| Beati III: Pro eis solitariis (For those that are lonely) Soli, Mixted choir and accompaniment - Easy MorningStar Music Publishers
Solo and SS choir divisi (a cappella) - Early Intermediate SKU: MN.56-0031(+)
Solo and SS choir divisi (a cappella) - Early Intermediate SKU: MN.56-0031 Composed by Howard Goodall. 21st Century. Instrument parts. Duration 4 minutes, 39 seconds. MorningStar Music Publishers #56-0031. Published by MorningStar Music Publishers (MN.56-0031). UPC: 688670220364. Latin. Genesis 20:13; Numbers 11:17. Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For Solo and SS divisi, a cappella, the music has a light, ethereal feeling. ââ¬ÅBeatiââ¬Â can be taken as a sort of ââ¬ÅBlessed are theyââ¬Â prefix for the movements which are not direct quotes from the Beatitudes. This movement is a unison, chant-like setting of the Latin texts for Genesis 20:13 (ââ¬ÅThou shalt do me this kindnessââ¬Â¦Ã¢â¬Â) and Numbers 11:17 (ââ¬ÅAnd I will take of thy spiritââ¬Â). The soloist begins and sometimes takes over from the choral voices. Mostly unison except for about ten measures (out of the 69) in two-part texture and four measures in three parts. Duration 4:39
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| St. John Passion O Mensch, bewein , BWV 245.2 (1725) Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edit...(+)
(Soli,Ch,Orch) SKU: BA.BA05938-01 Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01). ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel. The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.
This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.
Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Mass in A major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] - Intermediate/advanced Carus Verlag
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp...(+)
Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, 2 Arpe, Org bzw. Soli STB, Coro SATB, 2 Vl, Va, Vc, Cb, 2 (1) Arpe, Org - Level 4 SKU: CA.4064669 Orchestra version. Composed by Cesar Auguste Franck. Edited by Wolfgang Hochstein. Set of Orchestra Parts. Composed 1860. FWV 12. Duration 46 minutes. Carus Verlag #4064600. Published by Carus Verlag (CA.4064669). ISBN 9790007293598. Key: A major. Latin. The Mass in A major published here is one of the compositions which Franck wrote for liturgical use at Ste. Clotilde. It received ist first performance there, under the composer's direction, on the 2nd April 1861. Regarding the vocal scoring of the Mass it is noticeable that only a few bars in the Ordinarium movements are expressly given to the solo vooices. Several other passages can, however, by sung by the soloists rather than the choir, and in this edition these are indicated. Score and parts available separately - see item CA.4064600. $194.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My Boy Jack Soli, Mixted choir and accompaniment Galaxy Music Corporation
Composed by David Ashley White (1944-). 21st Century. Duration 3 minutes, 30 ...(+)
Composed by David Ashley
White (1944-). 21st Century.
Duration 3 minutes, 30
seconds. Galaxy Music
Corporation #1.3429.
Published by Galaxy Music
Corporation
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| Samson HWV 57 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Solo voices, choir, orchestra (8Soprano Voice Solo, Alto Voice Solo, 4Tenor Voic...(+)
Solo voices, choir, orchestra (8Soprano Voice Solo, Alto Voice Solo, 4Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, Bassi(Vc, double bass, bassoon, Lt-B, harpisc., Org)) SKU: BA.BA04099 Oratorio in three acts. Composed by George Frideric Handel. Edited by Hans Dieter Clausen. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Voume 18, Nos. 1 2. Complete edition, Score. Composed 1743. HWV 57. Duration 3 hours. Baerenreiter Verlag #BA04099_00. Published by Baerenreiter Verlag (BA.BA04099). ISBN 9790006550111. 33 x 25.7 cm inches. Text Language: English. Preface: Hans Dieter Clausen. Text: Newburgh Hamilton. Handel composed Samson directly after completing the Messiah. After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composerâ??s most successful oratorios alongside Esther and Judas Maccabaeus. This probably had as much to do with the popular Old Testament story of the libretto as with Handelâ??s masterly shaping of the arias and choruses.
By including some movements in the appendix, this edition makes it possible for the first time to perform the work in its original 1741 version. The edition is based on the complete edition volume of the Halle Handel Edition (BA 4099), offering the complete music text of the oratorio for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| My Song Shall Be Alway Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Vocal Score] Novello & Co Ltd.
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Ch...(+)
By George Frideric Handel. For SATB soli, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 48 pages. Published by Novello and Co Ltd.
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| O God, what glut of care and pain (Ach Gott, wie manches Herzeleid) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate/advanced Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola,...(+)
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4 SKU: CA.3100313 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1725. BWV 3. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.003/13. Published by Carus Verlag (CA.3100313). ISBN 9790007041465. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller. For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O God, what glut of care and pain (Ach Gott, wie manches Herzeleid) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate/advanced Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola,...(+)
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4 SKU: CA.3100312 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1725. BWV 3. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.003/12. Published by Carus Verlag (CA.3100312). ISBN 9790007041458. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller. For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O God, what glut of care and pain (Ach Gott, wie manches Herzeleid) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate/advanced Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola,...(+)
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4 SKU: CA.3100314 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/14. Published by Carus Verlag (CA.3100314). ISBN 9790007041472. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller. For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O God, what glut of care and pain (Ach Gott, wie manches Herzeleid) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] - Intermediate/advanced Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola,...(+)
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4 SKU: CA.3100319 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1725. BWV 3. Duration 27 minutes. Carus Verlag #CV 31.003/19. Published by Carus Verlag (CA.3100319). ISBN 9790007135911. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller. For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and parts available separately - see item CA.3100300. $89.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O God, what glut of care and pain (Ach Gott, wie manches Herzeleid) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score and Parts] - Intermediate/advanced Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola,...(+)
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4 SKU: CA.3100309 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.003/21 oboe 1, 1x 31.003/22 oboe 2, 1x 31.003/31 horn, 1x 31.003/32 trombone. German title: Ach Gott, wie manches Herzeleid 4. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/09. Published by Carus Verlag (CA.3100309). ISBN 9790007041434. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller. For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and parts available separately - see item CA.3100300. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O God, what glut of care and pain (Ach Gott, wie manches Herzeleid) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate/advanced Carus Verlag
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola,...(+)
SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4 SKU: CA.3100305 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/05. Published by Carus Verlag (CA.3100305). ISBN 9790007041410. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller. For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score available separately - see item CA.3100300. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Saul Soli, Mixted choir and accompaniment [Vocal Score] Carus Verlag
Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix...(+)
Oratorio. Composed by George Frideric Handel (1685-1759). Edited by Felix Loy. This edition: urtext. Stuttgart Urtext Edition: Handel. Oratorios. Vocal score. Composed 1739. HWV 53. 216 pages. Published by Carus Verlag (CA.5505303).
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