SKU: HL.48188413

Anonym Fourcaud A Plusieurs Voix Pj436 La Lancha Nueva Esparta 4 Part.

SKU: GI.G-7331

UPC: 785147733102. English. Text Source: John 12 and 13, 1 Corinthians 13:13, adapt. DM and MB. Text by Diane Murden. Scripture: John 12 and 13, 1 Corinthians 13:13.

This is another fine addition to the repertoire for the foot washing on Holy Thursday. The SATB scoring for the refrain is homophonic, the piano providing subtle rhythmic interest for additional movement. The first two verses are scored for cantor or unison choir, the third and fourth verses maintain the homophonic texture of the refrain. Easy to learn refrain for congregation, with four verses. SATB choir, cantor, assembly and keyboard.

SKU: HH.HH563-CHS

ISBN 9790708185789.

This simple,four-part setting of the introit 'Rorate Caeli' captures both the hope and the intimacy traditionally associated with Advent. With its haunting, cascading phrases, it is a valuable addition to the Advent repertoire. The text is the introit for the fourth Sunday of Advent and can be sung liturgically. This short composition would also make a beautiful contribution to an Advent or a Christmas concert, its warm harmonies leading the listener from the darkness of Advent to the spirit of Christmas.

SKU: GI.WW1669

UPC: 785147008361. English. Text Source: Traditional American Songs and Hymns.

The brilliant William Averitt has put his dynamic spin on four American folk songs and hymns in this multi-movement work. Challenging but achievable vocal lines are paired with truly unique and masterful four-hand piano writing. A great chance for your audience and singers to experience these well-loved songs in a completely new way. Cameron LaBarr Choral Series. 1. Wayfaring Stranger 2. When I Can Read My Title Clear 3. Let Me Go 4. The Promised Land.

SKU: GI.G-6257

UPC: 785147625704. English. Text by Thomas Pestel.

“O Sing the Glories” is an original work by Alice Parker, who is known primarily for her masterful arrangements. A festive, unaccompanied hymn-anthem that begins each stanza with an ascending scale incorporating a phrygianesque raised fourth. The seven brief stanzas are SATB, TB, SA, SATB, SAT, a quieter SATBB (with layered entrances from the lower voices upward), and a resounding final stanza with the tune in the tenor, while all other voices freely decorate around the melody.

A festive, unaccompanied hymn-anthem.

SKU: CA.3912249

ISBN 9790007245092. Key: G major. Language: German/English.

As one of the three canticles from the New Testament, the Magnificat - the Canticle of Mary - has at all times held a prominent position in church music. Telemann's setting of Luther's German translation of the text bears eloquent witness both to the composer's rich imagination and to his ability to mold a variety of musical shapes into a coherent formal Baroque architecture. Four solo movements with colorfully contrasting instrumentation are juxtaposed with four emphatically homogeneous choral movements; all of the latter are in 6/8 meter and in motet setting with instruments doubling colla parte. Particularly the choral movements are characterized by lively text portrayal and a wealth of at times dramatic imagery. A work of exceptional magnetism for both listeners and choir singers! Score and part available separately - see item CA.3912200.

SKU: CA.3117419

ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

SKU: CA.3117400

ISBN 9790007171643. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.

SKU: CA.3117415

ISBN 9790007209681. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

SKU: CA.3117403

ISBN 9790007183554. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.