece.
SKU: HL.49045561
ISBN 9783901974045.
Strauss's first tone poem distinguishes itself from all other subsequent orchestral compositions in its existence in three different versions. Even among the operas and other compositions in his hand there is no other work with a comparable history of origin and publication. What is more, the final version of Macbeth is the only valid form of the work and the only variant with further sources (cf. Critical Report) in addition to the autograph score. In contrast, the second version has only been preserved in an autograph score and autograph piano reduction (the orchestral parts which must have existed have obviously not survived). This was never printed and was replaced by the published third version. The two surviving versions should therefore not be considered to be of equal status. Unlike the case of Ariadne auf Naxos in which the earlier version was for a time the sole valid alternative and was yet never completely displaced by the soon dominating later version of the opera, only the final third version of Macbeth is considered as valid. Right from the outset, it was a matter of course for the editors of the present volume to include the second version as a first publication (in addition to the above-mentioned surviving pages of the first version), albeit in different forms. The surviving pages of the first version are reproduced in facsimile and the second version, as a subordinate form of the work, appears alongside Strauss's piano reduction in a modified source edition, i.e. without intervention on the part of the editors. The ultimate third version is published as a full edition (please refer to the Critical Report for further details). In order to facilitate a comparative study of the second and third versions, the relevant page numbers of the score are placed opposite one another (the autograph piano reduction of the second version is included at the end of the music section of the volume). The editors hope that this synoptic representation will prompt interest in further studies on Strauss's art of orchestration: a field of research which has still remained insufficiently examined. A study of Macbeth namely illuminates as clearly as could be wished how much significance Strauss allotted to sound alongside form. The subjects were not merely intended to generate an individual figure, but also specific tonal colours, and the instrumentation was simultaneously designed to provide an optimal communication of thematic-motivic texture to the audience. The 'new path' threw up consequences which caused Strauss a considerable amount of difficulty. He was however a fast learner and had already swum free with Don Juan and all the more with Tod und Verklarung.
SKU: BA.BA10980
ISBN 9790006562831. 31 x 24.3 cm inches. Key: G major. Text Language: German, English. Preface: Andreas Friesenhagen.
This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “soloâ€, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo†marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly.Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scale choral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydnâ€. The complete performance material for several “Sturm und Drang†symphonies and all of the London and Paris symphonies is now available from Bärenreiter.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA08899
ISBN 9790006523351. 33 x 24 cm inches. Preface: Denis Herlin. Text: Charles-Antoine Leclerc de La Bruere.
“Dardanus†is Rameau’s third “Tragdie lyrique†composed for Paris after “Hippolyte et Aricie†and “Castor et Polluxâ€. With its multi-facetted music it represents quite a high point of this genre. Its performance history is remarkable in that within only five years two clearly different versions were being performed.The new critical edition by Denis Herlin for the first time offers the possibility to reconstruct the version of May 1744 in addition to the version of 1739. Also, the Appendices include the complete performance material of the version of April 1744, many parts of which could not be heard since. Last but not least the changes of the successful re-staging of 1760 are presented.This performing edition contains all the purely instrumental numbers of the opera in their various versions. Apart from the preludes and ritornellos, these are above all the diverse dance numbers.
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