Orchestra alto flute, clarinet, bass clarinet, bassoon, 2 horns, trumpet, trombone, marimba, harp, piano, violin, viola, cello, contrabass

SKU: CA.1633500

For marimbaphone solo and 15 instruments. Composed by Walter Feldmann. Feldmann: Esquisse: << le froid >> Full score. 44 pages. Duration 10 minutes. Carus Verlag #CV 16.335/00. Published by Carus Verlag (CA.1633500).

ISBN 9790007181079. Language: all languages.

The texts of the French author Anne-Marie Albiach have long been the point of departure for the works by Feldmann. A twofold perspective of the text underlies the composition Esquisse : << le froid >> : on the one hand, there is a spoken reading of the text, in which time of recitation is measured out, and on the other hand, there is a graphic measuring of the text. The latter serves as a foundation - the genetic code - for the temporal structures of the solo marimba, supported arally by the harp and piano. The reading appears int the rhythmic surfaces of the accompanying ensemble. Each word of the spoken text has its own instrumentation, and thus a compact network of instrumental combinations is created, in which, word by word, the text is made audible.

Brass Band - Grade 4

SKU: BT.AMP-335-030

Composed by Philip Sparke. Ceremonial Series. March. Set (Score & Parts). Composed 2012. Anglo Music Press #AMP 335-030. Published by Anglo Music Press (BT.AMP-335-030).

9x12 inches. English-German-French-Dutch.

Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer’s series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional ‘bass’ strain. A change of key heralds thetrio section, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.

Marcho Brioso is geschreven in opdracht van The Brioso Brass, een brassband in Britse stijl uit Hokkaido in Japan. De première vond plaats in januari 2012.De componist kreeg het verzoek een vrolijke, luchtige mars te schrijven die de band als herkenningstune zou kunnen gebruiken. Marcho Brioso past daarom uitstekend in Philip Sparke’s serie van marsen in Broadwaystijl - waarin ook Slipstream, The Bandwagon en Jubiloso thuishoren.

Marcho Brioso wurde von The Brioso Brass, einer britisch geprägten Brass Band aus Hokkaido in Japan, in Auftrag gegeben. Das Stück wurde von der Band im Januar 2012 uraufgeführt.Gewünscht war ein heiterer, flotter Marsch, welcher sich als Erkennungsmelodie der Brass Band eignen sollte. So fällt Marcho Brioso in die Reihe der Märsche des Komponisten im Broadway-Stil, zu denen auch Slipstream, The Bandwagon und Jubiloso zählen.Nach einer kurzen Einleitung spielt ein Solo-Cornet das Hauptthema, begleitet von einer Gegenmelodie im Euphonium. Die Nebenphrase in den Hörnern und Baritonen führen zu einer Tutti-Version des Hauptthemas, die vomtraditionellen Bass“-Solo abgelöst wird. Ein Tonartwechsel kündigt den Trio-Teil an, der eine cantabile gespielte Melodie auf dem Euphonium enthält; diese wiederum wird nach einer kurzen Überleitung und einem weiteren Tonartwechsel von der gesamten Band aufgegriffen.Der letzte Wechsel führt zurück zur ursprünglichen Tonart, in welcher dann eine Staccato-Version des Hauptthemas eine Rekapitulation hervorbringt sowie eine Coda, die den Marsch zu seinem Ende führt.

Marcho Brioso est une œuvre de commande pour le Brioso Brass, un Brass Band de style britannique basé Hokkaido, au Japon. La création mondiale de cette pièce eut lieu en janvier 2012.L’orchestre souhaitant une marche enjouée qui pourrait lui servir d’indicatif musical, Marcho Brioso s’inscrit dans la lignée des marches du compositeur : Jubiloso, Slipstream et The Bandwagon. Un style « broadwayien », des motifs fortement syncopés et quelques surprenantes et capricieuses mesures viennent troubler le rythme régulièrement cadencé de ces marches.Après une courte introduction, le cornet solo joue le thème principal, accompagné d’un contre-chant l’euphonium. Un second motif de huit mesures exécuté par les cors et les barytons mène une version tutti du thème principal. Puis une brève section intermédiaire est déléguée aux basses. Le changement de tonalité qui s’ensuit annonce le trio qui contient une mélodie cantabile confiée l’euphonium ; ce trio est ensuite repris par l’orchestre entier après un bref passage de transition et un autre changement de tonalité.Nous revenons ensuite la tonalité de départ pour un rappel du thème principal en une paisible version staccato et une courte coda, pour conclure cette marche brillante et sémillante.

By Johann Sebastian Bach. For 2 trumpets, 2 horns, 2 trombones or 2 tubas. Published by Musik Fabrik (French import).

SATB choir and organ/chamber orchestra (violin solo, 2 optional bassoon, 2 optional horns, harp, organ, viola I/II, cello I/II, db) - easy

SKU: OU.9780193418042

From Requiem. Composed by Gabriel Faure. Edited by John Rutter. Sacred choral - mixed voices. Oxford Choral Classics Octavos. Vocal score. 8 pages. Duration 6'. Oxford University Press #9780193418042. Published by Oxford University Press (OU.9780193418042).

ISBN 9780193418042. 11 x 7 inches.

For SATB and organ/chamber orchestra. Taken from Rutter's edition of Faure's Requiem, this famous movement features both the original French words and an optional English text. John Rutter's complete edition of Faure's Requiem (1893 version) is available from Oxford University Press, with scores and parts available on sale and on hire from the publisher.

By Stadler. For 3 basset horns. Published by Arpeges Diffusion (IMD) (French import).

(Opera comique en deux actes). Composed by Hector Berlioz (1803-1869). Edited by Hugh MacDonald. For 2 soprano voice solos, mezzo-soprano voice solo, tenor voice solo, baritone voice solo, 2 bass voice solos, 5 speakers, SSTTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, cornet, 3 trombones, timpani, percussion, strings. This edition: Complete edition, Urtext edition. Linen. New Berlioz Edition, Volume 3. Score. Language: French. Hol. 138. Duration 2 hours, 30 seconds. Published by Baerenreiter Verlag

Orchestra soprano/baritone vocal soli, SATB choir, 2 flutes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, violin, 2 violas, 2 cellos, contrabass, harp, organ

SKU: CA.2731215

Composed by Gabriel Faure. Edited by Marc Rigaudiere. Carus sheet music series: French Sacred Music, Vocal scores XL. Requiem. Fassung 1900 Fur Sinfonieorchest. Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Single Part, Cello 2. Composed 1900. Op. 48. 12 pages. Duration 40 minutes. Carus Verlag #CV 27.312/15. Published by Carus Verlag (CA.2731215).

ISBN 9790007201654. Language: Latin.

Version for symphony orchestra: 60 min; Church version: 35 min. Score and part available separately - see item CA.2731200.

By Cesar Auguste Franck (1822-1890). Edited by Wolfgang Hochstein. For Soli STBar, SATB Choir, 2 Flutes, 2 Oboes, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Harp. French Sacred Music. German title: Die Sieb

Orchestra

SKU: HL.14040145

2 Flute, 2 Horns and Strings. Composed by Simon Le Duc. Music Sales America. Classical. Softcover. Editions Musicales Transatlantiques #ETR000397. Published by Editions Musicales Transatlantiques (HL.14040145).

French.

Orchestra Soli SBar, Coro SATB, 2 Cor, 2 Tr, 3 Trb, Timp, Vl solo, 2 Va, 2 Vc, Cb, Org, Arpa

SKU: CA.2731102

Composed by Gabriel Faure. Edited by Marc Rigaudiere. French Sacred Music. With attachement. Sacred vocal music, Requiem. Vocal score. Composed 1901. 40 pages. Duration 35 minutes. Carus Verlag #CV 27.311/02. Published by Carus Verlag (CA.2731102).

ISBN 9790007246778. Language: Latin.

The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score available separately - see item CA.2731100.

Orchestra

SKU: BT.MUSM570366712

Composed by Ed Hughes. Classical. Study Score. 62 pages. University of York Music Press #MUSM570366712. Published by University of York Music Press (BT.MUSM570366712).

English.

Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902), written and directed by the pioneering French film-maker, Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries, as well as the science fiction of Jules Verne. At the same time his work seems fantastic, surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide to launch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon’s face) and then encounter a strange race of aliens, whom they battle and destroy. The return to earth involves a dramatic descent, a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space, and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score, which is by turns abrupt, smooth, lyrical and violent, and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted, reflecting the violent encounters with the moon’s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers’ return from their adventuring. The music could be considered to be a surreal mini-opera without voices, voicing instead the characters of the silent screen. - Ed Hughes.

(Sacred Trilogy). By Hector Berlioz (1803-1869). Edited by David Lloyc-Jones. Arranged by Eike Wernhard. For soprano voice solo, 2 tenor voice solos, baritone voice solo, 3 bass voice solos, double SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 cornets, 3 trombones, timpani, harp, organ, harmonium, strings. This edition: Paperback, Urtext edition. Level 3. Piano reduction. Language: French/English. Opus 25, Hol. 130. Duration 1 hours 35 minutes. Published by Baerenreiter Verlag