SKU: HL.14015035
ISBN 9780853607953.
Michael Hurd. Mock oratorio about the story of Viscount Nelson, hero of the Nile and Victor of Trafalgar. Scored for narrator (preferably tenor though can be spoken), chorus (high and low voices) and piano. The work has mostly unison singing but includes some simple two and three-part writing. Orchestral parts on hire. 30 mins.
SKU: GI.G-7720
UPC: 785147772002. English. Text by Frances Teresa. Scripture: Mark 15:34.
The composer pairs a sparse keyboard part and vocals with the author’s stark text for “a very intimate, personal perspective†of the Crucifixion. Trebles, then tenors and basses, solo on vv. 1–2, the 3rd and 4th verses are sung by 2 mixed-voice sections.
SKU: AU.9781506492414
ISBN 9781506492414. 7x10.25 inches.
Thomas Paulson provides a wonderful opportunity to introduce new hymnody to your congregation in this accessible setting of a hymn from All Creation Sings. Written for two-part mixed chorus, the melody is sweeping and lyrical and the baritone harmony is well-suited for both bass and tenor voice. The Ruth Duck texts highlights the need to seek truth and work toward justice. The flute score is included in the anthem.
SKU: GI.G-9790
UPC: 785147979005. English. Text Source: Numbers 6:24&ndash,26. Scripture: Numbers 6:24–26.
Through attractive simplicity and a beautiful line, this brief setting of the Aaronic blessing is a great alternative to other, older settings of the text—especially when the total number of tenor-bass singers in your choir is considerably less than that of the sopranos and altos. The two parts sing in octaves mostly, with just a hint of a canon in the final measures.
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