| Klezmer Freylachs For String Quartet String Trio: violin, viola, cello [Score and Parts] Tara Publications
Arranged by S.w Milstein. Set of performance parts (violin I read from full scor...(+)
Arranged by S.w Milstein. Set of performance parts (violin I read from full score; separate pull out parts for violin II, viola and cello) for violin (I), violin (II), viola and cello. With solo part and full score notation. 29 pages. Published by Tara Publications. )
(1)$24.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Standard Of Excellence: Jazz Combo Session - Viola Viola [Sheet music] Kjos Music Company
By Dean Sorenson. For Viola. Band Methods. Standard of Excellence Jazz Ensemble ...(+)
By Dean Sorenson. For Viola. Band Methods. Standard of Excellence Jazz Ensemble Method. Level: Book A,1. Music Book. Published by Neil A. Kjos Music Company.
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Viola Wizard Junior, Book 1 Viola [Sheet music + Audio access] - Easy Mel Bay
Composed by Martin Norgaard. For Viola. Jazz Wizard. Beginning-Intermediate. Boo...(+)
Composed by Martin Norgaard. For Viola. Jazz Wizard. Beginning-Intermediate. Book and Online Audio. 48 pages. Published by Mel Bay Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Focus [Complete Set] String Orchestra [Score and Parts] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications
$399.98 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Opera Omnia Ut Orpheus
Orchestra; Violin SKU: UT.NAP-4 Vol. 1. Critical Edition. Composed...(+)
Orchestra; Violin SKU: UT.NAP-4 Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4). ISBN 9790215318373. 9 x 12 inches. Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo
Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste. $214.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Chinese Folk Dance Suite Soprano Saxophone and Piano [Score and Parts] Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen...(+)
Chamber Music Piano, soprano Saxophone SKU: PR.114419290 Composed by Chen Yi. Edited by Chen Yi. Arranged by Wong Tak Chiu. Sws. Score and parts. 44 pages. Duration 20 minutes. Theodore Presser Company #114-41929. Published by Theodore Presser Company (PR.114419290). ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches. Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Jazz Conception -- Viola Viola Advance Music
Viola SKU: AP.1-ADV14771 15 Solo Etudes for Jazz Phrasing, Interpretat...(+)
Viola SKU: AP.1-ADV14771 15 Solo Etudes for Jazz Phrasing, Interpretation, and Improvisation (English/German Language Edition). Composed by Jim Snidero. Improvisation; Method/Instruction; Play-Along; String - Viola Studies or Collection; Technique Musicianship. Advance Music: Easy Jazz Conception. Jazz. Book and CD. Advance Music #01-ADV14771. Published by Advance Music (AP.1-ADV14771). UPC: 805095147711. English. A new and exciting way for viola players to learn and practice basic jazz style. Easy Jazz Conception: Viola Book & CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Mark Feldman on violin along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the soloist and rhythm section, and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD, and learn basic jazz style first hand. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Brandenburg Concerto No. 3 in G major BWV 1048 Breitkopf & Härtel
Viola 1 (3vl.3va.3vc.db - bc) SKU: BR.OB-4065-19 Urtext. Composed ...(+)
Viola 1 (3vl.3va.3vc.db - bc) SKU: BR.OB-4065-19 Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Stapled. Orchester-Bibliothek (Orchestral Library). The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists. Baroque period. Part. 8 pages. Duration 11'. Breitkopf and Haertel #OB 4065-19. Published by Breitkopf and Haertel (BR.OB-4065-19). ISBN 9790004303474. 10 x 12.5 inches. The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)Instead of a slow movement, the Brandenburg Concerto No. 3 has nothing but two chords. Bach, like Handel in his organ concertos, most likely wanted the solo instruments to insert an improvisation here. But what is easy for the proficient organ soloist in Handel's music turns out to be impossible for the nine solo parts in Bach's piece. Emil Platen's solution offers a loosely structured elaboration that is placed before the two chords notated by Bach and that uses all of the string instruments. It draws its inspiration from stylistic elements of the concerto, without creating the impression of being an autonomous movement.. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Jazz Cello Wizard Junior, Book 1 Cello [Sheet music + Audio access] - Beginner Mel Bay
Composed by Martin Norgaard. Saddle-stitched. Jazz Wizard. Book and online audio...(+)
Composed by Martin Norgaard. Saddle-stitched. Jazz Wizard. Book and online audio. Published by Mel Bay Publications, Inc (MB.20189M).
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Fiddle Wizard Junior, Book 1 Violin [Sheet music + Audio access] - Easy Mel Bay
Composed by Martin Norgaard. Saddle-stitched. Jazz Wizard. Book and online au...(+)
Composed by Martin Norgaard.
Saddle-stitched. Jazz
Wizard. Book and online
audio. Published by Mel Bay
Publications, Inc
$17.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quintet No. 1 Genesis Schott
Cello; Viola; Violin (Score & Parts) SKU: HL.49044831 Score/Parts 2 Vi...(+)
Cello; Viola; Violin (Score & Parts) SKU: HL.49044831 Score/Parts 2 Violins, Viola, 2 Cellos. Composed by Lucio Franco Amanti. This edition: Saddle stitching. Sheet music. String. Amanti's first string quintet (2014) looks into Creation in less than 20 minutes and is a rewarding interactive audience piece.With information of the composer on the performance of the work. Classical. Softcover. 84 pages. Schott Music #ED22242. Published by Schott Music (HL.49044831). ISBN 9790001202787. UPC: 841886024809. 9.0x12.0x0.246 inches. Amanti's first string quintet (2014) looks into Creation in less than 20 minutes and is a rewarding interactive audience piece. 'Spiritual' is inspired by the gospel tradition. Beautiful solos lead from 'Genesis' to 'Dodecaphonically yours'. 'Vamp' (a solo of violin I) represents Adam who has to continue with creation on God's harmonic canvas. This is where the contact with the audience is initiated, and the joint improvisation results in an emotional concert experience. With information of the composer on the performance of the work. $55.00 - See more - Buy online | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, Violoncello SKU: PR.44641192L For 5 Percussionists and Orchestra. Composed by Ellen Taaffe Zwilich. Contemporary. Large Score. With Standard notation. Composed 2003. 72 pages. Duration 30 minutes. Theodore Presser Company #446-41192L. Published by Theodore Presser Company (PR.44641192L). UPC: 680160610860. 11 x 14 inches. One of my greatest pleasures in writing a concerto is exploring the new world that opens for me each time I enter the sometimes alien, but always fascinating, world of a solo instrument or instruments. For me, the challenge is to discover the deepest nature of the solo instrument (its karma, if you will) and to allow that essential character to guide the shape and form of the work and the nature of the interaction between soloists and orchestra. In recent years, many of us have become more aware of the musical world outside the Western tradition of musics that follow different procedures and spring from other aesthetics. And contemporary percussionists have opened many of these worlds to us, as they have ventured around the globe, participating in Brazilian Samba schools, studying Gamelan and African drumming with local experts, collecting instruments from Asia and Africa and South America and the South Pacific, widening our horizons in the process. I will never forget our first meeting in Toronto when Nexus invited me into their world of hundreds of exciting percussion instruments. The vast array of instruments in the collection of the Nexus ensemble is truly global in scope as well as offering a thrilling sound-universe. I was inspired by the incredible range of sound and moved by the fact that so many of these instruments were musical reflections of a spiritual dimension. After long consideration, I decided that it would not only be impossible, but even undesirable for this Western-tradition-steeped composer to attempt to use these instruments in a culturally authentic way. My goal was an existential kind of authenticity: searching instead for universal ideas that would be true to both myself and the performers while acknowledging the traditional uses of the instruments. Since many percussion instruments are associated with various kinds of ritual, I decided that I would allow that concept to shape my piece. Rituals is in four movements, each issuing from a ritual associated with percussion, but with the orchestral interaction providing an essential element in the musical form. I. Invocation alludes to the traditions of invoking the spirit of the instruments, or the gods, or the ancestors before performing. II. Ambulation moves from a processional, through march and dance to fantasy based on all three. III. Remembrances alludes to traditions of memorializing. IV. Contests progresses from friendly competition games, contests to a suggestion of a battle of big band drummers, to warlike exchanges. In the 2nd and 4th movements, another percussion tradition, improvisation, is employed. Written into these movements are a number of seeds for improvisation. Indications in the score call for the soloists to improvise in three different ways, marked A for percussion alone; marked B for percussion with and in response to the orchestra; and C where the percussionists are free to add and embellish the written parts. These improvisations should grow out of and embellish previous motives and gestures in the movement. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Tales of the Traveller [Score] Peters
Orchestra Solo Instrument, 1(piccolo), trumpetC, percussion, Elecguitar, ElecBas...(+)
Orchestra Solo Instrument, 1(piccolo), trumpetC, percussion, Elecguitar, ElecBass, piano, violin, viola, cello SKU: PE.EP68706 Composed by Lewis. Full Scores. Edition Peters. Book. Duration 00:22:00. Edition Peters #98-EP68706. Published by Edition Peters (PE.EP68706). ISBN 9790300761527. 297 x 420 mm inches. English. Composed for soloist (any instrument) and chamber ensemble (including electric guitar and electric bass), Tales of the Traveler was commissioned by the London Sinfonietta, who gave the world premiere in 2016 with conductor Ilan Volkov and guitarist Fred Frith. Over the course of a single, 22-minute movement, the ensemble perform from strictly composed parts, while the soloist's part is entirely improvised in response to suggestions from the composer: direct imitation is discouraged, while use of noise (whatever that may mean in this context) is encouraged. - Composed for soloist (any instrument) and chamber ensemble
- A3 Full Score
- Part of the Peters Contemporary Library series
- Duration: 22 minutes
- Soloist part is entirely improvised in response to suggestions from the composer
- Ensemble parts are strictly composed
- Performance notes in English
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer. $177.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Messe de Mort Breitkopf & Härtel
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-19 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-19. Published by Breitkopf and Haertel (BR.EOS-8047-19). ISBN 9790004789742. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Eclipse [Score] - Beginner Carl Fischer
Orchestra Cello, Contrabass, Drum Set, Piano, Viola, Violin 1, Violin 2 - Grade ...(+)
Orchestra Cello, Contrabass, Drum Set, Piano, Viola, Violin 1, Violin 2 - Grade 1.5 SKU: CF.FAS127F Composed by Caryn Wiegand Neidhold. Full score. 12 pages. Duration 2:40. Carl Fischer Music #FAS127F. Published by Carl Fischer Music (CF.FAS127F). ISBN 9781491162941. UPC: 680160921690. Key: E minor. Eclipse is an easy-to-learn rock-style tune that will energize your orchestra and introduce them to improvisation in a fun setting! With a flexible score including optional Violin II, Piano, and Drum Set, your students can achieve a big, impressive sound. All sections get a chance to shine and optional glissandi will move your students out of first position, if they are ready. The improv section includes a notated solo option in every part, while the rest of the orchestra vamps in the background. This section can be repeated as many times as needed, and students have the opportunity to improv their own solo. A confidence-building showstopper!The marked glissandi are optional and may be omitted, used as a simple slight change in pitch, or performed as a full glissando with shifting, depending on student ability. In addition, teachers may want to add slurs between distinct notes with a glissando between the two. The bow stroke for this piece is a heavy marcato - most successful in the lower part of the bow. Students are encouraged to experiment with improvised solos using notes from the opening measure. $7.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Eclipse - Beginner Carl Fischer
Orchestra Cello, Contrabass, Drum Set, Piano, Viola, Violin 1, Violin 2 - Grade ...(+)
Orchestra Cello, Contrabass, Drum Set, Piano, Viola, Violin 1, Violin 2 - Grade 1.5 SKU: CF.FAS127 Composed by Caryn Wiegand Neidhold. Set of Score and Parts. Duration 2:40. Carl Fischer Music #FAS127. Published by Carl Fischer Music (CF.FAS127). ISBN 9781491162606. UPC: 680160921355. Key: E minor. Eclipse is an easy-to-learn rock-style tune that will energize your orchestra and introduce them to improvisation in a fun setting! With a flexible score including optional Violin II, Piano, and Drum Set, your students can achieve a big, impressive sound. All sections get a chance to shine and optional glissandi will move your students out of first position, if they are ready. The improv section includes a notated solo option in every part, while the rest of the orchestra vamps in the background. This section can be repeated as many times as needed, and students have the opportunity to improv their own solo. A confidence-building showstopper!The marked glissandi are optional and may be omitted, used as a simple slight change in pitch, or performed as a full glissando with shifting, depending on student ability. In addition, teachers may want to add slurs between distinct notes with a glissando between the two. The bow stroke for this piece is a heavy marcato - most successful in the lower part of the bow. Students are encouraged to experiment with improvised solos using notes from the opening measure. $53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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