SKU: CA.3230114

ISBN 9790007211714. Key: D major. Language: all languages.

Score available separately - see item CA.3230100.

SKU: CE.CBM-05-00087

UPC: 820821000870.

SKU: BT.CMP-1008-06-010

9x12 inches. English.

Imagine Tchaikovsky on a vacation trip that was arranged by a really, really bad travel agent. That, in a “nutshell”, describesThe Nutty Nutcracker. This humorous style parody of what may arguably be some of the best-known melodies on the planetis a certain crowd pleaser. Everybody knows the tunes, but not like THIS! The Arabian Tango; The Chinese Hoedown; TheWaltz of the Mariachi Flowers; The Dance of the Klezmer Clarinets and MORE. You get the idea! Great fun for everyone.You’llwant to use Mike Hannickel’s A Nutty Nutcracker again and again.Whoops! Where are we?

Een onderhoudende bewerking van Tsjaikovski's wereldberoemde Notenkraker, Waarin de arrangeur op de humoristische wijze een en ander doorelkaar heeft gehusseld. De meeste van de zeven delen zijn gebaseerd op dansstijlen en-ritmes, bijvoorbeeld de samba, de tango, de trepak, de wals en zelfs reggae. Deze stilistische aspecten kunnen worden overdreven voor een maximaal effect. Veel plezier met deze doldwaze notenkraker!

Was wäre, wenn Tschaikowski, von einer schlecht organisierten Reise zurückgekehrt, alle Noten seiner Nussknacker-Suite vollkommen durcheinander vorgefunden hätte und das kurz vor der Premiere? Seltsame Vorstellung - aber genau das ist die Fantasie, die Mike Hannickel seinem amüsanten Stück The Nutty Nutcracker zugrunde legte, in dem die einzelnen Sätze, von Tschaikowskis Reise inspiriert, als Samba oder Klezmer, im chinesischen oder arabischen Stil, als Reggae oder Mariachi-Musik erscheinen.

Imaginez quoi ressemblerait Casse-Noisette si Tcha kovski avait accidentellement mélangé les parties instrumentales de cette œuvre sans jamais retrouver le bon ordre ? Cela vous semble improbable et sans doute avez-vous raison. Mike Hannickel, lui, n’exclut pas cette option et nous propose une toute autre version du célèbre ballet, une version que Tcha kovski aurait peut-être réalisée lui-même s’il y avait pensé. Écoutons sans plus attendre l’œuvre d’un Tcha kovski vraiment distrait.

SKU: GI.G-10541

UPC: 785147054115. English. Text Source: William Wallace after Mary Peters, 1813&ndash,1856. Text by William Wallace.

SKU: HL.48181769

UPC: 888680862831. 9x12 inches.

“After hearing Castérède's Sonatina for Trumpet and Piano, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castérède's Sonatina is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatina for B flat or C Trumpet and Piano is full of musically appealing features. Elements include exquisite use of ornamentation, exploiting Trumpet technique to its full potential, and clever uses of shared melody between the Trumpet and Piano. From the lively, harmonically rich first movement to the luscious melodies of the second, this Sonatina provides an enjoyable listen and fun piece to learn for all trumpeters. &rdquo.

SKU: HH.HH267-SOL

ISBN 9790708092162.

Though primarily known as an opera composer, Giovanni Paisiello did not neglect the instrumental repertoire. His Capriccio in D minor, written in St Petersburg for his pupil the Grand Duchess Maria Feodorovna and first published c.1799, is a fine example of this Southern Italian composer's keyboard style.

SKU: BT.DHP-1033406-010

The swing classic Sing, Sing, Sing, which in 1937was a major hit for the Benny Goodman Orchestra,was written by its trumpet player Louis Prima.Prima, born in New Orleans, did not only laterbecome known for his spectacular live and radioperformances, he also created his own jazz style- a mix of dixieland and swing. This arrangementfor concert band brings the unforgettable soundof the big bands from the thirties back to life.

De swing-klassieker Sing, Sing, Sing werd in 1937 een grote hit voor het Benny Goodman Orchestra. Het nummer is geschreven door Louis Prima, de trompettist van dit orkest. Dit arrangement van Naohiro Iwai laat het onvergetelijkegeluid van de bigbands van de jaren dertig herleven.

Den Swing-Klassiker Sing, Sing, Sing, ein großer Hit für das Benny Goodman-Orchester im Jahr 1937, hatte sein Trompeter Louis Prima geschrieben. Prima, geboren in New Orleans, wurde später nicht nur bekannt für seine Aufsehen erregenden Bühnen- und Radiovorstellungen, er schuf auch seinen ganz eigenen Jazzstil, eine Mischung aus Dixieland und Swing. Naohiro Iwais Arrangement des Jazzstandards Sing, Sing, Sing macht den unverwechselbaren Big Band-Sound der 30er-Jahre wieder lebendig.

Artiste plein d’humour et de fantaisie, trompettiste et chanteur, Louis Prima (1910-1978) s'inscrit dans la grande tradition de la musique américaine, entre jazz et variété. Louis Prima, c’est le dixieland, le swing, le R&B et l'inventeur des shows de Las Vegas. Le monde entier a fredonné ses chansons telles que Just a Gigolo, mais son plus grand succès date des années 30 lorsque Benny Goodman enregistre Sing, Sing, Sing, le standard qui va propulser Louis Prima au sommet de son art.

SKU: HL.14018031

ISBN 9788759883686. Danish.

SKU: MH.1-59913-021-1

ISBN 9781599130217.

Program Notes: Festival in Russia is a transcription for concert band of Anatoli Liadov's dazzling orchestral work, Polonaise (Op. 49). Written at the turn of the century, its energetic dance rhythms and melodic expressiveness will bring a delightful Old World charm to today's audiences. Liadov (1855-1914) was a student of Rimsky-Korsakov at the St. Petersburg Conservatory, and succeeded him as the composition teacher. (One of Liadov's most notable students at the Conservatory was Sergei Prokofiev.) At the time the Polonaise was written (1899), Liadov was at the height of his profession and one of his era's most respected and widely-known composers. The first performance of this transcription for concert band was given by the West Virginia University Wind Symphony at the Kennedy Center for the Performing Arts on February 24, 1988, Don Wilcox conducting. Ensemble instrumentation: 1 Piccolo, 4 Flute I, 4 Flute II, 1 Oboe I, 1 Oboe II, 1 English Horn, 1 Bassoon I, 1 Bassoon II, 1 Eb Clarinet, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 1 Eb Alto Clarinet, 1 Eb ContrabassClarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 3 Eb Alto Saxophone I, 3 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Cornet I, 3 Bb Cornet II, 3 Bb Cornet III, 2 Bb Trumpet I, 2 Bb Trumpet II, 2 F Horn I & III, 2 F Horn II & IV, 2 Trombone I, 2 Trombone II, 2 Bass Trombone, 3 Euphonium, 2 Euphonium T.C., 4 Tuba, 2 Timpani, 2 Bells & Vibraphone, 3 Chimes, Triangle & Cymbals, 2 Xylophone & Marimba, 2 Snare Drum & Bass Drum.