SKU: BT.DHP-1002156-400
ISBN 9789043110723. English.
Everyone will be sure to recognise many of the ten hits from the world of the West-End Musical. Contains songs from Sweet Charity, Aspects of Love, My Fair Lady, A Chorus Line, Fiddler On The Roof, The Blues Brothers, Phantom of The Opera and Joseph and His Amazing Technicolor Dreamcoat. Bekannte Songs des 20. Jahrhunderts. Il CD contiene la versione integrale di ogni brano, come anche una versione con il solo accompagnamento.
SKU: BR.DV-32027
ISBN 9790200425192. 9 x 12 inches.
Bicinia - unaccompanied duos - have been known to us from the fifteenth century onwards. So quite early on it was customary tu practise this type of musical exercise, which later, especially during the Romantic period, achieved great popularity as the duo or duett. Equal numbers of this sort of instrumental duo were composed for nearly all wind and string instruments. On the other hand, only a small amount of compositions for two trumpets have come down to us. In order to play any music which progresses beyond pure fanfare on a natural (valueless) trumpet, it is necessary to make use of the clarion register (the top third of the natural harmonic). And if such a melody is to be accompanied by a second part, only the few natural notes lying below it are left, or else this high register itself, which calls for great virtuosity on the part of the trumpeter. As well as this, we must remember the fact that trumpet-playing was only allowed for the trumpeters of a royal court, army, staff, or for the field-trumpeter of a prince, plus a few council, city, and church musicians, who were bound by strict guild and corporation rules. Thus in spite of the preference for its festive sound, the spread and handing down of trumpet music was almost reduced to nothing under these circumstances. As well as this, pride of place and profession rivalry and envy amongst musicians contributed in large part. In England the situation was somewhat freer. Here pretty little trumpet duos originated, including, amongst others, those written by Handel for his master-trumpeter Valentin Snow and the Royal Sergeant-trumpeters of the Shore family. An especially happy exception was the diocese of Olmiitz. Here there was a capable group of musicians of the chapel royal with the brilliantly talented group of trumpeters and the field-trumpeter Pavel Vajvanovsky, who also composed himself. These trumpeters in the service of his prince-bishop played many sacred and secular pieces, all for several instruments. It was for them also that Heinrich Ignaz Franz Biber wrote the 12 double trumpet sonatas we present here. On the other hand, the representatives of the authorities in Germany ensured strict observation of all edicts and regulations. Even the celebrated Bach-trumpeter and towm-piper Gottfried Reiche was never allowed to be portrayed with a proper trumpet due to the priveleges of court and field trumpeters. In order to represent him as one of the greatest masters of his time and art, however, the painter placed an instrument similar to a corno-di-caccia in his hand, together with a sheet with a small piece for virtuoso clarion. When we try in spite of these difficulties and adverse circumstances to gather a collection of musically valuable and characteristic examples of popular pieces for two trumpets from the seventeenth and eighteenth centuries, it is in the first, place in order to acquaint modern trumpeters with something of the wealth of music, which can also be well played on a modern trumpet with valves. The originally used trumpets correspond to modern ones in the keys of C and D, but this does not mean that many of the pieces cannot be transposed to a more comfortable register. On top of this, we have tried to give a picture of the baroque court and field trumpeter, as well as of the mysterious clarion trumpeter, with the help of musically popular material. The origin of most of the pieces used is no longer clearly discernable. In most cases we possess second- or third-hand copies which have been handed down, and show signs of frequent use. A few cases where modernization of the second part obviously did not take place until the invention of stops, have been re-shaped into their supposed original form. A series of further dynamic details were left, and marked as optional suggestions in brackets. Kurt Janetzkyz.T. mit Pauken und B.c.
SKU: HL.49033036
ISBN 9790001130585. UPC: 884088567552. 9.0x12.0x0.114 inches.
Mit Begleit-CD fur ein perfektes Playback - das richtige Band- und Orchester-Feeling ist so auch ohne eigenes Klavier moglich. Alle Noten der Klavierbegleitung sind ausserdem als PDF-Files auf der CD - in professioneller Qualitat ausdruckbar.
SKU: BT.DHP-1043764-404
ISBN 9789043161879. Spanish.
Hoy en d a, Escuchar, leer and tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos libros de metodolog a para principiantes, con acceso en l nea a archivos deaudio, contienen canciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del métodoestán acompañados por otros libros que contienen material complementario acordes al nivel correspondiente. Algunos de los libros no están disponibles en español sino en inglés bajo el t tulo Look, Listen and Learn.
SKU: BT.DHP-1064193-404
ISBN 9789043168441. Spanish.
SKU: BT.DHP-1053897-404
ISBN 9789043162678. Spanish.
SKU: M7.AHW-241
English.
From the Foreword, by David Baldwin: Here is a trumpet book that has been waiting 90 years to become a classic in the advanced trumpet etude repertoire. David Bertie has taken on the monumental task of completely re-imagining every aspect of this work. Aaron Harris first published this series of violin studies and technical calisthenics in 1930. While an impressive body of work, it has never become widely used by trumpet players because of its many shortcomings. With David Bertie's superb revision, this 'new' book is easily on the same level as the etudes by Theo Charlier, Walter Smith, or Chris Gekker. These pieces are not just for violin anymore. A trumpet player can now develop his or her skills to be as sophisticated a musician as any violinist on a Stradivarius!
SKU: BT.DHP-1002332-401
ISBN 9789043112130. English-German-French-Dutch.
This is a great value collection of 24 pop songs and traditional melodies arranged for unaccompanied solo. Every style of pop music is included with songs by Britney Spears (Sometimes and Born To Make You Happy), Queen (Crazy Little Thing Called Love), Lou Bega (Mambo No 5), Brian Adams (Everything I Do), Elvis (You’ll Never Walk Alone) and many more. Inhoud: Mambo No. 5 • Sometimes • Vive l’amour • A Woman in Love • Love Is All • Crazy Little Thing Called Love • Conquest of Paradise • Fly Me to The Moon • Havah Nagilah • This Melody • I Don’t Need Her, I Need You • A WhiterShade of Pale • On Top of Old Smokey • Everything I Do, I Do It for You • Reach Out, I’ll Be There • Swing Low, Sweet Chariot • The Yellow Rose of Texas • Butterfly • Born to Make You Happy • You’ll Never Walk Alone • And the BandPlayed on • Waltzing Matilda • We Shall Overcome • When the Saints Come Marching InNach dem großen Erfolg von Top Hits Solo I> wird die Reihe hier mit noch mehr unvergesslichen Pophits fortgesetzt.
SKU: M7.AHW-308
As recounted by our dad, Charles Colin, he was first introduced to Miles in the mid '50's by Charlie Parker. Pop had already published Charlie Parker's, 'Yardbird Originals' under our other publishing company, 'New Sounds in Modern Music'. Miles had been away for a period and, now that he was back on the scene, Parker thought it would be worthwhile for Miles to meet his new publisher, with the hope of working out a similar arrangement. Parker brought Miles to the office, then on 48th Street to meet Pop. Pop was very happy to give it a go, whereupon he gave Miles a trumpet, a mouthpiece and tape recorder and asked him to lay down solos over some standard tunes. The original transcriptions which, I believe were done by Hank Edmonds, were given the 'cool' knick-names, Miles Away, Miles Cools Off, etc. rather than the names of actual standards. So, here we are decades later, and have decided to ask renowned arranger, David Berger, to identify the tunes and clarify some of the chord changes - for posterity!
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version