Arr.Collatti Diego. Par GARDEL CARLOS. The name of Carlos Gardel is synonymous with the Tango - his compositions in the genre have long been considered classics. Diego Collatti has collaborated with Universal Edition for several years now, producing arrangements for instrumental solo and duet of many of Gardel's best loved works. In this publication, he returns to the original versions and presents six of them almost as Gardel intended, as songs for tenor voice and piano. Two of the pieces, 'El día que me quieras” and 'Mi Buenos Aires querido” featured in films of those names in 1934 and 1935. The words to these tangos are by Alfredo Le Pera who worked with Gardel on those films and sadly died in the same plane crash that killed Carlos Gardel in 1935. Le Pera is credited with elevating the literary quality of tango lyrics while respecting the musical form. The texts are presented in the original Spanish./ Recueil / Tenor et Piano

This unique and exciting series gives you the chance to learn some of the greatest songs of Francesco Tosti with full orchestral backing tracks. A selectionof operatic showstoppers have been presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full.An excellent rehearsal tool or the ideal way to introduce your voice to the wonders and rigors of the Opera.

I Will Bow And Be Simple from 'Three Shaker Tunes' arranged by Betty Jacobson for SSA choir with Piano accompaniment.'The form of worship practiced by the Shakers in New England has been a subject of curiosity for more than a century and a half. The Shakers originated in the English Quaker Church and came to America in 1774 and settled in New England and in New York state. They still exist in some communities in these territories.The Shaker songs took on a lively spontaneity and a cross between Quaker orderliness and wild abandonment that characterised the rituals of the French prophets from whom the Shakers distantlystemmed.The Shakers exercised in dancing shaking and whirling until they went into trances and 'recieved songs as gifts.'The songs are derived from 'spirit manifestations' and all have individual types of rhythms and texts.' - Edward D. Andrews from 'Shaker Songs' The Musical Quarterly October 1937