SKU: HL.48025322
UPC: 196288175421.
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for soprano and orchestra, Eliza Aria introduces Princess Elisa and expresses her pure soul, innocence and belief in the goodness of the world: Without saying a word, she must weave stinging nettles into cloth to save her enchanted brothers. The short, enchanting vocalise is perhaps Elena Kats-Chernin's best-known creation and went around the world as music in a promotional video on YouTube. It is now available in numerous versions for `ifferent instruments and instrumentations.
SKU: HL.48025327
UPC: 196288175476.
SKU: FG.55011-903-1
ISBN 9790550119031.
Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).Victoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.Yagling won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.Yagling left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich.
SKU: CY.CC2501
Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saen's incidental music for the play, Parysatis written in 1902. This 4-5 minute work is all about mood.
Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
SKU: CY.CC2516
Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saen's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
SKU: PE.0300761775
ISBN 9790300761770.
Long Road is a setting of a love poem by Paulina Barda (widow of the eminent poet Fricis Barda), who died in 1983 at the age of ninety-three; set in the original Latvian, it was Ešenvalds' contribution to Love madrigals, a collection of new commissions to celebrate the twentieth anniversary of the remarkable youth choir Kamer . . . , and this English version was specially made for Stephen Layton and Polyphony, to whom it is dedicated. It has the plain sincerity of a hymn, being homophonic throughout, and its thorough-going diatonicism is straightforward yet lush. At the midway point, a gentle susurration of bell-sounds and ocarinas appears unexpectedly, there is a brief downwards shift of a third, followed by an elated return to the home key, decorated by soloistic descants, before sustained vocalise and a return of the evanescent tinkling ushers the piece to its close. (5:10) Original Item: EP68714-CMPST.
SKU: LM.JJ21520
ISBN 9790230821520.
Paroles a la lune - Dans les bois - Emprise - Chaque chose a sa petite place - Chanson napolitaine - Mortes les fleurs - Le Poete et la Muse - Sepulture - En un pays de Cocagne - Nuit d'Italie - La Promesse - Le Papillon - L'embarquement pour l'ideal - La Plainte - 3 Melodies sur des poemes de Theophile Gautier (Infidelite - La derniere feuille - Serment) - Villanelle - Champ de bataille - Chanson Violette - Viole - Le Chevrier - ll est d'etranges soirs - 4 Poemes de Jean Lahor (Apres l'orage - Adieux - Apres le bal - Desir de mort) - Vocalise-Etude - Panis Angelicus - In manus tuas - Le Ble Eucharistique.
SKU: HL.49047040
ISBN 9783795711436. UPC: 196288116332. 9.0x12.0x0.535 inches.
This volume from the popular Cellissimo series contains 30 entertaining recital pieces, mostly from the Romantic period. In additionto three original serenades by Jacques Offenbach, Nikolai Rimsky-Korsakov and the French composer Mel Bonis, the volume contains beautiful character pieces, mostly one-movement forms such as berceuse, elegy, humoresque, meditation, melody, nocturne, romance, tarantella, valse de concert and much more . Expressive lyrical pieces are represented as well as cheerful and virtuoso works. In addition to original works, there are numerous arrangements of popular works, including Schumann's Traumerei, Grieg's Anitras Tanz, Fauré's Après un rêve, Elgar's Salut d'amour or Rachmaninoff's Vocalise - all pieces that are well suited as concert and encore pieces . The volume also contains rarities and new discoveries, including original works by cello virtuosos such as Dotzauer, Offenbach, Goltermann, van Goens and Trowell, as well as works by composers Mel Bonis, Juliette Dantin, Ethel Harraden and Claudine Smidt. The level of difficulty is demanding and is aimed at advanced cellists. Many pieces use the 5th-7th position, others have passages in a simple thumb position, sometimes also with high harmonics. They are therefore very good practice examples for advanced users who want to apply sophisticated techniques to beautiful examples of literature. Last but not least, the requirements for expression and design offer plenty of room for cellist and musical development.
SKU: PR.111403010
UPC: 680160683536. 9 x 12 inches. Vocalise, no text.
SKU: SU.80200404
Contents: I. Sinfonia II. Vocalise III. Momentary March IV. Mutanza Oblongata 16 page book Published by: Dunstan House.
SKU: HL.49045623
ISBN 9790001161275. UPC: 841886029170. 9.0x12.0x0.166 inches. German.
In his set of five lieder with finale, Fazil Say sets a selection of contrasting poems from Goethe's cycle West-Eastern Divan in which the poet skillfully intertwines the intellectual Western world with oriental mysticism. Say creates passages of aria and recitative, the latter being characterised by the conventional accompaniment almost devoid of rhythm beneath quasi-improvisational vocal style, where the aria sections are passionate and dramatic. Arabic rhythms and melodies dominate the metrically varied structures of bars in multiples of nine which typify Say's music. In his settings of the texts Say attaches great importance to comprehensibility, writing vocal lines that consist primarily of syllabic steps and intervalic leaps, with extended melismatic sections written as vocalises. Contents: - I Offenbar Geheimnis - II Fetwa - III Zu besserem Verstandnis - IV Tefkir Nameh - V Betrogener, betruge! - VI Finale.
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