SKU: HL.49047113
ISBN 9781705189269. UPC: 842819117520. 0.096 inches.
The final movement of the Sonata in A major K. 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all. Once reserved for all music connoisseurs, later played by every piano student, its opening melody, alienated like a sine tone, is now omnipresent even as a mobile phone ringtone. The arrangement by Fazil Say, created as an effective encore, builds on this popularity. Mounted on the still recognizable classic basic level, typical jazz elements such as syncopation of the top tones and embellishment with chromatic blue notes, embedded in sometimes frenzied chains of sixteenth notes, are found - after the first eight bars have been presented originally. In accordance with the improvisational character, Say himself likes to perform his Alla Turca Jazz in other combinations, for example with the accompaniment of jazz singers or with an orchestra. Perhaps it is surprising that Fazil Say, who was born in Turkey and lives there when not on tour, does not trace Mozart's adaptation of genuinely Turkish music closer to its origins, since many of his compositions such as Black Earth or the Violin Sonata are characterized by a subtle touch Combination of classic-romantic tradition, Turkish folk music and jazz elements. In another Mozart arrangement, the ballet music Patara, which premiered in Vienna in 2006, but now composed on the rococo-esque (and almost equally popular) theme from the first movement of the same A major sonata, Say still has the connection denied to the Alla Turca, albeit inthe opposite direction. In distinctive chamber music instrumentation, the piano stands for Western culture, the ney flute for that of the Orient, atmospherically conveyed by sparse percussion and vocalises by a soprano.
SKU: HL.50572550
SKU: HL.14041529
ISBN 9781849388214.
Lord Berners (1883-1950) was one of the most idiosyncratic and fascinating personalities in British music. He became a pioneer in the avant-garde when he wrote his first music whilst living in Rome as adiplomat during World War 1; Balanchine choreographed his first two ballets and Ashton the next three; in 1931 he had the first exhibition of his paintings; in 1934 he published the first volume of his autobiography, FirstChildhood, and two years later his first novel, The Camel -- and three more novels came out in 1941. On top of all this during the 1930s, known as 'the versatile peer', he increasingly gained a reputation as an eccentric,which he realised was good for publicity.A wry humour pervades everything, as in these three sets of piano duets. Berners' songs and piano music, too, are as full of whimsical references as those of Erik Satie -- he hasbeen called the English Satie and the Ronald Firbank of music. Berners was not prolific but whatever he did was stamped with his own fastidious accomplishment. He may not have been the last eccentric but his music, writingand painting combine to make him one of the most rewarding.
SKU: HL.49015502
ISBN 9783795751937.
This collection of piano duets in popular styles aims to add variety to piano lessons by providing attractive pieces in a pop idiom. The part for the first player (Primo) is kept simpler than the accompaniment, so that various combinations of players are possible: student (melody) and teacher (accompaniment) or two students of different playing standards. In this way the young keyboard 'champions' become acquainted with ensemble playing, keeping the tempo, listening to each other, the conventions of modern rhythms and syncopation, as well as being at ease with pop harmonies.
SKU: HL.49008025
ISBN 9790001114622. UPC: 073999710441. 9.0x12.0x0.121 inches.
This work in four movements is musically demanding and interesting for the pianist, though not as technically challenging as the composer's highly complex 'Eight Studies' (2 vols., ED 7068 and ED 7069). It is an example of the moderate French contemporary style. These four short movements are kept in a comparatively modern idiom and hence should appeal to a wider audience and entertain even the 'non-virtuoso'.
SKU: HL.50571768
SKU: YM.GTP01097940
ISBN 9784636979404.
YAMAHA proudly presents a new music sheet collection for piano duet (1 piano 4 hands)! Using high-quality paper, it is designed to open in a double gatefolding. We designed the music sheet with great attention to detail so that it will always be your favorite sheet music to use. - Offers easy-to-use design with a double gatefold so that it can be used immediately after opening the music sheet - Features part score layout to easy to play together for piano duet. The right 2 pages are for the Primo part; The left 2 pages are for the Secondo part! - Uses high-quality, thick music sheet paper to ensure long-lasting use The Primo plays the main melody line, and the Secondo adds to the overall performance! The songs from Studio Ghibli, nursery rhymes and children's songs, classical music, and more are available in a lineup. Enjoy playing together with your family and your friends!
SKU: HL.49015503
ISBN 9783795751944. 0.14 inches.
SKU: YM.GTP01093151
ISBN 9784636931518.
7 brilliant arrangements of Liszt's solo piano works. 7Shou Jing Cai De Li Si Te Gang Qin Du Zou Zuo Pin Ji . 1. Paganini Etude No.3 La Campanella; 2. Paganini Etude No.6; 3. Hungarian Rhapsody No.2; 4. Mephist Waltz No.1; 5. Fragment from Piano Concerto No.1; 6. Liebestraum No.3: 7. Mazeppa.
SKU: HL.14023265
ISBN 9788759810866. Danish.
From the preface:
The aim of the publication of these four-handed piano compositions is to fill a void within the sphere of sight-reading(and almost sight-reading) at the beginner and intermediate level. These three volumes together contain 36 Nordic folk songs from Denmark, Norway, Sweden, Finland and theFaroe Islands. The selection is based first and foremost on their being well suited to the instrumental expressivepossibilities of the piano, and being good representatives of the rich and atmospheric Nordic musical heritage.When one practises sight-reading on one’s own it is tempting to stop as onegoes along, because the desire to playthe correct notes is often given priority at the expense of the rhythm and expression.Music without an organic pulse will leave the player with an unsatisfactory feeling of stress and failure, and thestream of thought will not form part of a natural flow. Good sight-reading training is therefore ensemble playing,where the teacher supports the pulse and rhythm.In many other publications of four-handed duets the secundo part is written in two bass clefs, and the primo part in twotreble clefs. Reading this untrained combination of clefs, along with the stressful fact that the music has never beenseen nor heard before, can confuse the pupil.In volumes 1 and 2 the secundo part, which is intended for the pupil, is therefore notated in a treble clef and bassclef, as piano music for two hands is usually notated. In volume 3 the degree of difficulty is more varied, but in mostof the pieces improvisation is an interposed element in the primo part, being therefore a good challenge for the pupil.In the improvisatory sections a chord or a scale is notated. These can form the tonal starting point, but here too thepupil is encouraged to experiment with, for example, the shift between major and minor thirds, and between the high andlow sixth and seventh.
SKU: CU.EC10563
SKU: VD.ED94115
ISBN 9790202001158. 11.69 x 8.26 inches.
SKU: CU.EC5072
ISBN 9790215906396.
SKU: CU.EC3604
SKU: CU.EC3003
SKU: M7.DOHR-94115
ISBN 9790202001158.
SKU: ST.C480
ISBN 9790570814800.
The Easy Piano Duets Series presents a selection of sensitively arranged piano duets, each with optional backing tracks. In the interests of playability, these two wonderful tunes have been simplified, while still allowing the spirit of the originals to shine through.Vivaldiâ??s The Four Seasons (Le quattro stagioni) is the name given to the four violin concertos Opus 8, No. 1â??4. Composed in 1723, they remain among the most popular concertos in all music. The texture of each movement is varied, resembling its respective season. For example, â??Winterâ?? is dark and sombre, whereas â??Summerâ?? invokes a thunderstorm in its final movement. Vivaldi wrote four sonnets to be read with the concerti â?? here translated into English overleaf.
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