SKU: BA.BA08860-90
ISBN 9790006558148. 27 x 19 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.
A unique edition - all readings at a glanceThis new edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of Anna Magdalena Bach. All variant readings from the four other sources are clearly laid out for performance. Cellists now have the possibility of rendering performances based on just one of the five sources as well as the option of combining the sources in a mixed version.This flyer takes you through our various editions of Bach's Cello Suites.
SKU: HL.49036454
German.
Top professional harp-player Don Baker shows you how to create those mean rock sounds on this great new video! Having mastered the 'c' scale and learnt how to play single notes clearly and distinctly, you then move on to simple riffs, the techniques of note bending, triplet-tonguing, head rolls, fast rhythm playing and tone control. Electronic amplification and effects pedals, such as 'wah wah', digital delay and distortion, are demonstrated live by Don Baker and his band to show how the techniques sound in performance. All the exercises and riffs are simply explained and shown in easy-to-follow standard music notation on the screen and in the booklet.Don Baker is a leading authority on harmonica playing, and serves as a judge for the prestigious World Harmonica Competition. He is the author of a number of books and videos, and has performed with many legendary harpists. He has toured extensively, recorded many albums and featured in session work and TV commercials. His music has been recorded by the great Charlie McCoy. An accomplished actor, he has recently made his screen debut in 'In The Name Of The Father.
SKU: BA.BA05798-79
ISBN 9790006521777. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA07590-82
ISBN 9790006541645. 32.5 x 25.5 cm inches. Preface: Marco Uvietta.
For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.51487045
ISBN 9790201870458. UPC: 888680745318. 6.75x9.5x0.244 inches.
In autumn 1895, after returning from New York once and for all, Dvorák took up his former position as teacher at the Prague Conservatory. This clearly had an inspiring impact on him because in the space of just four weeks he composed a new string quartet in G major. Together with the Quartet in A-flat major op. 105, it forms a glorious close to his chamber music oeuvre. Echoes of Bohemian folk music are here mixed with cantabile themes, while his motivic working shows him to be a master at the height of his powers. Even today, it seems almost as if we can feel the composer's satisfaction with this work: “I am working so easily and it is going so smoothly that I could not wish it better.â€.
SKU: BA.BA09026-79
ISBN 9790006529360. 32.5 x 25.5 cm inches. Key: F major, g major.
SKU: HL.49019113
ISBN 9790001181778. UPC: 884088699321. 9.0x12.0x0.171 inches.
'san-Baptiste Duvernoy (1800-1880) was a French pianist, composer, and professor of piano at the Conservatoire de Paris. A composer of more than 300 works, he is primarily known for his studies, including the opus 176 Elementary Studies, which were written for beginner's lessons on the piano. Duvernoy's studies intentionally lack technical sophistication making them a suitable complement to Czerny etudes. The lack of technical rigor allows students the latitude to focus on expression, lyricism and tone production...With clearly notated articulation and dynamic markings, the student has the opportunity to experience music making on a number of levels...Looking at the music itself the quality and mindfulness of Schott's typography is self-evident. Through careful spacing, most of the studies fit well on a single page.--American Music Teacher.
SKU: BA.BA04888-74
ISBN 9790006459216. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA05357-79
ISBN 9790006469093. 32.5 x 25.5 cm inches. Key: G major.
SKU: BA.BA09168-79
ISBN 9790006528295. 32.5 x 25.5 cm inches. Key: F major.
SKU: BR.EB-8029
ISBN 9790004174326. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. There are four existing harpsichord books with a total of 226 compositions by Francois Couperin le Grand (1668 -1733). His works are as unknown to pianists as they are famous among harpsichord players. The grace and imaginativeness of his works lend themselves especially well to the sound of the harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the haipsichord and clavichord, and no one would dare question their intetpretation on the pianoforte. In order to introduce these lmpressionists of the Baroque Era to piano instruction, the editor has added to this series a folio of both Couperin's and Rameau's (EB 8033) music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. The Butterflies and the Windmills are both especially typical of masterful character pieces. The demands made on technique certainly correspond to a level of moderate difficulty. The simplifications made are restricted to the artistically realized twopart accompaniment (eg. p. 4 f. and p. 8 f.) with regard to finger stretch and to the profuse ornamentation of the original. The indications for phrasing and articulation are those of the editor. The first two pieces have been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series; what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the respective footnotes; these directions, however, are not obligatory. lndications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case be used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realization of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: BA.BA05388-65
ISBN 9790006470358. 32.5 x 25.5 cm inches. Key: C major.
SKU: BA.BA08731
ISBN 9790006506194. 30 x 23 cm inches. Key: E-flat major.
This scholarly-critical volume is the first published edition of Meyerbeer's Clarinet Quintet, which vanished in World War ll and only recently resurfaced in the estate of the clarinetist Carl Bärmann. Meyerbeer wrote the piece in Vienna in 1813 for his friend Heinrich Bärmann, a celebrated clarinettist to whom C. M. von Weber also dedicated several works. The extremely novel and virtuoso handling of the clarinet was unusual for its day: Meyerbeer allows it to stand out clearly from the string ensemble and pushes it to the utmost limits of its technique. The Work enriched the meager chamber music repertoire for the clarinet in the 19th century. Our scholarly-critical edition makes this masterpiece available to performers for the first time in print. Besides the musical text, it offers a critical report and a detailed preface discussing the work's genesis. The parts have been given performance markings by Dieter Klöcker.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05357-75
ISBN 9790006469086. 32.5 x 25.5 cm inches. Key: G major.
SKU: BA.BA10175-67
ISBN 9790006491537. 32.5 x 25.5 cm inches.
Study score = TP 1175.
SKU: BA.BA04217-79
ISBN 9790006446018. 32.5 x 25.5 cm inches. Key: F major.
SKU: YM.GTP01101530
ISBN 9784636112160. 8.75 x 12 inches.
The New WAKU WAKU Piano Technique Series is the essential piano technique books for children prior to Hanon exercises and the trusted Japanese piano skilled books. Learn the basics of piano playing with simple and short sheet music. Each book in the series features titles and illustrations based on children's daily lives, allowing players to add expression to the music while imagining the scenes. With a total of 7 volumes, each volume is structured with 7-8 steps. Each step has a clearly defined practice objective, enabling efficient strengthening of foundational skills. Suitable for use from around 4 years old, it can be used in conjunction with any song collection, making it recommended for all students! Piano Technique 1, 2, 3 Volumes: Learn basic techniques such as staccato and legato with simple sheet music. Effective for strengthening fingertips and muscles, expanding the range of volume and expressiveness. Fingering Exercises allow practicing finger usage without producing sound, and it is beneficial to focus on fingertips and wrist form while using them. Transposing Exercises provide a fun experience of transposing playing with the teacher's accompaniment. Scale & Arpeggio 1 and 2 Volumes: Acquire basic finger usage using short phrases. Highly effective for students who cannot play 1-octave scales or get stuck in the middle of phrases. Transposing Exercises provide an enjoyable experience of transposing playing with the teacher's accompaniment. A la carte 1 and 2 Volumes: Experience various techniques such as ornamentation, unison, octaves, pedal, and more. Since these involve short phrases, you can play without exerting too much force, allowing for practice with a focus on relaxation.
SKU: BA.BA07677-75
ISBN 9790006526222. 30 x 23 cm inches.
SKU: KN.07600S
UPC: 822795076004.
Published in 1962, this adaptation of the exciting classic takes full advantage of modern symphonic band instrumentation to achieve an artistic performance of the solo with band accompaniment. Beautifully arranged by Alfred Reed, each set includes detailed notes for the conductor and a superb Master Lesson by clarinetist Don McCathren (Duquesne University) to aid soloists in their preparation of the piece. Abundant cross-cues are also provided in the band parts to ensure that exposed bassoon, alto/bass clarinet and F horn passages are clearly heard. Duration 9:00.
SKU: FG.042-08449-6
ISBN 979-0-042-08449-6.
The analogy of a pendulum is clearly audible in this work. The music's balanced swing in many layers around a pivotal A is threatened several times by a destructive element. This gains ground but eventually sticks, losing its potency and merging with the pendulum movement towards the work's conclusion.
SKU: BA.BA04718-79
ISBN 9790006453962. 32.5 x 25.5 cm inches. Key: A major.
SKU: GI.G-5566
English. Text Source: Psalm 22. Text by Nicholas Palmer. Scripture: Psalm 22.
The self-descriptive title clearly explains this combination of musically related elements: Psalm 22, Alleluia with verses, and intercessions, compiled and written for this important ritual celebration. A varied setting, with accompaniments for organ or piano, that can be done with cantor and assembly alone or with added SATB voices and descant. Two Horns in F can be substituted for Trumpet II and Trombone I.
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