| Always from Joy. Hymn Texts 1991-96 Choral SATB Stainer and Bell
Mixed choir SKU: ST.B838 Composed by Alan Gaunt. Hymns & Relgious Drama. ...(+)
Mixed choir SKU: ST.B838 Composed by Alan Gaunt. Hymns & Relgious Drama. Hymn Texts 1991-1996. Choral Score. Stainer & Bell Ltd. #B838. Published by Stainer & Bell Ltd. (ST.B838). ISBN 9780852498385. This second collection of Alan Gaunt's works contains 56 hymn texts written between 1991 and 1996, and includes 34 translations from the Welsh of hymnwriter Ann Griffiths. The title, taken from a sonnet by Vernon Watkins, reflects what Fred Kaan, in the introduction to this book, describes as the author's fascination with eternal glory, coupled with the earth-boundness of his daily life, that enables him to choose words and use expressions that catch the inexpressible. $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Hymns & Letters. Full Music Choral SATB Stainer and Bell
Mixed choir SKU: ST.B854 Composed by Ann Griffiths. Edited by Alan Luff. ...(+)
Mixed choir SKU: ST.B854 Composed by Ann Griffiths. Edited by Alan Luff. Books & Study Scores. Hymns translated by Alan Gaunt.. Music edited by Alan Luff.. Letters translated and edited by Alan Luff.. Introduction by Kathryn Jenkins. Choral Score. Stainer & Bell Ltd. #B854. Published by Stainer & Bell Ltd. (ST.B854). ISBN 9780852498545. Though little known in her lifetime (1776-1805), Ann Griffiths is now widely regarded as being among the leading hymnwriters in Wales. She is a major figure whose word speaks strongly to a contemporary audience at a time of growing sensitivity to Christian spirituality in its many and varied forms, and to the often unacknowledged role of women in the life and history of the church. As a crystallising of the gifts of many people, this treasure of a book would be hard to rival. (Christoper Idle, News of Hymnody). $14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Pression Double Bass [Score] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268). ISBN 9790004185681. 12 x 9 inches. This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftliche Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.
World premiere: Como (Autunno musicale), September 30, 1970. $49.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ice Break Schott
Vocal SKU: HL.49002726 Vocal Score. Composed by Sir Michael Tippet...(+)
Vocal SKU: HL.49002726 Vocal Score. Composed by Sir Michael Tippett. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical, Opera. Piano reduction. Composed 1973-1976. 358 pages. Duration 70'. Schott Music #ED 11253. Published by Schott Music (HL.49002726). ISBN 9781495076602. UPC: 073999930863. 8.75x11.5x1.128 inches. English - German. Splintered and rich in reference as Tippett's operas are in their music and in their text, they carry at their heart a glowing confidence in the power ofhuman beings to find a centre and, from that centre, to sing. In The Ice Break that confidence has a global reach. The settings are anonymous: an airportlounge, a hospital, the street. For the first time since The Midsummer Marriage, Tippett uses a chorus, here to represent the mass of humanity, whose divisions are pointed in the central cast: divisions between generations, between sexes, between races, between exile and native. Lev arrives in a new world to join his wife Nadia, who had emigrated with their baby son, Yuri. Also at the airport are Yuri's girlfriend Gayle and her friend Hannah, there to meet the black 'champion', Olympion together with his fans. Out of a series of violent tensions, individual and collective, there develops a riot in which Olympion and Gayle are killed and Yuri is near-fatally wounded. Nadia dies peacefully. During an interlude in which a group attempts a psychadelic 'trip', the messenger, Astron, is mistaken for God - a claim he dismisses ironically. Yuri is operated on by Luke, a young doctor, and, released from the cracking plaster, he finds reconciliation with his father.(Paul Griffiths)
2 (2pic).2.ca.2 (Ebcl)*bcl.2.cbn-4.2.3.1-timp.7perc (s.d., t.d., b.d., slit dr., 5 tuned dr., jazz kit, timbales, bng., cym., sus.cym., w.bl., t.bl., cast., wh., tri., large tri., sleigh bells, flexatone, tam-tam, xyl., vib., glock., tub.bells, claves, guiro, glass chimes, bamboo wind chimes, metal bar, wind machine)-hrp.pno.cel.electric organ.egtr.bgtr-str. $101.00 - See more - Buy online | | |
| Improvisation et Caprice Saxophone Leduc, Alphonse
Saxophone Solo. Composed by Eugene Bozza (1905-1991). Leduc. Instruction, Cla...(+)
Saxophone Solo. Composed by
Eugene Bozza (1905-1991).
Leduc. Instruction,
Classical. Softcover. 4
pages. Alphonse Leduc
#AL20988. Published by
Alphonse Leduc
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto Pour Clarinette Et Orchestre De Chambre Ou Piano Clarinet and Piano Leduc, Alphonse
(Clarinet/Piano) SKU: HL.48181417 Composed by Eugè and ne Bozza. Le...(+)
(Clarinet/Piano) SKU: HL.48181417 Composed by Eugè and ne Bozza. Leduc. Classical. CD. 11 pages. Alphonse Leduc #AL20935. Published by Alphonse Leduc (HL.48181417). UPC: 888680855727. 9.0x12.0x0.114 inches. Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugene Bozza went on to conduct the orchestra of the Opera-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, particularly those for wind instruments, and his Clarinet Concerto is no exception. This Bozza piece for Clarinet is expressive and virtuosic, displaying the entire range of the instrument, accompanied by an equally virtuosic Piano reduction. The Concerto comprises three movements and is one of 19 Concertos written by the composer. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities. Clarinet Concerto is a suitable and significant addition to the advanced clarinetist's repertoire.. $44.70 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Dix Pieces Faciles No. 3 - Menuet des Pages Violin and Piano Leduc, Alphonse
Violin (Violin) SKU: HL.48180733 For Violin and Piano. Composed by...(+)
Violin (Violin) SKU: HL.48180733 For Violin and Piano. Composed by Eugene Bozza. Leduc. Classical. Softcover. 3 pages. Alphonse Leduc #AL19000. Published by Alphonse Leduc (HL.48180733). UPC: 888680831776. 9.0x12.25x0.06 inches. Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugene Bozza went on to conduct the orchestra of the Opera-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, 10 Easy Pieces for Violin and Piano being no exception. This collection of Bozza pieces is suitable for beginner violinists. The third piece, Minuet Pages, is chirpy and graceful, displaying the typical features of a minuet. As music educationalist, Paul Griffiths has written of Bozza's compositions, his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities.. $12.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Bucolique Pour Clarinette Et Piano Clarinet and Piano Leduc, Alphonse
(Clarinet/Piano) SKU: HL.48181268 Composed by Eugene Bozza. Leduc. Classi...(+)
(Clarinet/Piano) SKU: HL.48181268 Composed by Eugene Bozza. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc #AL20641. Published by Alphonse Leduc (HL.48181268). UPC: 888680787035. 9.0x12.0x0.046 inches. “Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Bucolic for Clarinet and Piano being no exception. This Bozza piece for Clarinet is expressive and virtuosic, displaying the entire range of the instrument, accompanied by rhythmic and spread chords in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, â€â€œhis works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.â€â€œ Bucolic for Clarinet and Piano is suitable to the advanced clarinetist's repertoire.â€. $25.80 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Recit, Sicilienne And Rondo For Bassoon And Piano Bassoon, Piano (duet) Leduc, Alphonse
Bassoon SKU: HL.48181520 Leduc. Classical. Softcover. 8 pages. Alphonse L...(+)
Bassoon SKU: HL.48181520 Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL21154. Published by Alphonse Leduc (HL.48181520). UPC: 888680842147. 9.0x12.0x0.06 inches. “Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Récit, Sicilienne and Rondo for Bassoon and Piano being no exception. This Bozza piece for Bassoon is expressive and virtuosic, displaying the entire range of the instrument, accompanied by rhythmic quavers and spread chords in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, â€â€œhis works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.â€â€œ Récit, Sicilienne and Rondo for Bassoon and Piano is a highly suitable and exciting addition to the advanced bassoonist's repertoire.â€. $25.80 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Soir Dans Les Montagnes Flute Traversiere Et Piano Flute and Piano Leduc, Alphonse
Flute SKU: HL.48181591 Composed by Eugene Bozza. Leduc. Classical. Softco...(+)
Flute SKU: HL.48181591 Composed by Eugene Bozza. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL21304. Published by Alphonse Leduc (HL.48181591). UPC: 888680845421. 9.0x12.0x0.068 inches. “Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza's compositions were well-received by audiences, Evening in the Mountains for Flute and Piano being no exception. This Bozza piece for Flute is characteristically French, with lyrical and graceful melodies, displays of the beautiful, lower register of the Flute and fast, flourishing semiquaver passages, accompanied by spread chords and staccato in the Piano. As music educationalist, Paul Griffiths has written of Bozza's compositions, â€â€œhis works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities.â€â€œâ€. $20.55 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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