SKU: VD.ED95275
ISBN 9790202002759. 11.69 x 8.26 inches.
SKU: VD.ED13958
ISBN 9790202029589. 12 x 9 inches.
SKU: VD.ED12615
ISBN 9790202026151.
SKU: VD.ED13955
ISBN 9790202029558. 12 x 9 inches.
SKU: VD.ED99653
ISBN 9790202006535. 12 x 9 inches.
SKU: VD.ED10154
ISBN 9790202021545. 12 x 9 inches.
SKU: HL.1283366
UPC: 196288166665.
Medley contents: Grand Old Flag; I'm a Yankee Doodle Dandy; Mary's a Grand Old Name; Over There; Harrigan; Forty-Five Minutes from Broadway; Give My Regards to Broadway. Duration: approx. 6:15. Instrumentation: 2+Picc. 2+EH.2+BCl.2+CBsn: 4.4.3.1: Timp.Perc(3): Hp.Pno: Str.
SKU: BA.BA11533
ISBN 9790260108059. 31 x 24.3 cm inches. Preface: Mojzisova, Olga / Macdonald, Hugh.
The first four symphonic poems from Smetanaâ??s six-part cycle Má vlast (My Country) were written in 1874â??75 and arranged for piano duet shortly after the completion of the fourth part, From Bohemiaâ??s Woods and Fields. All six parts were issued for the first time by the publisher Urbánek, beginning with the piano duet arrangements (1879-80).The score of From Bohemiaâ??s Woods and Fields was published by Urbánek in 1881. Owing to its many misprints, Hugh Macdonald has based his new edition on the autograph score while consulting the first edition as well as the autograph and print of the composerâ??s own version for piano duet.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48024806
ISBN 9781784543792. UPC: 888680978648. 8.25x11.75 inches.
Scored for baritone solo, small 'narrator' chorus, large chorus and orchestra, MacMillan's first Passion setting was composed in 2007. Lasting 87 minutes the work is divided into two parts, with 10 movements overall. As Paul Spicer has commented, “The originality of the St John Passion lies in MacMillan's ability to mix old with new, rather in the manner of Bach in his day. There are passages of sumptuous polyphony and there is a fresh look at the text where passages of Latin are interspersed with the Gospel story in English. In movement seven ('Jesus and his Mother'), MacMillan introduces not only part of the Stabat Mater but also his own words ('Lully, lulla, my dear darling'). The final movement, which is purely orchestral, is a kind of via doloroso march with a Scots lament over quite brass chords. The string writing here, with its elegiac cello lines, is deeply reminiscent of the early 20th-century English school. This should be the War Requiem of the 21st century.&rdquo.
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