De Haske Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 28 pages. Published by Hal Leonard.

By Kalevi Aho. For Flute and orchestra. Solo part (flute). Published by Fennica Gehrman

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication” (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Drum Kit - early intermediate

SKU: BT.DHP-1012929-400

Composed by Thomas Calis. Educational Tool. Book with CD. Composed 2001. 72 pages. De Haske Publications #DHP 1012929-400. Published by De Haske Publications (BT.DHP-1012929-400).

ISBN 9789043115919. International.

This innovative book for drum kit contains a large selection of pieces that are useful for practice or performance. Each piece comes with a series of colour-coded suggestions to enable a truly polished performance. This title includes two CDs that you can use as a play-along or simply as a listening exercise to hear how it should be done.

Veel drummethoden zijn met name gebaseerd op de uitleg van technieken en drumritmes. Grooves in Colors volgt een andere benadering - meer vanuit de beleving en de melodie en vorm van het muziekstuk, maar vooral ook â??met deorenâ??. Diverse keuzepatronen zijn in verschillende kleuren weergegeven - heel overzichtelijk! Wordt geleverd met twee cdâ??s. Een aanrader.

Während viele Instrumentalschulen davon ausgehen, dass Musik machen Noten lesen ist und andere Methoden nur Techniken und Rhythmen vermitteln, will Grooves in Colors eine Brücke zwischen â??Notenfressernâ?? und Holzhackernâ?? schlagen. Dabei wird viel Wert auf Interpretation und die Form eines Musikstücks gelegt. Das Buch enthält zehn Arrangements, denen jeweils mehrere farbig markierte Patterns vorangestellt sind. So kann der Drummer durch Ausprobieren und Variieren zu seinem Stil finden und entwickelt so die Fähigkeit, flexibel auf musikalische Abläufe eingehen zu können. Die Ausgabe enthält zwei Play-Along CDs.

De nombreuses méthodes de batterie se focalisent essentiellement sur l'explication des techniques de jeu et sur les rythmes de batterie. Grooves in Colors vous propose une approche différente qui se concentre davantage sur l'interprétation, la ligne mélodique et la structure de la pièce. L'écoute est également un élément primordial dans cette nouvelle approche de votre instrument !

Grooves in Colors vi permette di avere un approccio diverso con la batteria, basato sullâ??interpretazione, la linea melodica e la struttura del pezzo.