| Be Still, My Soul Concert band [Score and Parts] C.L. Barnhouse
Arranged by R.W. Smith. For concert band. Young Band. Sound Foundations. Real mu...(+)
Arranged by R.W. Smith. For concert band. Young Band. Sound Foundations. Real music using only the first 6 notes!. .5. Score and parts. Composed 2010. Duration 2 minutes, 36 seconds. Published by C.L. Barnhouse
$55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be Still, My Soul Concert band [Score] - Easy Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4495-01 A Chorale Prelude. Conc...(+)
Concert band - Grade 3 SKU: CL.012-4495-01 A Chorale Prelude. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR389). Extra full score. Composed 2016. Duration 4 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-4495-01. Published by Opus III Wind Orchestra Publications (CL.012-4495-01). This prolific composer has penned many beautiful, dramatic, and emotional works. On this occasion, he has created a hymn setting that is highly reflective and musically very powerful. While the band parts certainly stand on their own, optional use of antiphonal trumpets, organ, and choir are included should you desire to provide your audience with a spectacular performance that won’t soon be forgotten. This is truly a very inspirational work. Very Impressive! $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be Still, My Soul Concert band [Score] - Easy Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4495-75 A Chorale Prelude. Conc...(+)
Concert band - Grade 3 SKU: CL.012-4495-75 A Chorale Prelude. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR389). Oversized, spiral-bound score. Composed 2016. Duration 4 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-4495-75. Published by Opus III Wind Orchestra Publications (CL.012-4495-75). This prolific composer has penned many beautiful, dramatic, and emotional works. On this occasion, he has created a hymn setting that is highly reflective and musically very powerful. While the band parts certainly stand on their own, optional use of antiphonal trumpets, organ, and choir are included should you desire to provide your audience with a spectacular performance that won't soon be forgotten. This is truly a very inspirational work. Very Impressive! $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be Still, My Soul Concert band [Score and Parts] - Intermediate C.L. Barnhouse
A Chorale Prelude. Arranged by James Swearingen. Concert Band Series. Sco...(+)
A Chorale Prelude. Arranged by James Swearingen. Concert Band Series. Score and parts. Duration 0:4:05. Published by C.L. Barnhouse (CL.012-4495-00).
$74.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Foundation Concert band [Score and Parts] - Intermediate/advanced Alfred Publishing
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Hymn. Le...(+)
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Hymn. Level: 5 (Difficult) (grade 5). Conductor Score and Parts. 304 pages. Published by Alfred Publishing.
(2)$90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Foundation Concert band [Score] - Intermediate Alfred Publishing
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Level: 5...(+)
By Mark Camphouse. For Concert Band. Concert Band. Alfred Concert Band. Level: 5 (Difficult) (grade 5). Conductor Score. 44 pages. Published by Alfred Publishing.
$11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Earl of Oxford's March Concert band [Score and Parts] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-010 Composed by William B...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-010 Composed by William Byrd. Arranged by Philip Sparke. Anglo Music Midway Series. Transcription. Set (Score & Parts). Composed 2006. Anglo Music Press #AMP 158-010. Published by Anglo Music Press (BT.AMP-158-010). 9x12 inches. English-German-French-Dutch. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances.
My Lady Nevells Book uit 1591 bevat een aantal werken van William Byrd die waarschijnlijk waren gecomponeerd in de 25 jaren daarvoor, inclusief de verhalende suite The Battell. De programmatische muziek van The Battellis zeldzaam in Byrds oeuvre, dat vooral bestaat uit vaste muzikale vormen, zoals gaillardes en pavanes. Het werk is vermoedelijk geschreven na 1588, toen Engeland in een overwinningsroes verkeerde na de zege op de Spaanseen Franse Armada’s. Het deel dat Byrd Marche Before The Battell noemde, werd bekend als The Earl of Oxford’s March, hoewel het niet geheel duidelijk is waarom. Deze muziek, die Byrd schreef in zijn hoogtijdagen, isnog altijd treffend.
Der Notendruck kam spät nach England. Viele Spieler kopierten die Musik von Hand, wohlhabende Familien ließen sie sich von einem Schreiber kopieren. Solch eine frühe Ausgabe war My Lady Nevells Book, das u.a. die deskriptive Suite The Battell enthält. Der Satz, den Byrd mit Marche Before the Battel überschrieb wurde als The Earl of Oxford’s March bekannt. Das Stück, das zur Blütezeit von Byrds Schaffenskraft entstand, bewegt noch heute die Gemüter. Eine perfekte Eröffnung für Ihr Konzert.
Questo brano di musica a programma è unico nella produzione di William Byrd che comprende soprattutto grounds, gagliarde e pavane. The Battell - dal quale è tratto The Earl of Oxford’s March (o Marche Before the Battle), fu composto probabilmente dopo il 1588, ai tempi in cui l’Inghilterra era particolarmente incline ai festeggiamenti nazionali dopo la vittoria sulle flotte spagnole e francesi. Questo brano, scritto quando William Bryd era all’apice della gloria, continua a commuovere. $140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Earl of Oxford's March Concert band [Score] - Intermediate Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-140 Composed by William B...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-158-140 Composed by William Byrd. Arranged by Philip Sparke. Anglo Music Midway Series. Transcription. Score Only. Composed 2006. 32 pages. Anglo Music Press #AMP 158-140. Published by Anglo Music Press (BT.AMP-158-140). 9x12 inches. English-German-French-Dutch. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas.The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book.Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances.
My Lady Nevells Book uit 1591 bevat een aantal werken van William Byrd die waarschijnlijk waren gecomponeerd in de 25 jaren daarvoor, inclusief de verhalende suite The Battell. De programmatische muziek van The Battellis zeldzaam in Byrds oeuvre, dat vooral bestaat uit vaste muzikale vormen, zoals gaillardes en pavanes. Het werk is vermoedelijk geschreven na 1588, toen Engeland in een overwinningsroes verkeerde na de zege op de Spaanseen Franse Armada’s. Het deel dat Byrd Marche Before The Battell noemde, werd bekend als The Earl of Oxford’s March, hoewel het niet geheel duidelijk is waarom. Deze muziek, die Byrd schreef in zijn hoogtijdagen, isnog altijd treffend.
Der Notendruck kam spät nach England. Viele Spieler kopierten die Musik von Hand, wohlhabende Familien ließen sie sich von einem Schreiber kopieren. Solch eine frühe Ausgabe war My Lady Nevells Book, das u.a. die deskriptive Suite The Battell enthält. Der Satz, den Byrd mit Marche Before the Battel überschrieb wurde als The Earl of Oxford’s March bekannt. Das Stück, das zur Blütezeit von Byrds Schaffenskraft entstand, bewegt noch heute die Gemüter. Eine perfekte Eröffnung für Ihr Konzert.
Questo brano di musica a programma è unico nella produzione di William Byrd che comprende soprattutto grounds, gagliarde e pavane. The Battell - dal quale è tratto The Earl of Oxford’s March (o Marche Before the Battle), fu composto probabilmente dopo il 1588, ai tempi in cui l’Inghilterra era particolarmente incline ai festeggiamenti nazionali dopo la vittoria sulle flotte spagnole e francesi. Questo brano, scritto quando William Bryd era all’apice della gloria, continua a commuovere. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Our First Band Concert Concert band [Score and Parts] - Beginner C.L. Barnhouse
By Various. For concert band. Young Band. Sound Foundations Series. Grade 0.5. S...(+)
By Various. For concert band. Young Band. Sound Foundations Series. Grade 0.5. Score and set of parts. Published by C.L. Barnhouse
$98.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Be Still, My Soul Concert band [Score] - Beginner C.L. Barnhouse
Arranged by R.W. Smith. Concert band. Young Band. Sound Foundations Series. Audi...(+)
Arranged by R.W. Smith. Concert band. Young Band. Sound Foundations Series. Audio recording available separately (item CL.WFR370). Grade 0.5. Extra full score. Composed 2010. Duration 2 minutes, 36 seconds. Published by C.L. Barnhouse
$6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To Create a Voice Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3 SKU: CF.CPS226 Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+8+2+2+2+6+12+24+4 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CPS226. Published by Carl Fischer Music (CF.CPS226). ISBN 9781491152522. UPC: 680160910021. Inspired by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition. To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it! $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| To Create a Voice Concert band [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3 SKU: CF.CPS226F Composed by Carol Brittin Chambers. Concert Band (CPS). Full score. With Standard notation. 24 pages. Carl Fischer Music #CPS226F. Published by Carl Fischer Music (CF.CPS226F). ISBN 9781491153208. UPC: 680160910700. Inspired by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition. To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it! $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 5 in B-flat Major, Op. 100 Concert band Southern Music Ltd
Composed by Sergei Prokofiev (1891-1953). Edited by Mark Rogers. Southern Mu...(+)
Composed by Sergei Prokofiev
(1891-1953). Edited by Mark
Rogers. Southern Music.
Concert. Softcover. Southern
Music Company #S978CB.
Published by Southern Music
Company
$395.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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