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| A Brazilian Carol
Choral SATB
SATB, Strings
Shawnee Press
(Sleep Peacefully). Composed by Northeast Brazilian Lullaby. Arranged by Ken Lit...(+)
(Sleep Peacefully). Composed by Northeast Brazilian Lullaby. Arranged by Ken Litton. For Choral, Violin (SATB W/ VIOLIN). Harold Flammer. 16 pages. Published by Shawnee Press
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Love Came Down to Bethlehem
Choral SATB
Shawnee Press
By Matt Maher. By Jon Guerra and Matt Maher. Arranged by Ken Litton. Shawnee S...(+)
By Matt Maher. By Jon Guerra
and Matt Maher. Arranged by
Ken Litton. Shawnee Sacred.
Christmas. Octavo. Duration
235 seconds. Published by
Shawnee Press
$2.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| And When It Was Evening
Choral 3-part
SAB
Shawnee Press
Choral (SAB Choir) SKU: HL.1104101 Composed by Ken Litton. Shawnee Sacred...(+)
Choral (SAB Choir) SKU: HL.1104101 Composed by Ken Litton. Shawnee Sacred. Communion, Easter, General Worship, Holy Week, Sacred. Octavo. Duration 150 seconds. Published by Shawnee Press (HL.1104101). UPC: 196288101819. 6.75x10.5x0.019 inches. Mark 14:17-25. The example of Christ's servanthood at the Last Supper is expressed in this poignant anthem. A precious, almost fragile melody carries this elegant scripture-based lyric in loving arms, and the thinner texture allows for the words to truly speak to the listener. $2.20 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Alleluia to the Newborn King
Choral 2-part
Shawnee Press
Composed by Ken Litton. Shawnee Sacred. Christmas Sacred. Octavo. 8 pages. Pu...(+)
Composed by Ken Litton.
Shawnee Sacred. Christmas
Sacred. Octavo. 8 pages.
Published by Shawnee Press
$2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Stop and Go
Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr SKU: PE.EP68488A Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Part(s). 60 pages. Edition Peters #98-EP68488A. Published by Edition Peters (PE.EP68488A). ISBN 9790300758909. English. At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor) As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011) $39.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Stop and Go
Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr SKU: PE.EP68488 Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488). ISBN 9790300758893. English. At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor) As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011) $18.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Sinfonia Per Banda Sc/pts
Concert band - Advanced
Hal Leonard
Concert Band/Harmonie (Score & Parts) - Grade 5 SKU: HL.44011379 -1872...(+)
Concert Band/Harmonie (Score & Parts) - Grade 5 SKU: HL.44011379 -1872. Composed by Amilcare Ponchielli. Arranged by Franco Cesarini. Mitropa Music Concert Band. Transcription. Score Only. Composed 2010. Hal Leonard #173110M. Published by Hal Leonard (HL.44011379). UPC: 884088892678. 9x12 inches. English(US)/Deutsch/Francais/Nederlands. This overture, called Sinfonia, is without doubt one of the best original works for concert band to emerge from the 19th century. It is characterised by its fluid spontaneity as well as its rich texture. This arrangement off ers bands the opportunity to perform a work of high artistic value, which otherwise would be forgotten.
Deze ouverture met de titel Sinfonia is zonder twijfel een van de beste oorspronkelijke 19e-eeuwse werken voor blaasorkest. De componist Ponchielli werkte jarenlang als dirigent in Cremona en Piacenza (waar hij een blaasorkest leidde). Zijn oeuvre, dat wordt bewaard in de Nationale Bibliotheek in Cremona, omvat ongeveer 150 originele partituren, waaronder composities en fantasieen die zijn gebaseerd op lyrische opera's van belangrijke componisten uit zijn tijd. De Sinfonia per banda uit 1872 is een volwassen werk waarin het grote vakmanschap van Ponchielli goed tot zijn recht komt. Het wordt gekenmerkt door een vloeiende spontaniteit en rijke textuur, enzoals gezegd is het een van Ponchielli's fraaiste werken voor blaasinstrumenten. Het originele manuscript was geschreven voor de volgende bezetting: Ab-klarinet, Eb-klarinet, Bb-klarinetten 1-2-3, Eb-bugel, Bb-cornetten 1-2, flugelhorn 1-2, Eb-genis/hoorns 1-2-3, Bb-trompetten 1-2-3, Eb-bastrompet, trombones 1-2-3, Bb-basbugel, Bb-tenorhoorn, 'pelittone' (basinstrument), kleine trom, grote trom en pauken. Deze bewerking geeft orkesten de mogelijkheid om een werk van een hoog artistiek niveau uit te voeren dat anders in vergetelheid zou raken.
Diese mit Sinfonia betitelte Ouvertüre ist zweifellos eines der besten originalen Werke für Blasorchester aus dem 19. Jahrhundert. Sie ist gepragt von flüssiger Spontaneitat und Einfallsreichtum. Diese Bearbeitung von Franco Cesarini bietet modernen Blasorchestern die Chance, ein Werk von hohem künstlerischem Wert aufzuführen, das sonst in Vergessenheit geraten ware.
Cette ouverture du compositeur italien Amilcare Ponchielli (1834-1886) est une des oeuvres majeures du repertoire pour Orchestre a Vent du XIXe siecle. Sinfonia per Banda (Ouverture pour Orchestre a Vent - 1872), oeuvre de maturite, revele l'immense talent du compositeur. Elle se caracterise par un style fluide et spontane, et une texture riche. En readaptant cette oeuvre, Franco Cesarini offre aux Orchestres a Vent d'aujourd'hui l'opportunite de faire revivre une composition quelque peu oubliee.
Questa sinfonia e indubbiamente una delle migliori opere originali per banda che si siano tramandate dal XIX secolo. Essa si sviluppa con scorrevole spontaneita e ricchezza d'invenzione ed e una delle migliori opere per fiati di Ponchielli. L'arrangiamento di Franco Cesarini ha l'obiettivo di restituire alle orchestre di fiati contemporanee un'opera di notevole pregio artistico, altrimenti destinata ad essere dimenticata. $153.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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