Violin and orchestra (solo: vl - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.PB-14590

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Shin Augustinus Kojima. Orchestra; stapled. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 28 pages. Breitkopf and Haertel #PB 14590. Published by Breitkopf and Haertel (BR.PB-14590).

ISBN 9790004211120. 10 x 12.5 inches.

When Ludwig van Beethoven wrote the present two works around 1800, the Romance as a genre designation for a soulful, melodious instrumental piece was anything but established, despite the occasional piece bearing this title. Beethoven himself named the pieces Romance in the autographs, but offered them to Breitkopf & Hartel for publication as Solo. His brother Karl even spoke of 2 Adagios to the publisher. Nevertheless, Beethoven's two Romances for violin achieved lasting popularity ever since the publication of the first editions in 1803 and 1805.The present Urtext edition takes the autographs and first editions as its main sources.

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Score and Parts. Composed by Johan De Meij. The Music of Johan de Meij. Solo and Concerto. Set (Score and Parts). Composed 2000. Amstel Music #AM 57-010. Published by Amstel Music

Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15155

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155).

ISBN 9790004215609. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

By Samuel Applebaum. For Cello. String Orchestra Method/Supplement. Belwin Course for Strings. Book. 16 pages. Published by Alfred Publishing.

By Ralph Vaughan Williams. For String Orchestra Cello 2 Part (Desks 2,4,5,). Published by Oxford University Press.