Tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass

SKU: CA.7004615

Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. Offertorium Intende Voci Fur Tenor. Sacred vocal music. Single Part, Double Bass. Composed 1828. D 963. 4 pages. Duration 10 minutes. Carus Verlag #CV 70.046/15. Published by Carus Verlag (CA.7004615).

ISBN 9790007227937. Key: B flat major. Language: Latin.

In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the Mass in E flat. Score and part available separately - see item CA.7004600.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, organ obligato

SKU: CA.3102905

Cantata for the inauguration of a new town council. Composed by Johann Sebastian Bach. Edited by Hans Grischkat, Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wir danken dir, Gott, wir danken dir. Sacred vocal music, Cantatas, Praise and thanks. Choral Score. Composed 1731. BWV 29. 8 pages. Duration 28 minutes. Carus Verlag #CV 31.029/05. Published by Carus Verlag (CA.3102905).

ISBN 9790007042394. Key: D major. Language: German/English.

Bach's cantata Wir danken dir, Gott, wir danken dir of 1731, composed for the inauguration of the Leipzig town council, is one of the cantatas which has an obbligato organ part. In the introductory Sinfonia (an arrangement of the opening movement of the Partita in E for solo violin) and the final aria, the organ has a prominent solo part. The final aria is a transposed repetition of the first aria in the cantata, which frames its central section as a motto Halleluja, Stark und Macht sei dem allerhochsten Namen. However, the high point of the cantata is the magnificent choral movement which precedes the first Halleluja. Bach also re-used this music later in the Gratias and Dona nobis pacem sections of the Mass in B minor. New revised edition. Score available separately - see item CA.3102900.

Tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass

SKU: CA.7004619

Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. Edited by Werner Bodendorff. This edition: urtext. Stuttgart Urtext Edition: Schubert. Offertorium Intende Voci Fur Tenor. Sacred vocal music. Set of Orchestra Parts. Composed 1828. D 963. Duration 10 minutes. Carus Verlag #CV 70.046/19. Published by Carus Verlag (CA.7004619).

ISBN 9790007138509. Key: B flat major. Language: Latin.

In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the Mass in E flat. Score and parts available separately - see item CA.7004600.

Chorus and piano (soli: SSATTB - choir SATB - 0.2.2.2. - 2.2.3.0. - timp - org - str)

SKU: BR.EB-8089

With second Dona nobis D 185. Composed by Franz Schubert. Edited by Ulrich Haverkampf. Arranged by Ulrich Haverkampf. Choir; Softbound. Edition Breitkopf. Mass; Romantic. Piano/Vocal Score. 136 pages. Duration 30'. Breitkopf and Haertel #EB 8089. Published by Breitkopf and Haertel (BR.EB-8089).

ISBN 9790004174739. 7.5 x 10.5 inches.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.4065662

Aus: Messe in F (2. Fassung). Composed by Franz Schubert. Arranged by Paul Horn. German title: Messe in F, Dona 2 alt BA. Sacred vocal music, Mass sections, Peace and justice. Single Part, Violin 2. D 105. 4 pages. Carus Verlag #CV 40.656/62. Published by Carus Verlag (CA.4065662).

ISBN 9790007219765. Key: F major. Language: Latin.

Piano/Vocal score available separately - see item CA.4065653.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.4065664

Aus: Messe in F (2. Fassung). Composed by Franz Schubert. Arranged by Paul Horn. German title: Messe in F, Dona 2 alt BA. Sacred vocal music, Mass sections, Peace and justice. Single Part, Cello/Double Bass. D 105. 4 pages. Carus Verlag #CV 40.656/64. Published by Carus Verlag (CA.4065664).

ISBN 9790007219789. Key: F major. Language: Latin.

Piano/Vocal score available separately - see item CA.4065653.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.4065699

Aus: Messe in F (2. Fassung). Composed by Franz Schubert. Arranged by Paul Horn. German title: Messe in F, Dona 2 alt BA. Sacred vocal music, Mass sections, Peace and justice. Single Part, Organ. Composed 1815. D 105. 4 pages. Carus Verlag #CV 40.656/99. Published by Carus Verlag (CA.4065699).

ISBN 9790007219796. Key: F major. Language: Latin.

Piano/Vocal score available separately - see item CA.4065653.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.4065659

Aus: Messe in F (2. Fassung). Composed by Franz Schubert. Arranged by Paul Horn. 1x 40.656/71 oboe 1, 1x 40.656/72 oboe 2, 1x 40.656/73 clarinet 1, 1x 40.656/74 clarinet 2, 1x 40.656/75 bassoon 1, 1x 40.656/76 bassoon 2, 1x 40.656/81 trumpet 1, 1x 40.656/82 trumpet 2, 1x 40.656/83 trombone 1, 1x 40.656/84 trombone 2, 1x 40.656/85 trom. German title: Messe in F, Dona 2. Blas alt BA 12. Sacred vocal music, Mass sections, Peace and justice. Set of Orchestra Parts. D 105. 24 pages. Carus Verlag #CV 40.656/59. Published by Carus Verlag (CA.4065659).

ISBN 9790007219741. Key: F major. Language: Latin.

Piano/Vocal score available separately - see item CA.4065653.

Brass Band - Grade 6

SKU: BT.DHP-0920462-030

Composed by Jan Van der Roost. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 1992. De Haske Publications #DHP 0920462-030. Published by De Haske Publications (BT.DHP-0920462-030).

This piece attempts to portray atmospheric pictures through music. The opening section evokes the somewhat misty and hazy early morning atmosphere surrounding the ancient monument. When the band reaches its first dynamic climax it is as if the massive boulders are audible, even touchable through the use of minor 3rd chords. The main theme - constructed on the notes CAFBG symbolises the arrangement of the central boulders in the shape of a horseshoe, which forms the focal point of this huge collection of stones. Towards the end of the work you will experience a fantastic effect when five soloists play a five part hymn whilst other members of the band create a specialatmosphere by imitating a choir of monks and druids. A fantastic major new concert work for advanced bands.

Een enorme cirkel van gigantische rechtopstaande stenen staat al zo’n 3500 jaar lang in het zuidwesten van Engeland. In dit werk zijn sfeerbeelden omgezet in muziek. Hoewel er geen concreet verhaal aan ten grondslag ligt en er geenduidelijk scenario is gebruikt, verklankt deze compositie het mysterie en de grootsheid van het eeuwenoude geheimzinnige monument Stonehenge op voortreffelijke wijze.

Dans le sud-ouest de l’Angleterre, se dresse, depuis plus de 3 500 ans, un impressionnant cercle de blocs de grès. En dépit de multiples recherches et calculs scientifiques, on ne connaît toujours pas la signification exacte de ce site. Au fil des siècles, de nombreuses suppositions et spéculations ont été avancées quant la fonction de Stonehenge, lieu de cérémonies religieuses, lieu de rituels et d’adoration, mais aucune de ces hypothèses n’a pu être démontrée de façon probante ce jour. Actuellement, on s’accorde penser que Stonehenge est un calendrier géant. La disposition particulière des blocs permet d’observer le lever du soleil ou le coucher de la lune, de prédire lessolstices d’été et d’hiver, de déterminer les positions de la lune travers les diagonales, etc. En résumé, ce mystérieux monument de pierre permet d’observer les changements de saison.Stonehenge est une mise en musique d’images et d’impressions atmosphériques ; un paysage sonore dont la trame ne suit aucun scénario précis, mais dont les images sont réelles.