Flute Solo with Piano. Composed by Paul Taffanel (1844-1908). Arranged by James Galway. Southern Music. Softcover. 24 pages. Lauren Keiser Music Publishing #SU795. Published by Lauren Keiser Music Publishing

(Flute and Piano). Composed by Paul Taffanel (1844-1908). Edited by Stefan Albrecht. For Flute, Piano Accompaniment. Schott. Softcover. 20 pages. Schott Music #FTR218. Published by Schott Music

By Paul Taffanel. For Flute, Oboe, Clarinet, Horn and Bassoon. Woodwind - Mixed Woodwind Quintet. Masterwork. 60 pages. Published by Alfred Publishing.

Composed by Paul Taffanel (1844-1908). Leduc. Classical. Softcover. 126 pages. Alphonse Leduc #AL24890. Published by Alphonse Leduc

[17 Big Daily Finger Exercises for the Flute]. Composed by Paul Taffanel; Philippe Gaubert. Leduc. Etude, Spanish Edition, German Edition, Instruction, French Edition. Softcover. 64 pages. Alphonse Leduc #AL17204. Published by Alphonse Leduc

Pour Flute Et Piano. Composed by Paul Taffanel (1844-1908). Edited by Philippe Bernold. The French Flutists Propose (collection Philippe Bernold). Score and part(s). With Standard notation. Opus 24. 4 2 pages. Duration 3 minutes. Gerard Billaudot Editeur #524-07545. Published by Gerard Billaudot Editeur (PR.524075450).

Flute

SKU: HL.48180856

Composed by Wolfgang Amadeus Mozart. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL19492. Published by Alphonse Leduc (HL.48180856).

UPC: 888680907662. 9.0x12.0 inches.

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The concerto remains widely studied and performed on the flute, making it one of the most important concerti in the instrument's repertoire. Paul Taffanel and Philippe Gaubert's composed cadenzas for the work are essential to all performers of the concerto. Concerto in G is in three movements; 1. Allegro maestoso, 2. Adagio ma non troppo, and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key, whilst the second movement is in the subdominant key of D major. All three movements contain a cadenza which initially would have been left for the performer to improvise. However, cadenzas have since been written, including those of Taffanel and Gaubert. Both were prominent flautists of their time and their understanding of the flute concerto repertoire is second to none, making their cadenzas well-informed and essential to performers of the concerto.

(Opera D'ambroise Thomas). By Paul Taffanel (1844-1908). Edited by Philippe Bernold. Solo instrument with accompaniment. For Flute, Piano. The French Flutists Propose Collection Philippe Bernold. INTERMEDIATE. Standard notation. 19 + pages. Duration 8 minutes. Published by Gerard Billaudot Editeur

Composed by Paul Taffanel (1844-1908). For flute and piano. Chamber Music. Classical. Published by Little Piper

Chamber Music flute, piano

SKU: CF.WF228

Philippe Gaubert. Composed by Philippe Gaubert. Edited by Amy Porter. Arranged by Amy Porter. Set of Score and Parts. With Standard notation. 104+1+32 pages. Carl Fischer Music #WF228. Published by Carl Fischer Music (CF.WF228).

ISBN 9781491153529. 9 x 12 inches.

Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubert”.
Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.”Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert” with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.