SKU: PR.14440727S

UPC: 680160681907. 9 x 12 inches.

My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.

SKU: CL.011-3691-01

A dramatic ballad with deep and rich sonorities, Eternal Hope was written simply as a prayer for peace. Weaving throughout the choirs of instruments, the flowing melodies and soaring countermelodies build into a dramatic climax. This emotional composition is David Shaffer at his very best. Perfect for any program setting.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

SKU: KN.61183

UPC: 822795611830.

Written for advancing groups to feature any instrument, this beautiful ballad with trumpets on flugelhorns changes to a double-time Latin feel for the improvisation section. This is an excellent vehicle for a talented soloist from within the band or a featured guest artist. A guitar chord chart by Jim Greeson, as well as optional vibes is included in each set. Duration 6:30.

SKU: SU.80101153

This setting of Psalm 98 is taken from the composer's oratorio The Manchester Magnificat, originally written for Manchester Cathedral. In the context of the oratorio, this psalm setting forms the climax, presenting an expression of optimism. 16 pages Published by: Zimbel Press.

SKU: KJ.W77CLE

ISBN 9780849706110.

Bach and Before for Band, the popular collection of four-part chorales for concert band has just been extended to a Book 2! Introducing 24 new chorales scored in the Kjos Total Option format, it's a book of solos, a book of duets, a book of larger ensembles that can be played in absolutely any combination of instruments. In addition, it is a book that can be played in unison. Bach and Before for Band Book 2, is the most versatile chorale and warm-up book ever written, again!

SKU: LO.99-3916MD

UPC: 000308150865.

Performance/accompaniment CD for Let Us Rejoice, Christ is Born! (10/2176MD) Written in 6/8 time, this Christmas selection is easy to learn and destined to become a choir favorite. Featuring a melody that will stick with listeners long after leaving the worship space, it is sure to be a memorable performance. Add the optional full orchestra for an unforgettable experience.

SKU: BR.OB-32034-16

ISBN 9790004350904. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

SKU: HL.1428493

ISBN 9798892701761. UPC: 196288202554. 9.0x12.0x0.144 inches.

Written for the First Unitarian Church of Portland, Oregon. A version is also available for Chorus, Flute and String Orchestra.

SKU: KN.61037

UPC: 82279561037.

Inspired by the music of Art Blakey and the Jazz Messengers, this medium swing original for advancing groups features a combo style melody and a hard-driving rhythmic feel. The written or ad lib solo section can be played by any player, and there is plenty of space for drum fills throughout. Notated piano voicings and bass lines are provided, and a guitar chord chard by Jim Greeson is included in each set. Duration 6:00.