SKU: MN.50-3016
UPC: 688670530166.
New tune for traditional Lenten text. Four-part homophonic style.
SKU: GI.G-005896
SKU: UM.96921
SKU: CA.3113619
ISBN 9790007172176. Language: German/English. Translation: Henry Drinker. Scripture: Matthew 7:15-23.
The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and parts available separately - see item CA.3113600.
SKU: CA.3119419
ISBN 9790007210359. Language: German/English.
The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and parts available separately - see item CA.3119400.
SKU: BT.EMBZ14927
Latin.
The noted Hungarian choirmaster and composer, born in 1930, set four verses of the Lord's Day sequence of St Thomas Aquinas in this short devout work, which draws on the melody of the original Gregorian sequence. Written in 2011 for the 21st International Chamber Choir Competition in Pécs, the work makes rewarding and attractive material for both professional and amateur choirs to sing. Lauda Sion has also appeared in versions for mixed and for women's choir.
SKU: CA.3119422
Text language: German/English.
The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score and part available separately - see item CA.3119400.
SKU: CA.3105211
ISBN 9790007206314. Language: German/English. Text: Birkmann, Christoph.
It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score and part available separately - see item CA.3105200.
SKU: BT.SCHBB5401246
SKU: PL.1706
Based on the famous text from Psalm 42, Highcock's setting has a memorable tune, sung first by men and then expanded to four parts. This a cappella setting has an attractive modal sound, giving it a timeless quality.
SKU: CA.7004319
ISBN 9790007138479. Key: G minor. Language: Latin.
Schubert composed the Latin Stabat Mater, D 175, between the 4th and 6th April 1815, probably without any specific commission. The text had been appointed by Pope Benedict XIII in 1727 for use at the Feast of the Seven Sorrows of the Blessed Virgin Mary on the 15th September. Schubert set to music only the first four of the Stabat Mater's 20 verses, but each verse is repeated with a concluding coda. Score and parts available separately - see item CA.7004300.
SKU: CA.1002512
ISBN 9790007189228. Text language: German.
Johann Heinrich Rolle was born in 1716 in Quedlinburg. In 1752 he was appointed music director of the city of Magedburg. The cantata Siehe Finsternis bedeckt das Erdreich und Dunkel der Volker was written for the feast of Christmas. We do not know the year of its first performance. The libretto is by Johann Samuel Patzke. The cantata comprises six movements, framed by an extended and festively-orchestrated opening chorus and a simple four-part chorale movement. The first movement, with its unusual harmonies and contrasting tempi, is very distinctive. Score and part available separately - see item CA.1002500.
SKU: CA.2718915
ISBN 9790007241650. Language: Latin.
In 1892 Dvorak received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbus's discovery of America. In response he wrote an impressive work in a very short space of time - his Te Deum, which expresses in celebratory style the old hymn of praise in four effective, contrasting sections. In preparing the Carus edition, a careful assessment has been made of the variant readings of the autograph score and first printed edition, drawing on these as sources. The result is that the work is newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and part available separately - see item CA.2718900.
SKU: BA.BA05570-01
ISBN 9790006497386. 33 x 26 cm inches. Language: German. Preface: Christine Martin. Text: Helmina von Chezy.
On 20 December 1823 Helmina von Chezy'sRosamundereceived its premiere performance at Vienna's Theater an der Wien. Unfortunately the Viennese version of this drama with ghosts, pirates, attempted poisonings and other horrifying ingredients has not survived - unlike Schubert's popular incidental music which also includes choruses and dances. This music was already highly praised by contemporary critics, with special acknowledgment given tothe genius of this much-loved master. As evidence of its popularity, the overture and theHunters' Chorushad to be encored at the premiere. Now Barenreiter is issuing one of Schubert's best-known compositions in a complete vocal score with piano reduction.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: MN.50-6011
UPC: 688670560118.
This musical setting seeks to convey the sense of urgency and insistence found in this well-known hymn. A combination of unison and four-part writing is used. Appropriate for mission emphasis or general use.
SKU: CA.3911913
ISBN 9790007055585. Key: B flat major. Language: German/English.
In his Christmas cantata Allein Gott in der Hoh sei Ehr (To God, on high alone be praise), Telemann celebrates the birth of Jesus as a symbol of the reconciliation with God and as a message of salvation for a sinful humanity. The cantata makes provision for a competent baritone soloist who sings two challenging arias, as well as a four-part choir which provides the framework for the composition with two unadorned chorale verses and, as a climax, intones the Christmas paean from Luke 2:14 Ehre sei Gott in der Hohe (Praise to God in his high heaven). In the first aria, the muted sounds of the optional high trumpet accompany the words O Freudengetone, wie lieblich, wie schone (O music of blessing! How lovely, how pleasing), evoking a gentle Christmas luster. Score and part available separately - see item CA.3911900.
SKU: CA.5408711
Language: Latin.
Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score and part available separately - see item CA.5408700.
SKU: CA.5408703
ISBN 9790007186913. Language: Latin.
Michael Haydn composed three of his masses in honor of the holy archangels - St Michael, St Gabriel, and the Raphaelismesse in honor of St Raphael now published. By avoiding the use of vocal soloists, it is one of the genre of Missa in pieno. Four trumpets and two ad lib oboe parts added later by the composer give the work a festive sound in the baroque tradition. At the same time, elements of the 'sensitive style' feature too. The Gloria and Credo exist in two settings, a short version with polytextual passages and a longer version arranged by Haydn himself. The Carus edition, based on authentic performance material in St. Peter's Monastery in Salzburg, contains both versions, with the longer version published here for the first time. Score available separately - see item CA.5408700.
SKU: CA.2718909
ISBN 9790007241605. Language: Latin.
In 1892 Dvorak received a prestigious commission from New York to write a festive cantata to commemorate the 400th anniversary of Christopher Columbus's discovery of America. In response he wrote an impressive work in a very short space of time - his Te Deum, which expresses in celebratory style the old hymn of praise in four effective, contrasting sections. In preparing the Carus edition, a careful assessment has been made of the variant readings of the autograph score and first printed edition, drawing on these as sources. The result is that the work is newly available in a modern, scholarly edition. The complete performance material is available on sale. Score and parts available separately - see item CA.2718900.
SKU: CA.1002500
ISBN 9790007145811. Text language: German.
Johann Heinrich Rolle was born in 1716 in Quedlinburg. In 1752 he was appointed music director of the city of Magedburg. The cantata Siehe Finsternis bedeckt das Erdreich und Dunkel der Volker was written for the feast of Christmas. We do not know the year of its first performance. The libretto is by Johann Samuel Patzke. The cantata comprises six movements, framed by an extended and festively-orchestrated opening chorus and a simple four-part chorale movement. The first movement, with its unusual harmonies and contrasting tempi, is very distinctive.
SKU: CA.3119403
ISBN 9790007186500. Language: German/English.
The cantata Hochsterwunschtes Freudenfest BWV 194 was composed for an organ dedication on 2 November 1723 in Stormthal, Saxony. A year later, and with just a few alterations, the cantata was performed again in Leipzig on Trinity Sunday. Our edition takes this Leipzig version of 1724 as its source. The special occasion of its composition is reflected in the extent of the composition which has twelve, instead of the usual six, movements. The orchestral scoring is for strings and three obbligato oboes. A special feature of the cantata is its structure as an orchestral suite. The beginning is a spirited opening chorus in the style of a French overture. The bass aria in the third movement has the character of a pastorale, and the following aria (movement 5) in turn has the character of a gavotte, etc. A simple four-part chorale concludes this multifaceted composition, marked by some extremely heartfelt moments. Score available separately - see item CA.3119400.
SKU: BT.DHP-1001910-250
German.
SKU: CA.3113612
ISBN 9790007208127. Text language: German/English.
The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.
SKU: CA.3910513
ISBN 9790007055240. Language: German/English.
The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.
SKU: BA.BA08960-85
ISBN 9790006559008. 32 x 25.5 cm inches.
Print on demand (POD).
SKU: CA.3113611
ISBN 9790007208110. Text language: German/English.
SKU: CA.3910514
ISBN 9790007055257. Language: German/English.
SKU: BP.2273
Four-hand piano combines with optional violins and drum to accompany this lively anthem in early-American style. An outstanding and vigorous call to worship, the work begins with gradually increasing voices and works through varied textures towards its rousing conclusion.