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Bee
DJ GEAR
Violin and Piano
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The Bumble-Bee (RIMSKI-KORSAKOV NICOLAI / ARR)
Violin and Piano
[Sheet music]
Carl Fischer
From The Opera 'The Legend Of Tsar Saltan'. Par RIMSKI-KORSAKOV NICOLAI / ARR.HE...
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From The Opera 'The Legend Of Tsar Saltan'. Par RIMSKI-KORSAKOV NICOLAI / ARR.HEIFETZ JASCHA. The Flight of the Bumble-Bee/ Répertoire / Violon et Piano
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Ludwig van Beethoven: Sonatas - Volume 1: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Peters
Beethovens' Sonatas - Volume 1 includes 5 short works arranged for Violin solo ...
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Beethovens' Sonatas - Volume 1 includes 5 short works arranged for Violin solo and Piano accompaniment.
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Ludwig van Beethoven: Violin Concerto In D major Op. 61: Violin: Study Score
Violin and Piano
[Study Score / Miniature]
G. Henle
For decades Henle’s edition of this masterpiece from the Violin repertoir...
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For decades Henle’s edition of this masterpiece from the Violin repertoire has been de rigueur for all serious violinists. Now we are presenting it with a revised text reflecting the latest research findings from theBeethoven Complete Edition. A new preface provides a full account of the concerto’s convoluted genesis.
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Beer Concertino In E Minor Op. 47 Violin And Piano
Violin and Piano
Bosworth
Easy concert for violin and piano. / Violon Et Piano
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Johannes Brahms: Concert D Op.77: Violin: Instrumental Work
Violin and Piano
[Reduction]
Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...
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Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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Maurice Ravel: Tzigane: Violin: Instrumental Work
Violin and Piano
Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...
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Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Romantische Stücke Op. 75 (DVORAK ANTONIN)
Violin and Piano
-
Advanced
Schott
Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started co...
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Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started composing his Romantic Pieces for violin and piano, opus 75 (B 150), completing that version on 25 January. They were performed for the first time in a private house two days later, with the composer writing to his publisher in Berlin: ‘Played here yesterday and very well received.’ For this edition reference has been made to a copy of the original manuscript and to the first edition. The small number of bow markings in the violin part of the piano score are original and have been left unaltered. These four contrasting movements are a welcome addition to the violin repertoire and a very effective alternative to Dvorák’s large-scale violin works, the Concerto in A minor and Romance in F minor. / Niveau : Avancé / Répertoire / Violon et Piano
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Stephen Sondheim: Sondheim for Classical Players: Violin and Accomp.: Artist
Violin and Piano
[Sheet music + Audio access]
Hal Leonard
Violin and Piano with Online Accompaniments. This collection features intermedia...
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Violin and Piano with Online Accompaniments. This collection features intermediate-level arrangements for violin and piano accompaniment in a range flattering to the violin. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.
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Sonatas for Pianoforte and Violin Volume I and Volume II (BEETHOVEN LUDWIG VAN)
Violin and Piano
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are no...
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Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015). Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part. Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified. One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date. In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano
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Three Pieces For Violin/Piano Op. 11
Violin and Piano
Novello & Co Ltd.
Three Pieces For Violin And Piano Op.11 were the first works to be written by co...
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Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces, Pastorale, Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed.Brimming with melodic invention and radiant lyricism, the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord, with an Elgarian influence firmly on its sleeve. Romance exhibits the best kind of artistic simplicity, a musical love-letter featuring an achingly heartbreaking conversation between the two instruments, often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance, a fitting end to this series of dialogue between the Violin and Piano.Ian Venables' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments. / Violon Et Piano
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Tasmin Little: Encore! Tasmin Little: Violin: Instrumental Album
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Chester
This collection of seven showpieces for violin and piano will provide a variety ...
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This collection of seven showpieces for violin and piano will provide a variety of exciting repertoire from Schubert's poignant 'Ave Maria' to technical showpieces such as Brahms' 'Hungarian Dance No. 1'. All the pieces havebeen carefully edited by Tasmin Little and include suggested fingerings and bowings. Suitable for competent players.including and De Falla's 'Danse Espagnole'.
17.99 GBP - Sold by Musicroom UK
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Johannes Brahms: Violin Concerto In D Major Op.77 - Piano Reduction: Violin:
Violin and Piano
G. Henle
Brahms' only Violin concerto was given a very warm reception by his contemporari...
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Brahms' only Violin concerto was given a very warm reception by his contemporaries and has been an important piece in the Violin repertoire ever since. It bears witness to Brahms' fruitful collaboration with Joseph Joachim whocontributed a cadenza. The composer's original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms CompleteEdition. The appendix also contains an alternative version of Joachim's cadenza that to date has not been published in a practical edition. Alongside Joachim's original fingerings and bowings there are also fingering suggestionsby Frank Peter Zimmermann.
22.99 GBP - Sold by Musicroom UK
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Ian Venables: Three Pieces Op. 11: Violin: Instrumental Work
Violin and Piano
Novello & Co Ltd.
Three Pieces For Violin And Piano Op.11 were the first works to be written by co...
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Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces Pastorale Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed. Brimming with melodic invention and radiant lyricism the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord with an Elgarian influence firmly on its sleeve.Romance exhibits the best kind of artistic simplicity a musical love-letter featuring an achingly heartbreaking conversation between the two instruments often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance a fitting end to this series of dialogue between the Violin and Piano. Ian Venables' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments.
15.99 GBP - Sold by Musicroom UK
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Bohuslav Martinu: Concerto for Violin and Orchestra no. 1 H 226: Violin:
Violin and Piano
Barenreiter
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work ...
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Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work having been commissioned by the Violin virtuoso Samuel Dushkin. However it was never performed during the composer?s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This Piano reduction is based on the musical text of the first edition. The solo parthas been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hireFull score available for sale (H5798)
26.50 GBP - Sold by Musicroom UK
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Leonard Bernstein: West Side Story: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
-
Intermediate/advanced
Boosey and Hawkes
Instrumental Solos-Since its opening in 1957 the musical West Side Story has bee...
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Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades. The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Violin. This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more. West Side Story:Instrumental Solos - Violin comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin and Piano
Barenreiter
for Violin Viola and Orchestra-There is no reference to the origin occasion or...
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for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Trockne Blumen Op.160 (SCHUBERT FRANZ)
Violin and Piano
[Score and Parts]
Universal Edition
Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and ...
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Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and piano, Schubert's reworking of 'Trockne Blumen' - the eighteenth song in his song cycle Die schöne Müllerin - is here adapted for the violin. It was quite common in Schubert's own time for composers to write works 'for flute or violin' and in keeping with this practice, violinist Jacqueline Ross has prepared this edition, along with notes on the musical background and critical commentary on the violin editing. Her research into 18th and early 19th century performance practice has been widely recognised and has influenced her recordings of baroque and classical repertoire. This includes the Naxos release of the complete works of Schubert, recorded on historical instruments, in which this adaptation of 'Trockne Blumen' is featured. Violinists will welcome this adaptation intended primarily for performers, as a vibrant and substantial addition to the repertoire. o Originally for flute and piano, Schubert's reworking of 'Trockne Blumen', the eighteenth song in his song cycle 'Die schöne Müllerin', is here adapted for the violin by Jacqueline Ross o Notes on the musical background and critical commentary on the violin editing are included o A vibrant and substantial addition to the repertoire/ Répertoire / Violon et Piano
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10 Brilliant Miniatures (SARASATE PABLO DE)
Violin and Piano
[Sheet music]
Hal Leonard
Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after h...
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Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate \'left criticism gasping miles behind him.\' Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing. The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist\'s repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos. / Date parution : 2022-01-14/ Recueil / Violin et Piano
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Maurice Ravel: Violin Sonata In G Major: Violin: Score
Violin and Piano
G. Henle
Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel...
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Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel planned his own sonata for Violin and Piano in 1922 but at first did not get beyond sketches. Many interruptions ensued and the work was onlyfinished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse thinned out compositional structure and instrumentation Ravel later emphasized thatthe sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the“blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.
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Claude Debussy: Oeuvres Pour Violon et Piano: Violin: Instrumental Album
Violin and Piano
Barenreiter
Claude Debussy had difficulties finishing his last major work the Sonata for Vi...
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Claude Debussy had difficulties finishing his last major work the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy’s progressing illness as well as the First World War.The first edition published during the final year of Debussy’s life contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work’s later reception.Both are examined here in a fresh light.In addition to the Sonata this edition contains arrangements of La fille aux cheveux de lin and Il pleure dans mon coeur by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece Minstrels also included in our edition.- Debussy’s complete works for violin and piano- With arrangements by Debussy’s acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
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