SKU: FZ.5813
ISBN 9790230658133. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Jacques-Fereol MAZAS. Methode de violon suivie d'un traite des sons harmoniques en simple ou double-cordes (Paris, Aulagnier, s. d. = 1830). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5816
ISBN 9790230658164. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Delphin ALARD. Ecole du Violon - Methode complete et progressive a l'usage du conservatoire (Paris, Schonenberger - Mayence B. Schott, edition datee de 1844). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5815
ISBN 9790049058155. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in six books. Francois-Antoine HABENECK. Methode theorique et pratique de violon (Paris Canaux, edition datee de 1842) - [Methode composee c. 1840]. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5850
ISBN 9790230658508. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. ANCELET - Jacques-Laurent BETHISY - Sebastien de BROSSARD (1-2) - Michel CORRETTE (1) - Jean-Baptiste DOMENJOUD - Pierre DUPONT - Encyclopedie - F. A. P. de GARSAULT - Francesco GEMINIANI - Marin MERSENNE - Michel Pignolet de MONTECLAIR - Leopold MOZART. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Brossard Sebastien de: Dictionnaire de musiqua - 1703. Brossard Sebastien de: [Methode de violon manuscrite] - c. 1711. Monteclair Michel Pignolet de: Methode facile pour apprendre a jouer du violon - 1711. Dupont Pierre: Principes de violon - 1718. Corrette Michel: L'ecole d'Orphee - 1738. Dupont Pierre: Principes de violon '(seconde edition) - 1740. Encyclopedie: Articles sur le violon et la lutherie - 1751/1772. Geminiani Francesco: L'art de jouer du violon - 1752. Ancelet: Observations sur la musique - 1757. Domenjoud Jean-Baptiste: De la preference des vis aux chevilles - 1757. Garsault F. A. P. de: Notionnaire, ou memorial raisonne - 1761. Bethisy Jacques Laurent: Exposition de la theorie - 1764. Mozart Leopold: Methode raisonnee pour apprendre a jouer du violon - 1770. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - Library of Congress, Washington (USA). - Bayerische Staatsbibliothek of Munich (Germany). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5852
ISBN 9790230658522. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Anonyme (3-4) - Louis, L'aine BORNET - Joseph DEMAR - Louis-Antoine DURIEU - Encyclopedie methodique - LABADENS (2) - J. J. O. de MEUDE-MONPAS. Table of contents: Anonyme: La parfaite connoissance - 1782. Bornet Louis, l'aine: Nouvelle methode de violon - 1786. Meude-Monpas J. J. O. de: Dictionnaire de musique - 1787. Encyclopedie methodique: Article sur les outils de lutherie et complements a l'Encyclopedie de Diderot - 1788. Anonyme: Principes pour apprendre facilement - c. 1790. Labadens: Nouvelle methode pour apprendre a jouer du violon - 1790. Durieu Louis-Antoine: Methode de violon - 1794. Demar Joseph: Nouvelle methode abregee - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5851
ISBN 9790049058513. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Anonyme (1-2) - Michel CORRETTE (2) - LABADENS (1) - L'ABBE LE FILS - Jean-Benjamin de LABORDE - Theodore-Jean TARADE. Table of contents: Anonyme: Maniere de graduer un violon - 1771. Observation sur la maniere de graduer un violon. Labadens: Nouvelle methode pour apprendre a jouer du violon - 1772. L'Abbe Le Fils: Principes de violon pour apprendre le doigte - 1772. Tarade Theodore-Jean: Traite du violon - 1774. Laborde Jean-Benjamin de: Essai sur la musique ancienne et moderne - 1780. Corrette Michel: L'art de se perfectionner - 1782. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - National Library of Paris (France). - In Philippe Lescat's Collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5826
ISBN 9790230658263. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Bartolomeo BISMANTOVA - Francesco GEMINIANI (1-2) - Giuseppe TARTINI (1) - Carlo TESSARINI (1) - Aurelio VIRGILIANO - Gasparo ZANNETTI. Table of contents: Virgiliano Aurelio: Il dolcimelo d'Aurelio Virgiliano - c. 1600. Zannetti Gasparo: Il scolaro di Gasparo Zannetti - 1645. Bismantova Bartolomeo: Compendio musicale - 1677. Tessarini Carlo: Gramatica di musica - 1741. Tartini Giuseppe: L'Arte del arco - 1748. Geminiani Francesco: A treatise of good taste - 1749. Geminiani Francesco: The art of playing on the violin - 1751. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Civico Museo Bibiografico Musicale of Bologna (Italy). - Municipal Library of Reggio Emilia (Italy). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.6370
ISBN 9790049063708. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Hans GERLE - Matthias KELZ - Johann Jacob PRINNER - Georg MUFFAT (1) - Daniel SPEER - Georg MUFFAT (2) - Joseph Friederich Bernhard Caspar MAJER - Johann Philipp EISEL - Maurus BUOHL - ANONYME. Table of contents: Gerle Hans: Musica und Tablatur, auff die Instrument der kleinen und grossen Geygen - 1546. Kelz Matthias: Epidigma Harmoniae Novae - 1669. Prinner Johann Jacob: Musicalischer Schlissl - 1677. Muffat Georg: SUAVIORIS HARMONIAE INSTRUMENTALIS - 1695. Speer Daniel: Grund-richtiger Kurz-Leicht-und Nothiger jetzt Wol-vermehrter Unterricht der Musicalishen Kunst - 1697. Muffat Georg: EXQUISITORIS HARMONIAE INSTRUMENTALIS - 1701. Majer Joseph Friederich Bernhard Caspar: MUSEUM MUSICUM THEORETICO PRACTICUM - 1732. Eisel Johann Philipp: Musicus autodidactos - 1738. Buohl Maurus: Ein neues durch die Musicalische Combination - 1756. Anonyme: Rudimenta Panduristae - 1770. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Congress Library of Washington (USA). - University Library of Uppsala (Sweden). - British Library of London (England). - Stadtarchiv of Constancy (Germany). - National Library of Wien (Austria). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5827
ISBN 9790230658270. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Anonyme - Bartolomeo CAMPAGNOLI (1) - Francesco GALEAZZI - Pietro LEONE- Antonio LOLLI - Vicenzo PANERAI- Giovanni Batista RANGONI - Pietro SIGNORETTI - Giuseppe TARTINI (2-3) - Carlo TESSARINI (2-3) - Carlo ZUCCARI. Table of contents: Tessarini Carlo: Nouvelle methode pour apprendre par theorie - c. 1760. Zuccari Carlo: The tru method of playing - 1762. Tessarini Carlo: An accurate method - 1765. Leone Pietro: Methode raisonnee - 1768. Tartini Giuseppe: Lettera del defonto signor Giuseppe Tartini - 1770. Tartini Giuseppe: Traite des agremens - 1771. Signoretti Pietro: Methode contenant les principes - 1777. Panerai Vicenzo: Principi di musica - c. 1780. Anonyme: Riflessioni d'un professore - 1780. Lolli Antonio: L'ecole du violon en quatuor - c. 1784. Rangoni Giovanni Batista: Saggio sul gusto della musica - 1790. Campagnoli Batolomeo: L'art d'inventer a l'improviste - c. 1790. Galeazzi Francesco: Elementi teorico-pratici - 1796. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). - Civico Museo Bibliografico Musicale of Bologna (Italy). - Conservatory Library of Music Benedetto Marcello of Venice (Italy). - Staatlische Hochschule fur Musik und darstellende Kunst of Berlin (Germany). - Conservatory Library of Music Giuseppe Verdi of Milan (Italy). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.6392
ISBN 9790049063920. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Francesco GEMINIANI - Giuseppe TARTINI - F. A. W. ANONYME - Johann Adam HILLER - Ignaz SCHWEIGL (2) - George Simon LoHLEIN. Table of contents: Geminiani Francesco: Grundliche Anleitung oder Violin Schule 1782. Tartini Giuseppe: Brief des Joseph Tartini an Magdalena Lombardini 1786. Anonyme: Anmerkungen uber die Violin und den Violinspieler 1788. Hiller Johann Adam: Anweisung zum Violinspielen, fur Schulen, und zum Selbstunterrichte c. 1792. Schweigl Ignaz: Grundlehre der Violin. Erster Theil 1794. Schweigl Ignaz: Grundlehre der Violin. Zweiter Theil 1795. Lohlein George Simon: George Simon Lohlein's Anweisung zum Violinspielen (. . . ) mit Verbesserungen und Zusatzen - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - Royal Library of Brussels (Belgium). - Bayerische Staatsbibliothek of Munich (Germany). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.5828
ISBN 9790230658287. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in three books. Bartolomeo CAMPAGNOLI (2) - Francesco FANZAGO - Giuseppe TARTINI (4-5). Table of contents: Fanzago Francesco: Elogi di Giuseppe Tartini - 1792. Tartini Giuseppe: Libro de regole, ed esempi - s. d. Tartini Giuseppe: Regole per arrivare a saper ben suonare - s. d. Campagnoli Bartolomeo: Nuovo metodo della mecanica - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Conservatory Library of Music Benedetto Marcello of Venice (Italy). - University of California (USA). - Conservatory Library of Music Giuseppe Verdi of Milan (Italy). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: FZ.6391
ISBN 9790049063913. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. George Simon LoHLEIN - Johann Friedrich REICHARDT (2) - Karl TAUBER VON TAUBERFURT. Table of contents: Lohlein George Simon: Anweisung zum Violinspielen - 1774. Reichardt Johann Friederich: Schreiben uber die Berlinische Musik - 1775. Reichardt Johann Friederich: Antwort Schreiben eines Ton-Kunstler - 1782. Reichardt Johann Friederich: Ueber die Pflichten des Ripien-Violonisten - 1776. Tauber Von Tauberfurt Karl: Uiber meine Violine - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - British Library of London (England). - Royal Library of Brussels (Belgium). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the violin.
SKU: BT.9781408114612
ISBN 9781408114612. English.
Now in a third edition, Abracadabra Violin has a fresh and contemporary new look and is the perfect book for pupil and teacher.This title offers an identical selection of repertoire to the other books in theAbracadabra Strings series, so they can be used in any combination for group or whole class lessons and mixed ensemble performances. Used alone, they remain ideal for individual tuition.With tunes you know and want toplay, carefully graded in 20 learning steps, this new edition of the popular tutor also includes duets, trios and teacher's parts. Clear fingering and bowing diagrams and concise theory explanations help to teach thefundamentalsof the instrument, and each new technical aspect is reinforced by several pieces using that particular technique.Abracadabra Violin now also includes two CDs of performance and backing tracks, featuringselected orchestral backings.
SKU: HL.50565834
Tarab premiered by David Grimal in le Volcan, Scene Nationale du Havre, on April 23rd 2010. Born in 1948 in Rome, Philippe Hersant studied music at the Paris Conservatory, notably in the composition class of Andre Jolivet, before residing at the Casa Velasquez from 1970 to 1972 and then at the Villa Medici from 1978 to 1980. Since 1973 he has been a producer for radio broadcasts with France Musiques . Refusing to play tricks with history, Philippe Hersant has forged a language that extends the course of Western music as a whole, and, without ever seeking to establish a school, he was one of the first of his generation to place himself, once more, in the domain of tonality and modality. He does not, for all that, banish all neo-classical tendencies. On the contrary, he champions the mannerism and the deep subjectivity of his memory as sources and guides to creation.
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