(for Violoncello). By Louis R. Feuillard. For cello. This edition: ED1117. Essential Exercises. Instructional and Studies. Instructional book. 44 pages. Published by Schott Music

(Cello). By Bob Phillips and Kirk Moss. Orchestra. For Cello. This edition: Cello. Book; Method/Instruction; String Orchestra Method/Supplement. Sound Innovations Series for Strings. 56 pages. Published by Alfred Music Publishing

(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) Edited by Andrew H. Dabczynski, Bob Phillips, Richard Meyer. Instructional book for cello. With instructional text and bowings. Series: Sight-Read It for Strings. 32 pages. Published by Alfred Publishing.

(Foreword and Additional Editing by Richard Hughey). By Camille Saint-Saens Daniel Francois Van Goens. Edited by Richard Hughey, Larry Clark. For Cello, Cello and Piano. 104 pages. Published by Carl Fischer

By Joe Maroni. For Cello. SongBook. Bill's Music Shelf. All Styles. Beginning. Book. 72 pages. Published by Mel Bay Publications, Inc

Cello Instrumental Play-Along Pack. By Billie Eilish. Instrumental Play-Along. Pop, Rock. Softcover Audio Online. 16 pages. Published by Hal Leonard

(From the Baroque to the 20th Century). Arranged by William Ryden. For Cello/Bass. Mixed Instruments - Flexible Instrumentation. Classical Instrumental Ensembles for All. Masterwork. 24 pages. Published by Alfred Publishing.

Cello

SKU: M7.VHR-3517

88 exercises for children. Composed by Jessica Kuhn. Sheet music. 68 pages. Holzschuh Musikverlag #VHR 3517. Published by Holzschuh Musikverlag (M7.VHR-3517).

ISBN 9783864341670. German.

The bow school Billy Bogen & Gwindi Greifhand - Expedition mit dem Cellobogen is aimed at 6 to 12 year old children from the 1st year of lessons. It can accompany the pupils' training over a long period of time and offers an ideal supplement to any cello tutor, as the basics of cello technique are deepened here in 88 exercises. The focus is on the development of the bow hand. With scales, triads and thirds over 1 - 2 octaves, six of the most important stroke types are trained. The imaginative approach to the technical subject is essential here, to which the lovely illustrations by Anette Bley in particular also contribute.

Arranged by various, ed. Bill Galliford. Play-Along; String Series. Instrumental Solos Series. Movie; Pop; TV. Book; CD. 24 pages. Alfred Music #00-47354. Published by Alfred Music

(Commentary and Preparatory Exercises). Composed by Camille Saint-Saens (1835- 1921). Edited by Daniel Morganstern. For cello and optional 2nd cello. Parts. Published by International Music Company

Cello solo

SKU: BR.EB-9135

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf. World premiere: Furth, November 8, 1998. Music post-1945; New music (post-2000). Score. Composed 1998. 12 pages. Duration 10'. Breitkopf and Haertel #EB 9135. Published by Breitkopf and Haertel (BR.EB-9135).

ISBN 9790004182550. 12 x 9 inches.

Immer wieder stelle ich beim Horen und beim Beobachten von Horhaltungen in Proben und Konzerten fest, dass wir uns im Zeitalter der Medien so an das Horen uber Lautsprecher (Schallplatte, CD, Video, Radio, Fernsehen etc.) gewohnt haben, dass durch die Alltaglichkeit solcher Klangbilder das Empfinden fur die Qualitat RAUM fast verkummert ist. Lautsprecher simulieren RAUM bereits in ihrer Sende-Information. Ihre Fahigkeit, Raumlichkeit aus dem realen RAUM, in den sie ihren Klang abstrahlen, zu gewinnen, ist dagegen ausserst gering. Umgekehrt scheint es in der Natur des Instrumentalklangs zu liegen, vollkommen im RAUM aufgehen zu konnen, gerade in ihm das Neue, Einmalige seines Klingens zu finden und mit ihm erst das Klangleben aufbauen zu mussen. Im Prozess des ,,..... in die Stille-Gehens hat der Cellist Tone und Klange zu realisieren, die bis zum siebenfachen Piano reichen. Dies sollen jedoch keine Lautstarken sein, die eine blosse Erweiterung der Lautstarkenskala ins Unhorbare sind, sondern eher die Realisierung einer besonderen Form von RAUM-KLANG. Die Wirkung des Instruments als Ort der Abstrahlung verringert sich dadurch zugunsten eines Klangs, der sozusagen nur noch im RAUM alleine, wie ,,insistierend, vorhanden zu sein scheint. Es ist die schwebende Prasenz einer Beinahe-Lautlosigkeit wie etwa im Goethe-Vers ,,In allen Wipfeln spurest du/kaum einen Hauch. Je lautloser, desto prasenter! (Nicolaus A. Huber, 27. Juli 1998) Bibliography : ,,Es gibt Dinge, die sind richtig, aber sie ruhen. Nicolaus A. Huber im Gesprach mit Michael Struck-Schloen , in: MusikTexte, Heft 154 (August 2017), S. 31-37.

World premiere: Furth, November 8, 1998.