SKU: FL.FX072898
A majestic piece for horn and piano that brings the musician to meet kings and queens. To be played by young instrumentalists with 1 year of musical experience. - Arnaud MEIER ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 1.
SKU: FL.FX074176
Composed for the 1st International Contest for Horn and Piano Rene Vidalot - Toulouse 2019. A piece to be played from 3 years of practice. ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX073475
A page for young horn players from 7 years of instrument practice. They will employ all their agility, will present it to a large audience, take some risks... as acrobats and jugglers... - Pascal PROUST ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 4.
SKU: FL.FX073711
This is a free walk into the imagination, dreams and memories. - Rene POTRAT ; A piece to be played from 4 years of Horn practice. ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX074288
A short piece with piano accompaniment for young horn players from one year of practice - Pascal PROUST ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 1; Duration: 2 mn 05 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal PROUST.
SKU: BR.EB-32114
The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.
ISBN 9790004186794. 9 x 12 inches.
Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.
SKU: FL.FX073671
An orginal piece, in an asian mood, to be played from 3 or 4 years of Horn practice ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX073558
A piece that can be played from 3 years of Horn practice ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 2.
SKU: FL.FX073559
A piece that can be played from 4 years of Horn practice ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 3.
SKU: BR.EB-10702
In Cooperation with G. Henle Verlag
ISBN 9790201807027. 9.5 x 12.5 inches.
Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.with parts for horn in F and Eb major.
SKU: FL.FX072781
Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... - Pascal SAINT-LEGER ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX074045
8 short and easy pieces for the first year of instrument practice, with piano accompaniment - Pascal PROUST ; 8 pieces to be played from 1 year of practice: Chevaux de Bois, Marche des Pingouins, Le Castor Laborieux, Le Herisson Reveur, Le Cerf Majestueux, Sages Hippocampes, Un Aigle Plane, Un Lapin Malin ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 1.
SKU: HL.48181836
UPC: 888680860950. 9.0x12.0x0.048 inches.
“Fareway Song is a piece for F Horn and Piano by Eugène Bozza. Written for intermediate players, this melodious work is divided into three distinct parts: Slow (6/8), Allegro moderato (4/4) and Slow (6/8). Really energetic, Fareway Song sees the Piano and the Horn answering to each other. The piece lasts a total of four minutes during which the Horn appears as a really majestic instrument. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.â€.
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