| Great Smoky Mountains [Score] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500102F Mvt. 2 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 52 pages. Theodore Presser Company #165-00102F. Published by Theodore Presser Company (PR.16500102F). ISBN 9781491131749. UPC: 680160680276. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $36.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Psalm 63: My Soul Is Longing Choral Unison - Beginner GIA Publications
Unison with descant, cantor, assembly, keyboard accompaniment, flute, oboe, bass...(+)
Unison with descant, cantor, assembly, keyboard accompaniment, flute, oboe, bassoon, cello - Beginning SKU: GI.G-3414 Psalm 63. Composed by Rory Cooney. Ordinary Time 12 C, Ordinary Time 22 A, Ordinary Time 32 A. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #3414. Published by GIA Publications (GI.G-3414). Translation: NAB. Scripture: Psalm 63. Oboe or Flute, Cello or Bassoon. $1.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blue Shades Concert band [Score and Parts] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 5. Conductor score and set of parts. Duration 10:00. Published by Manhattan Beach Music.
$365.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| God is Love Choral Unison Unison, Piano - Beginner GIA Publications
Unison voices, cantor, assembly, keyboard accompaniment, C instrument, bassoon, ...(+)
Unison voices, cantor, assembly, keyboard accompaniment, C instrument, bassoon, cello - Beginning SKU: GI.G-9825 Composed by Zack Stachowski. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #9825. Published by GIA Publications (GI.G-9825). UPC: 785147982500. English. Text Source: Based on 1 Corinthians 12 and 1 John 4. Scripture: 1 Corinthians 12, 1 John 4. For cello or bassoon. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| We Have Come to Your Table Choral 3-part SAB - Easy GIA Publications
SAB choir, cantor, assembly, keyboard accompaniment, guitar, C instrument, basso...(+)
SAB choir, cantor, assembly, keyboard accompaniment, guitar, C instrument, bassoon, cello - Early intermediate SKU: GI.G-9827 Composed by Zack Stachowski. Body and Blood of Christ. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9827. Published by GIA Publications (GI.G-9827). UPC: 785147982708. English. For cello or bassoon. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Forever Climbing Concert band [Score and Parts] Carl Fischer
Anthem of Hope. Composed by Larry Clark. Score and part(s). 28 290 page...(+)
Anthem of Hope. Composed by Larry Clark. Score and part(s). 28 290 pages. Duration 5 minutes, 38 seconds. Carl Fischer #CPS0189. Published by Carl Fischer (CF.CPS189).
$95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New York Parade Concert band [Score and Parts] - Easy G and M Brand Music Publishers
Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd...(+)
Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 1st F Horn, 2nd F Hor) - grade 3 SKU: CN.R10192 Composed by Michael Brand. Band Music. Score and parts. Duration 5:30. Published by G & M Brand Music Publishers (CN.R10192). Hear the sounds of marching bands, choirs, and the music of Broadway in this exciting concert march. Inspired by an actual parade in New York, Michael Brand brings us this spectacular original march. Perfect in any setting throughout the year.
In June 1997 I was in New York and had a free weekend. On Sunday morning I was awoken early by a great deal of banging and saw that barriers and roadblocks had been erected throughout Central Park. Why? I soon heard the answer: a great parade. When the Americans put together a parade they really mean it! This one lasted 3 hours and brought the center of New York to a standstill. Bands, dancers and choirs marched past in celebration of the Jewish faith. New York Parade is completely original but its starting point in my imagination was a marching band, a choir and Broadway. The marching band starts in the distance, passes by and as it moves away we hear the next block of performers singing, almost chanting, a hymn (called Jewish Song). The groups suddenly turn into Broadway, as a song from an imaginary show intervenes but then the band and choir return in counterpoint and all three themes come together. $55.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Noel and Alleluia! Jesus Is Born (Orchestration - Paper) Choral SATB SATB, Orchestra Lillenas Publishing Co.
SATB choir and orchestra (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2...(+)
SATB choir and orchestra (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, harp, violin 1&2, viola, cello/bassoon, string bass) SKU: LP.765762202207 A Christmas Celebration for Every Choir. Composed by Thomas Fettke. Arranged by Tom Fettke & Russell Mauldin. Musical. Excel Series. Traditional, Christmas and Sacred. Orchestration. Published by Lillenas Publishing Company (LP.765762202207). UPC: 765762202207. $350.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| All Will Be Well Choral 3-part SAB - Easy GIA Publications
SAB choir, cantor, assembly, keyboard accompaniment, C instrument, cello, bassoo...(+)
SAB choir, cantor, assembly, keyboard accompaniment, C instrument, cello, bassoon, guitar - Early intermediate SKU: GI.G-10468 Composed by John T. Kyler. Arranged by Zack Stachowski. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #10468. Published by GIA Publications (GI.G-10468). UPC: 785147046813. English. Text Source: Based on Psalm 91 and Julian of Norwich, 1342-1416. Text by Julian of Norwich. Scripture: Psalm 91. “All Will Be Well†is, above all, a song of hope. While it is easy to become discouraged by the systems of injustice that pervade our world, Julian’s text reminds us that life and love always prevail. Care should be taken to sing each refrain with this conviction and confidence while still respecting the suggested dynamic markings, as too much power can jeopardize the gentle folk-style of the piece. The verses should start with room to grow dynamically, building throughout, leading to strength and conviction in the refrain. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Apollo Arise Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Snare Drum, Suspended Cymbal and more. - Grade 3 SKU: CF.CPS200 Composed by Travis Weller. Concert Band (CPS). Set of Score and Parts. With Standard notation. 2+8+8+4+8+16+16+4+4+4+4+4+4+8+8+8+4+2+6+6+6+2+2+8+2+2+3+6+6+24 pages. Duration 3 minutes, 1 seconds. Carl Fischer Music #CPS200. Published by Carl Fischer Music (CF.CPS200). ISBN 9781491152355. UPC: 680160909858. Although some stories in Greek mythology reveal a different side to his character, Apollo was widely regarded to hold a cheerful personality and communicating joy through the music he played on his lyre. Apollo Arise is an energetic and spirited work for band ideal for opening a concert. The uplifting and exuberant melodic material lead the group on a sonic journey to capture the joy and light music can bring to both the audience and the performer. Program NotesAmong the many stories in Greek mythology, Apollo holds a unique place as a complex Olympian god known for truth, prophecy, healing, poetry, plague, knowledge, light and music. Although some stories reveal a different side to his character, Apollo was widely regarded to hold a cheerful personality and communicated joy through the music he played on his lyre. Apollo Arise is an energetic and spirited work for band, ideal for opening a concert. The uplifting and exuberant melodic material lead the group on a sonic journey to capture the joy and light music can bring to both the audience and performer. From the dynamic opening fanfare to the soaring motifs and rhythms that follow, Apollo Arise provides a wonderful opportunity for the ensemble to reach for new musical heights in their performance!   Rehearsal Notes and SuggestionsThe opening twenty-four measures of the work are important for the rest of the work to unfold successfully. Encourage the ensemble to play with a unified articulation style, maintain a proper balance, and establish a consistent tempo through this section as several recurring rhythms must be performed consistently. Measure 38 features a trumpet solo, so be sure that the rest of the ensemble balances their line to support the solo instrument. In the section that begins at m. 67, there is an optional solo opportunity for trumpet and trombone. Both of these sections provide nice contrast against the full ensemble sections that are present in the work. The section at m. 81 includes a call-and-response section between woodwind, brass and percussion groups. Be sure that as groups enter, the tempo remains consistent and that the winds articulation style is unified and complimentary to the percussion. As the opening fanfare returns at m. 101, remind the ensemble to play with consistent style, balance and tempo as they did in the opening. As the ensemble begins the part of the journey with Apollo at m. 110, the music contains unique layers that must work together to be effective and set up the material that begins at m. 127. Encourage the group to play so they can hear all other lines, and allow their energy to grow into a focused musical celebration by the final note. Thank you in advance for your support of this music, and I wish you and your ensemble well as Apollo Arise welcomes the audience to your concert hall. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| He Came (Orchestration - CD-Rom) Choral SATB Lillenas Publishing Co.
SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1...(+)
SATB choir with vocal duet (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, violin 1&2, viola, cello/bassoon, string bass) - Moderate SKU: LP.765762204300 Composed by Ray Jones Andrea Jones. Arranged by Brian Duncan. Anthems. Inspirational, Christmas and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762204300). UPC: 765762204300. Soul-stirring and evocative, this new ballad from the worship ministry of Community Bible Church in San Antonio, TX is a tender reflection on the birth of Christ and what it means to us, the miracle that He Came. This soprano and tenor duet with choir and accompanying video will make for a poignant moment in any Christmas celebration. $74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rainbow in the Clouds Concert band - Easy Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphoniu...(+)
Band Bass Clarinet, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Marimba, Oboe, Percussion, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2 and more. - Grade 3 SKU: CF.CPS224 Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+8+8+2+2+2+2+2+2+4+4+4+2+2+3+3+3+4+1+1+1+1+3+12+2 pages. Duration 3 minutes, 11 seconds. Carl Fischer Music #CPS224. Published by Carl Fischer Music (CF.CPS224). ISBN 9781491152508. UPC: 680160910007. Rainbow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds. Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students. This would serve as a welcome change of pace piece on your program for concert or contest. Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.†In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds†for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To Create a Voice Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3 SKU: CF.CPS226 Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+8+2+2+2+6+12+24+4 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CPS226. Published by Carl Fischer Music (CF.CPS226). ISBN 9781491152522. UPC: 680160910021. Inspired by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition. To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it! $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Rolling Earth Concert band [Score and Parts] - Intermediate Manhattan Beach Music
Composed by Robert Starer (1924-2001). Concert band. Suitable for advanced middl...(+)
Composed by Robert Starer (1924-2001). Concert band. Suitable for advanced middle school, high school, community and college bands. Grade 3. Conductor score and set of parts. Duration 3:15. Published by Manhattan Beach Music
$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Rolling Earth Concert band - Easy Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-053-X Composed by Robert Starer. S...(+)
Concert band - Grade 3 SKU: MH.1-59913-053-X Composed by Robert Starer. Suitable for advanced middle school, high school, community and college bands. Conductor Full Score. Duration 3:15. Published by Manhattan Beach Music (MH.1-59913-053-X). ISBN 9781599130538. The term Rolling Earth comes from a poem by Walt Whitman and the music is a celebration of the planet we live on. It has three thematic elements: the sequence of chords of the opening, a brief staccato passage passed around different instruments in the fashion of a canon, and an expressive melody first played by the woodwinds and later repeated by the trumpet, saxophone and euphonium. A gentler section comes to a point of contemplation, when a strong rhythmic motive brings it back to the celebratory mood of the opening. Ensemble instrumentation: 2 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe 1-2, 2 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass Clarinet, 3 Bassoon 1-2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 3 Horn in F 1-2, 3 Horn in F 3-4, 3 Trombone 1, 3 Trombone 2, 3 Trombone 3, 3 Euphonium B.C., 2 Euphonium T.C., 6 Tuba, 2 Timpani, 2 Mallet Percussion: Xylophone. Glockenspiel, 6 Percussion Score: Snare Drum. Tenor Drum, Bass Drum, Gong. Suspended Cymbals, Bongo Drum. $15.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Dutch Masters Suite Concert band [Score and Parts] - Intermediate Amstel Music | | |
| Ring Ye the Bels Choral SATB MorningStar Music Publishers
SATB choir, chamber ensemble SKU: MN.PMVS-103 Composed by Jonathan Willco...(+)
SATB choir, chamber ensemble SKU: MN.PMVS-103 Composed by Jonathan Willcocks. Multi-Movement/Large Choral Work. 21st Century. Octavo. Duration 12 minutes. MorningStar Music Publishers #PMVS-103. Published by MorningStar Music Publishers (MN.PMVS-103). Commissioned by the Maidenhead Chamber Choir, first performed on 20th January 2001. The text is adapted from the 16th century Epithalamion by Edmund Spenser, a colourful celebration of the power of music. Performance time is approximately 12 minutes.
Instrumental Parts include: Two Oboes, Bassoon, Two Trumpets, Timpani, Percussion, Strings. $3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Forever King (Orchestration - CD-Rom) Choral SATB Lillenas Publishing Co.
SATB choir with vocal solo (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1...(+)
SATB choir with vocal solo (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, violin 1&2, viola, cello/bassoon, string bass) - Moderate SKU: LP.765762204201 Composed by Amanda Singer. Arranged by Amanda Singer & Ron Blount. Anthems. Contemporary, Christmas and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762204201). UPC: 765762204201. Orchestrated by Ron Blount. A lively and upbeat celebration of joy! Written in a praise and worship style from the worship ministry of Community Bible Church in San Antonio, TX, this solo opportunity with accessible vocal writing for choir and accompanying video will invite congregations to rejoice in the little baby boy who is Forever King!. $74.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Let Us Go Rejoicing Choral 3-part SAB, Piano - Beginner GIA Publications
SAB choir, assembly, keyboard accompaniment, flute, oboe, clarinet, in B-flat, b...(+)
SAB choir, assembly, keyboard accompaniment, flute, oboe, clarinet, in B-flat, bassoon, guitar - Beginning SKU: GI.G-3437 Composed by Jan Michael Joncas. Advent 1 A, Christ the King C. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #3437. Published by GIA Publications (GI.G-3437). UPC: 785147343707. Scripture: Psalm 122. Assembly and instrument parts are optional. Engaging modal setting. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Noel and Alleluia! Jesus Is Born (Orchestration - CD-Rom) Choral SATB SATB, Orchestra Lillenas Publishing Co.
SATB choir and orchestra (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2...(+)
SATB choir and orchestra (flute 1&2, oboe, clarinet 1&2, F horn 1&2, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion, rhythm, harp, violin 1&2, viola, cello/bassoon, string bass) - Moderate SKU: LP.765762202108 A Christmas Celebration for Every Choir. Composed by Thomas Fettke. Arranged by Tom Fettke & Russell Mauldin. Musical. Excel Series. Traditional, Christmas and Sacred. Orchestration on CD-ROM. Duration 38 minutes. Published by Lillenas Publishing Company (LP.765762202108). UPC: 765762202108. Orchestrated by Russell Mauldin. Noel & Alleluia! Jesus Is Born, created by Tom Fettke and orchestrated by Russell Mauldin, is the ideal Christmas offering for church choirs of all sizes. With music by some of the Christian music world's most popular artists; such as Michael W. Smith, Keith & Kristyn Getty, Lowell Alexander, and Tom Fettke; this narrated music will resonate with congregations that lean toward a more traditional style of worship, as well as those with a more contemporary bent. Highlights include a new version of Carol of the Bells by Tom Fettke, Michael W. Smith's Christmas Angels, the beautiful and moving Jesus, Joy of Highest Heaven from contemporary hymn writers Keith and Kristyn Getty, and the fun Hallelujah Jesus Is Born! All of these songs are intertwined and held together by the masterful narrative writings of Claire Cloninger. For SATB choirs of any size, with minimal solo opportunities, your choir and congregation will be singing Noel & Alleluia! Jesus Is Born all year long. $350.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Golden Light Concert band [Score] Carl Fischer
A Celebration Piece for Symphonic Wind Ensemble - Full Score. By David Maslanka....(+)
A Celebration Piece for Symphonic Wind Ensemble - Full Score. By David Maslanka. Concert band/stage band. For Piccolo, Flute I, Flute II, Oboe, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Horn I, Horn II, Trumpet I, Trumpet II, Tenor I, Tenor II, Euphonium, Tuba, Timpani, Marimba, Xylophone, Tambourine, Glockenspiel, Tom-Tom, Vibraphone, Bell Tree, Small Suspended Cymbal, Claves, Bongos, Small Indian Tom-Tom, Wood Block, Cabasa, Small Cowbell, Crash Cymbal, Hi-Hat, Temple Blocks, Triangles, Bass Drum with Cymbal. Full Score - Large. 71 pages. Published by Carl Fischer.
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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