SKU: PO.PE128

ISBN 9781877564284. 30.5 x 22 cm inches.

Balinese Pieces (1996-2003) is a set of three piano works influenced by gamelan music of Indonesia. This set includes Sepuluh Jari (ten fingers), Tentang Cara Gamelan (on the technique of gamelan), and Jangan Lupa (dont forget). Farr perfectly captures the exciting rhythms and beautiful sonorities of this gamelan music and combines it with sounds and textures reminiscent of French impressionism. His writing for piano in these pieces is virtuosic with fast melodic passages and complex rhythms. The three pieces can be performed together as a set or separately as stand-alone works. Balinese Pieces is sure to be a highlight in any professional piano recital programme.

SKU: FJ.B1836S

English.

Using just six notes, this intense work evokes the power and ferocity of an active Indonesian volcano! After an epic opening, bold melodic lines intertwine with moments of clapping and stomping while an array of percussion colors paint a vivid picture of the 1815 Mount Tambora eruption and the tragic aftermath. Simply stunning!

SKU: CL.012-4379-01

Energetic and uplifting, this compelling work will captivate your audience on the edge of their seats! Quest to the Summit is an overture for wind band that is inspired by the composer's friend's arduous journey to the peak of Indonesian volcano, Mount Semeru. Ample cross-cueing of parts have been carefully considered to allow your band to exploit the music to its fullest. Known for his distinctive lyrical writing, Benjamin Yeo's slow and heart-warming middle section offers excellent opportunities for your flute soloist and the band to showcase their best in tone, balance and phrasing. This masterfully crafted work is unbelievable at this grade level and will definitely take the spotlight in your next band concert, contest or festival performances. Very outstanding!

SKU: BA.BA04674-82

ISBN 9790006498857. 32.5 x 25.5 cm inches. Key: E-flat major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

SKU: TM.10563SET

No. 3. Included in Suite No. 2 (#08929).

SKU: M7.DOHR-88652

ISBN 9790202096529.

SKU: P2.60012

Arranger Joseph Ardovino says, The sinfonias of Giuseppe Torelli are sonata-like in conception. The form of most of the movements in the typical Bolognese trumpet sonata is rudimentary, the organizing principle of concertato being textural rather than thematic or even tonal... In fact, Torelli is considered to be a pioneer in the use of fugal technique for its architectural rather than its contrapuntal properties... In some of his earlier works, Torelli maintained the fast-slow-fast tempo pattern with four distinct movements, but by the time of this Sinfonia, the slow first movement had been virtually abandoned... This offers a modern performance edition of an important piece from one of the most prolific collections of trumpet music..

SKU: BR.OB-5562-12

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso.

Have. Mass; Classical. Part. 24 pages. Duration 52'. Breitkopf and Haertel #OB 5562-12. Published by Breitkopf and Haertel (BR.OB-5562-12).

ISBN 9790004344460. 10 x 12.5 inches.

The Missa in c was so dear to Mozart that he cited it as evidence of the reality of my vow to marry his beloved Constanze and to complete the only half-finished mass. Nevertheless, one of Mozart's greatest masterpieces remained a torso. The Dutch music theorist, arranger, and musicologist Clemens Kemme closes the gap in this work by creating a new supplement, creatively and profoundly grounded and giving due respect to the composition, hence fulfilling that part of Mozart's vow after more than 200 years. This version is published by Breitkopf, complete with performance material, piano reduction, and study score. The edition is based on a meticulous re-examination of the sources for the completed sections and offersAddenda validated by authentic materialNew orchestration of the two Credo movements modeled on Handel and Bach as well as on Mozart's own music, e.g., the aria Se il padre perdei (Idomeneo)Reconstruction of the Sanctus for double chorus from secondary sources and models by Caldara and J. Chr. BachSections added in the score clear at first glance from their gray resolutionPreparation of the edition in close collaboration with Frans BruggenFirst performance of the version in 2006 by Bruggen with many subsequent performances, such as by the chorus of the Bavarian Radio under Peter Dijkstra (together with CD production) Kemme applies the same level of care and diligence shown in his 'Et incarnates est' and 'Osanna' reconstructions throughout the score, though these two movements truly set this edition apart from its predecessors. Careful awareness of eighteenth-century music theory and practices facilitate skillful and insightful interventions at every stage. The outcome is a highly refined and elegant take on the C-minor mass as Mozart left it. (Peter Keenan, Eighteenth-Century Music)Audio samples:10. Et incarnatus est: Claron McFadden (Soprano), Orchestra of the 18th Century, cond. Frans Bruggen (NOS Radio, 2006) 11. Sanctus: Chor des Bayerischen Rundfunks, Munchener Kammerorchester, cond. Peter Dijkstra (Sony, 2013)

This edition represents the culmination of some eleven or so years of extensive research. It brings an exhaustive understanding of eighteenth-century practices and Mozart's stylistic habits to bear on the unfathomable task of replicating Mozart's style without impinging upon the tone of the work. The rigour with which Clemens Kemme has produced this edition of Mozart's abandoned mass is nothing but exceptional. (Peter Keenan, Eighteenth-Century Music).