SKU: HL.50602120
ISBN 9781540064479. UPC: 888680966539. 9x12 inches.
VINCENZO BELLINI I puritani Or dove fuggo io mai? - Ah! per sempre io ti perdei • GEORGES BIZET Carmen Votre toast, je peux vous le rendre - Toréador, en garde • GAETANO DONIZETTI Don Pasquale Bella siccome un angelo • L'elisir d'amore Come Paride vezzoso • La favorita Sì, de' malvagi invan - Vien, Leonora, a' piedi tuoi • Lucia di Lammermoor Cruda, funesta smania • UMBERTO GIORDANO Andrea Chénier Nemico della patria?! • CHARLES GOUNOD Faust Ô sainte médaille - Avant de quitter ces lieux • Roméo et Juliette Mab, la reine des mensonges • GEORGE FRIDERIC HANDEL Rinaldo Sibilar gli angui d'Aletto • RUGGERO LEONCAVALLO Pagliacci Si può?... o Zazà Zazà, piccola zingara • JULES MASSENET Hérodiade Ce breuvage - Vision fugitive • Thaïs Voilà donc la terrible cité • CLAUDIO MONTEVERDI Orfeo Tu se' morta • WOLFGANG AMADEUS MOZART Così fan tutte Rivolgete a lui lo sguardo • Donne mie, la fate a tanti • Don Giovanni Fin ch'han dal vino • Deh, vieni alla finestra • Le nozze di Figaro Hai già vinta la causa! - Vedrò, mentr'io sospiro • Die Zauberflöte Der Vogelfänger bin ich ja • Ein Mädchen oder Weibchen • GIACOMO PUCCINI Edgar Questo amor, vergogna mia • La fanciulla del West Minnie, dalla mia casa son partito • Gianni Schicchi Si corre dal notaio • Il tabarro Nulla!...Silenzio!... • Le Villi No! possibil non è - Anima santa • GIOACHINO ROSSINI Il barbiere di Siviglia Largo al factotum della città • La Cenerentola Come un'ape ne' giorni d'aprile • PYOTR IL'YICH TCHAIKOVSKY Eugene Onegin Vy mnje pisáli - Kogdá by zhiz'n' • AMBROISE THOMAS Hamlet Ô vin, dissipe la tristesse • GIUSEPPE VERDI Un ballo in maschera Alzati! - Eri tu che macchiavi quell'anima • Don Carlo Son io, mio Carlo - Per me giunto è il dì supremo • I due Foscari Eccomi solo alfin- O vecchio cor, che batti • Falstaff È sogno? o realtà?... Rigoletto Pari siamo! o Cortigiani, vil razza dannata • La traviata Di Provenza il mar, il suol • Il trovatore Tutto è deserto - Il balen del suo sorriso • RICHARD WAGNER Tannhäuser Wie Todesahnung - O! du mein holder Abendstern.
SKU: BT.ARMESDP058
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SKU: AP.36-A494401
ISBN 9798892700726. UPC: 659359764028. English.
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vicenza, Milan, and Naples. It was later performed at His Majesty's Theatre in London in 1819, and again in New York in 1832. Rossini's mixture of opera seria and opera buffa is notable — L'italiana in Algeri tells the tale of Isabella, an Italian girl who uses her wiles to trick unwitting Mustafà, the Bey of Algiers, into freeing her and her lover, Lindoro from his palace. The opera itself fell somewhat out of favor in the 19th century but has been revived frequently since World War II with many successful productions. The sorrowful cavatina Cruda sorte! Amor Tiranno! takes place in Act I, and serves as the introductory aria of Isabella, who finds herself shipwrecked in Algiers. The aria is preceded by the chorus Quanto Roba! Instrumentation: 2.2.2.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Contralto: Mixed Chorus.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: BT.ARMESDP025
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SKU: HL.49046387
ISBN 9781540086501. UPC: 840126910117.
In 2010 I lived in Rome as a Villa Massimo scholarship holder. During my time there I came across a few poems by Michelangelo that touched me a lot and soon had the plan to set some of them to music. But I wanted to combine it with something contemporary - just like in Rome the old and the new always meet. The poet Marcel Beyer, whom I met in Rome, then wrote the cycle of poems Die Grillmeisterin for me, which takes up many motifs from the Michelangelo texts (fire, tears, getting burned, loneliness, etc.). I then alternately combined this cycle of poems with the Michelangelo poems. The Italian songs have a sometimes melancholy, sometimes dramatic character, while the German songs are rather bizarre, sometimes even humorous. Despite these contrasts in character, there are also many musical connections between the German and Italian songs. Individual motifs and chord sequences sometimes return in completely different contexts, and there is even a direct connection between the first and last song, in that the same vocal line is underlaid with a completely different text. This creates a musical framework that holds the very heterogeneous selection of texts together. Anno Schreier.
SKU: CF.CPS224
ISBN 9781491152508. UPC: 680160910007.
Rainbow in the Clouds is based on an old traditional spiritual, possibly an African-American song from the 19th century, entitled God Put a Rainbow in the Clouds. Composer Carol Brittin Chambers was inspired by poetic Maya Angelou to create of setting of this beautiful song. It is lush and beautiful throughout and will highlight the musicianship of your students. This would serve as a welcome change of pace piece on your program for concert or contest.Rainbow in the Clouds was commissioned by the Pflugerville Middle School Wind Ensemble in Pflugerville, Texas, directed by Shauna Satrom. The piece premiered in May 2017, in memory and celebration of Luis Ham, who was an Assistant Principal at Pflugerville Middle School.This piece is based on an old traditional spiritual, possibly an African-American song from the nineteenth century, entitled God Put a Rainbow in the Clouds. The first time I heard reference to this song was in a Maya Angelou video, in which she sings a portion of it: “When it looked like the sun wouldn’t shine anymore, Oh, God put a rainbow in the clouds.†In the video, Dr. Angelou honors those who have demonstrated kindness to her in the past, and she suggests that we all try to be a blessing to others. The Pflugerville community believed that Mr. Ham, with his positive outlook, was definitely a “rainbow in the clouds†for other people.The piece begins with a full ensemble introduction, followed by a woodwind treatment of the first verse with a fairly reserved tempo and straight eighth-note rhythm. When brass pick up the melody on the second phrase, we start to hear the song more like the original spiritual, with dotted-eighth, sixteenth rhythms. The middle section of the piece at m. 22 begins to move at a slightly quicker tempo, and the mood becomes lighter. This section becomes a call-and-response between a euphonium solo and upper woodwinds. The final section of the piece involves everyone playing together joyously and full, eventually winding down with two more solo statements in flute and euphonium.Note to the Conductor:Use this piece to introduce or reinforce the following musical concepts:Lyrical, expressive playing varied stylesSolo responsibilitiesKey changes, tempo changes.
SKU: CF.CPS224F
ISBN 9781491153185. UPC: 680160910687.
SKU: CU.EC11873
ISBN 9788863951899.
SKU: TM.03523SET
Scena e Cavatina. Vocal score pages 146-161. Also includes: O madre mia; Come poteva un angelo.
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