SKU: BT.ALHE31217

French.

Conrad Beck: Intermezzo (Horn & Piano).

SKU: HL.48181669

Laszlo Lajtha: Intermezzo Op.59 (Saxophone-Alto & Piano).

SKU: TM.14064SET

Children's Dance, Intermezzo, Scene du Bal.

SKU: HL.48182340

UPC: 888680840136. 9x12 inches.

Jindrich Feld: Intermezzo (Trumpet & Piano).

SKU: B7.B967

8.5x11 inches.

Although an intermezzo may be found between the acts of a play or an opera, it may also be an independent work. These five intermezzi each have a different character: dramatic, energetic, lyrical, expressive, and emphatic. The movements are Allegro con brio, Lento espressivo, Allegro ritmico, Adagio espressivo, and Allegro appassionato. They may be played individually or in smaller groups.

SKU: FL.FX071436-1

A must-have for Clarinet. The anglo-Irish composer, Sir Charles Villiers Stanford, composed seven works for clarinet. Of these compositions, the Three Intermezzi Op.13 and the Sonata Op.129 are well-known.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

SKU: FL.FX071436-3

A must-have for Clarinet. The anglo-Irish composer, Sir Charles Villiers Stanford, composed seven works for clarinet. Of these compositions, the Three Intermezzi Op.13 and the Sonata Op.129 are well-known.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

SKU: HL.14030960

ISBN 9788759889480. Danish.

Intermezzi from the opera Under Himlen was composed by Bent Sorensen in 2003. Scored for 2 Mezzosoparanos and Orchestra. Text by Peter Asmussen. Programme Note: In March 2003, when the Royal Theatre premiered the composer Bent Sorensen's and the dramatist Peter Asmussen's opera Under the Sky, it was not only Bent Sorensen's first opera on the large scale, but also his first work as a music dramatist at all. The challenge of composing an opera came from the general manager of the Danish National Symphony Orchestra/DR, Per Erik Veng, who had asked Asmussen in 1996 whether he would write the libretto for an opera and pick out a composer to work with on it. Asmussen was willing, and he pointed to Bent Sorensen as the composer. Bent Sorensen reacted positively to Per Erik Veng's suggestion of an opera collaboration with Asmussen, and with the opera agreement settled, the Danish National Symphony Orchestra/DR was then offered an independent work. It is related to the opera, but sheds light on it from a different angle - Bent Sorensen himself compares it to a film 'trailer'. The result is Intermezzi, a suite in five movements. Intermezzi is expressly not just a garland of selected episodes from the opera, but an independent work built up in one long symmetrical sequence with instrumental passages in the middle of the first, third and fifth movements as well as the purely instrumental second and fourth movements, as the bearing pillars of the work. Fragments of the story of Ida and Molte (both mezzo-sopranos) are told, but they do not happen in the same order or with the same conclusion as in the opera. In this way Intermezzi becomes a comment on how not everything in the past is necessarily what it seems, or what one at first makes of it. In the first movement Ida sings to Magius that she is carrying Molte's child, while from afar Molte observes the idyllic world from the outside. The second movement is instrumental, while the third begins with Ida's love aria, which merges into a great instrumental passage before the movement ends with Molte's cynical remark that Ida is simply a fairytale, a book one closes. After a brief instrumental fourth movement comes the fifth, where Molte laments his coldness and isolation amidst all the riches, and seduces Ida by urging her to liberate him with her warmth. Jakob Levinsen.