SKU: HL.49044431
ISBN 9790001198479. 7.5x11.0x0.219 inches. Latin.
Das 2012 mit dem Kritikerpreis des Concorso Internazionale Francesco Siciliani ausgezeichnete achtstimmige (SSAATTBB) Chorstuck Symbolum Apostolorum zeugt von Antonio Eros Negris Vorliebe fur die imposante Klangwelt der Renaissance und des Fruhbarock, die er gleichermassen traditionell wie innovativ in die Jetztzeit transportiert. Die rund 10-minutige Vertonung des liturgischen Glaubensbekenntnisses ist mit sogenannten 'Wasserzeichen', d.h. wiederkehrenden Melodiefloskeln und polyphonen Klangfiguren, durchsetzt. Umrahmt bzw. in der Mitte eingefasst wird diese faszinierend-leidenschaftliche Komposition zudem von farbenprachtigen Klangsaulen mit bis zu 13 Tonen. Eine wunderbare Hommage des 1964 geborenen Italieners an die ehrwurdige Zeit der Vokalpolyphonie des 15. und 16. Jahrhunderts.
SKU: HL.35006236
UPC: 747510066248. 6.75x10.5 inches.
This new edition of “Exsultate lusti in Domino” was prepared from Denkmaler der Tonkunst in Osterreich. An excellent example of eighteenth-centuray choral writing, this work is a wonderful teaching tool as well as an impressive performance piece. The double choir effect of women and men creates a rich texture, which routinely alternates between major and minor modes. The result is a complex sounding, yet only moderately difficult work, accessible to high school, college, and church choirs.
SKU: HL.49025466
ISBN 9790001011273.
SKU: HL.49045938
Magnificat by Magdalena Zimmermann for mixed choir (SSAATTBB) plays with harmony, rhythm and dynamics. The unexpected continuation of melodies by the voices, combined with shifted rhythms, engages the audience's attention until the last bar and results in a rich sound. With its soft and gentle ending, Magnificat as a prayer of Mary exudes, at the same time, a sense of calmness and gentleness.The work is rhythmically and harmonically demanding, which is why the singers need to be steady keeping beat and intonation. Once Magnificat has been rehearsed, it is suitable for concerts as well as Sunday services.
SKU: HL.49044784
ISBN 9790001201759. UPC: 842819109457. German.
Diese ausladende, achtstimmige Vertonung von Goethes Elegie beginnt mit einem Klagegesang, der einen kleinen Tonvorrat intensiv ausschopft, um sich dann in einen romantischen Klangrausch von vollklingenden Akkorden zu steigern. Schliesslich kehrt am Ende wieder die Stimmung des Anfangs zuruck.
SKU: M2.MOS-81239
ISBN 9790203797395.
Der grossartige Chorsatz des fruhbarocken Meisters ist nicht doppelchorig, sondern real achtstimmig angelegt. Fast 400 Jahre lag das Werk vergessen in den Archiven, bis sich der Melchior-Franck-Experte und Herausgeber Knut Gramss seiner annahm.
SKU: HL.49045601
ISBN 9790001166256. UPC: 841886032682. 7.5x10.75x0.067 inches. Latin. Psalm 89.
About 40 compositions, including half for accompanying and unaccompanied choir, are currently in the catalog of young Polish composer Katarzyna Danel (born 1992). After several national composition competitions, she won the 13th International Composition Competition Musica Sacra Nova with her Misericordias Domini for eight-part mixed choir a cappella. The complex spiritual a cappella choir is based on the Gregorian chant of the same name (Psalm 89,2). Three principal structures are characteristic of this Latin-language choral piece: on the one hand, aleatoric sound clouds in major pentatonic scales, soundally supported by long-held organum-like notes taken from the Gregorian choral melody; As well as a renaissance-like polyphony, which is linked with modern harmony; And finally long static chords that blend into harmony and space. A wonderfully mystical-spherical composition, which also gives the individual performer the possibility of individual design through the ad libitum passages marked in the sheet music.
SKU: PE.EP68578
ISBN 9790300759630. English.
Of Time and Passing (2016) is a cycle of three choral songs written specifically for the London-based ensemble, VOCES8, taking into consideration their versatilityand ability to beautifully intone a range of vocal colors with precision and grace.
The first song, I. Life, sets my translation of the poem A Vida by Brazilian poet Olavo Bilac (1865-1918), a poet I discovered while studying Brazilian Portuguese at the University of Michigan. I was drawn both to the simplicity of the text and to the possibilities of teasing out dual contrasting moods. In the beginning and end, this song explores a texture that is very much alive: wave-like contours, throbbing sounds, and plenty of flowing movement. Rising eighth-note motives in particular emphasize the fleetingness of life. But in the middle of the song, the listener is given a slowed-down atmosphere to savor life's beauty.
II. To Everything a Season capitalizes on VOCES8's ability to effectively interpret popular genres a cappella. This ancient text is taken from Ecclesiastes (dated around 300 B.C.) but I set it to a modern, rhythmically-regular and percussive pop-style idiom. Since popular music in whatever era is designedto appeal to a specific ?present time?, it is by its very nature ephemeral, and therefore seemed an apt metaphor to evoke the transitory nature of seasons.
III. Into Your Hands, confines the writing into no more than four parts, often with octave unisons.This creates a more direct and word-focused setting in which the Psalmist?s urgent words are placed at the forefront. Largely homophonic, this song is at times chorale-like, at times madrigal-like,finally relinquishing it?s tension into peaceful rest, proclaiming ?You have redeemed me, O Lord, faithful God??
- Daniel Knaggs
SKU: GI.WW1641
UPC: 785147009269. Hebrew. Text by Doron Abrahami.
Kenneth Lampl's Jerusalem is a gorgeous meditation on peace for mixed choir. One can hear the desperation in the music's plea for this ideal. Although the work is scored with divisi and in the Hebrew language, nice vocal writing makes the work singable for many levels.
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