SKU: BP.HB633
Arranged for 5 - 7 octave handbell choir. Level 5. Written by Getty H. Huffine. This tour de force is a perfect choice for the advanced ensemble looking to highlight their bass section in a challenging, acrobatic escapade. Constant scales and moving lines; repeated, fanfare-like treble chords; and a blisteringly-fast tempo make this a piece not to be undertaken lightly. The overall effect is well worth the effort, however, and is sure to delight and amaze your audiences!
SKU: HP.2895
UPC: 763628128951. Michael W. Smith; Wayne Kirkpatrick.
Contemporary classic by Michael W. Smith and Wayne Kirkpatrick This Lloyd Larson setting of Michael W. Smith's contemporary classic captures the tender and simple melodic interpretation found in the artist's own rendition, while at the same time creating a lush choral version to enhance the Christmas worship experience. It spans the spectrum dynamically while underscoring the overall theme that Emmanuel has been born and now, All is well. The addition of the optional instrument parts for flute, oboe, horn and cello can heighten the impact of the performance. Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet in B-flat, Bassoon (or Bass Clarinet), Horn in F (or Clarinet), 2 Trumpets in B-flat, 2 Trombones (or Baritone T. C. ), Percussion 1 and 2, Piano, Harp, 2 Violins, Viola, Cello, String Reduction.
SKU: BP.HB600A
Arranged for 3 to 5 octave handbell choir and optional B-flat or C solo instrument, bass, triangle and wind chimes. Level 3 . This interesting take on a familiar tune is sure to challenge your ringers this holiday season. An opening swung section with jazzy harmonies gives way to a more flowing iteration of the theme before returning once more to the beginning jazzy feel. Optional parts for percussion, string bass, and B-flat or C instrument round out the jazzy sound and bring a new dimension to the piece.
SKU: MN.30-823
UPC: 688670308239.
William Payn is recognized as one of the finest contemporary composers of handbell music. This is a classic William Payn piece and will be a welcomed addition to the handbell repertoire. The piece begins with a brisk eighth note pattern in both treble and bass bells and is followed by the introduction of a theme presented in the bass bells. The theme is developed and moves through three key changes before giving way to a peaceful middle section. Both themes are combined in the finale. A challenging piece well worth the work. For church or concert use. 5 octaves (58 bells).
SKU: S2.20-1958SF
ISBN 9780787753887.
Celebrate the Showers of Blessings with this joyful piece that invokes the bygone era of the Southern gospel. This spritely arrangement will put a smile on every listener's face, and the active bass accompaniment, which is malleted throughout, will be a favorite of any bass bell ringer.
SKU: HL.35011526
UPC: 747510056690. 8.5x11.0x0.022 inches. Arr.J. Hatton.
Jesus shall reign where'er the sun does its successive journeys run. This first line of the hymn tune DUKE STREET conveys triumph and victory, and so does this arrangement and adaptation for two octaves of handbells. The music begins simply, but soon builds. A second section features the melody in the bass with a gliding, eighth-note accompaniment overhead in the treble. A Broader final section offers strong chords to emphasize the triumph with a couple of martellatos at the end to add proof to the puddin'!.
SKU: HP.2897
UPC: 763628128975.
Well-known hymn tune Both treble and bass clef ringers get their turn at playing the melody in these vibrant Level 1 settings. The arrangement also includes creative reharmonization of the well-known hymn tune, yet there are no bell changes throughout. Both 2-3 octave and 3-5 octave editions are available, which are compatible for massed ringing.
SKU: HP.2893
UPC: 763628128937.
SKU: HP.2903
UPC: 763628129033.
Classic hymn tune, BROTHER JAMES' AIR A memorable earworm countermelody unifies three stanzas of the familiar hymn tune, BROTHER JAMES' AIR. In the middle minor section, the melody moves to the bass against thumb-damped treble chords. Then, the countermelody returns and leads us to a final, triumphant statement. This compelling arrangment assures us that the Lord truly is our Good Shepherd, making it ideal for the Easter season as well as general occasions.
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