SKU: HL.1132736
ISBN 9781705182864. UPC: 196288112426. 6.75x10.5x0.029 inches.
For SAB and SSA voicings, the spiritual, “This Train,†takes on new life with driving vocal and instrumental rhythm. Gospel rock style harmonies fill the work, and the energy is simply nonstop from beginning to end. A dynamic choice for concert or show choir.
SKU: BT.MUSAM996996
ISBN 9781849380140. English.
The Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.Now these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!Over 180 great songs! Perfect for all players and singers!The bonus CD contains backing tracks to 16 of the songs in the book.
SKU: ST.MB99
ISBN 9790220224317.
Shedding light on a little-known aspect of late-Victorian theatre, MB99 offers full scores and librettos of two one-act operettas, produced at the Savoy Theatre and written to precede as curtain-raisers the main, full-length work of the evening. Richard D'Oyly Carte did much to cultivate the genre, initiated by Trial by Jury in 1875, and featured regularly at the Savoy Theatre between 1878 and 1908. Though all but forgotten today, the composers Francois Cellier (1849-1914) and Ernest Ford (1858-1919) had strong connections with Sullivan, and wrote a number of one-act works, of which only Captain Billy (1891) and Mr Jericho (1893) respectively are known to have survived. Performing material to accompany this volume will be published in ealy 2018.
SKU: ST.Y288
ISBN 9790220223204.
1. Mechanical Study I 2. In the Air 3. Mechanical Study II 4. Falling Star 5. Mechanical Study III The three 'mechanical' studies of this set of five all employ a clear structural technique based on regularity. The first presents a stream of fast semiquavers in duple metre which constantly interplays with short motivic figures; the second offers a 14-bar ostinato (melody) that begins at the top of the keyboard and gradually descends to the bottom; around this ostinato a sustained counter-melody weaves. The third presents a igorous, stomping 9/8 dance rhythm which interacts with lengthening patterns in the second voice. The two 'fantastical' studies which intersperse the 'mechanical' contrast greatly with them: much freer in expression, tempo and rhythm, they evoke the outdoors and the calming presence of nature. The first moves like wafts of the breeze; the second, more complex, is the heart of the work. Its deep contemplations are several times interrupted by a modest refrain, drawing it back in the 'real world' - that of the three 'mechanical' studies which surround it. This refrain is also a mediator, its last appearance as gentle as the breeze evoked in the second study.
SKU: BT.MUSAM975359
ISBN 9780711996618. English.
This is the book for you if you always wanted to learn but somehow kept putting it off, if you’ve played guitar before and given up or if you’re determined to crack it this time.
The no-nonsense guide that will soon haveyouplaying great chords, riffs and even solos with as little pain as possible!
Some basic musical knowledge is handy, but the 2 CDs included feature a demonstration and backing tracks for each exercise. Chord boxes andhow-to-playphotos make the tricky stuff easy.
Arranged by Matt Scharfglass who is a New York-based songwriter, bassist and multi-instrumentalist. He does session work, leads his own band and performs extensively in the New YorkCity area.
SKU: HL.48182309
UPC: 888680839765. 9.0x12.0x0.07 inches.
“Composed by Henri Tomasi, this version of Holy week in Cuzco is arranged for Trumpet and Piano (or Organ). Dedicated to Maurice André, this piece is difficult and requires the skills of an advanced Trumpet player. This work sounds really nice and would work very well for a recital. It is divided in three main movements, the third one being a repetition of the main theme (first movement). Henri Tomasi also composed a variety of concerti for Alto Saxophone and for Trombone, as well as some ballades.â€.