| Gloria Alleluia Choral 3-part SSA Hal Leonard
By Emily Crocker. (SSA). Choral. Size 6.7x10.5 inches. 8 pages. Published by Ha...(+)
By Emily Crocker. (SSA). Choral. Size 6.7x10.5 inches. 8 pages. Published by Hal Leonard.
(1)$2.10 $1.995 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gloria Alleluia Choral 3-part 3-Part Mixed Hal Leonard
By Emily Crocker. (3 Part Mixed). Choral. Size 6.8x10.5 inches. 8 pages. Publis...(+)
By Emily Crocker. (3 Part Mixed). Choral. Size 6.8x10.5 inches. 8 pages. Published by Hal Leonard.
$2.20 $2.09 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alleluia! Piano solo Hal Leonard
Piano Collection. Composed by Bill Gaither and Gloria Gaither. Arranged by Mar...(+)
Piano Collection. Composed by
Bill Gaither and Gloria
Gaither. Arranged by Mark
Hayes. Fred Bock Publications.
General Worship, Sacred.
Softcover. 48 pages. Hal
Leonard #GGK7001. Published by
Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gloria Alleluia! Choral 3-part TTB/TBB Hal Leonard
Composed by Emily Crocker. Choral. Concert, Contest, Festival. Octavo. 8 pages...(+)
Composed by Emily Crocker.
Choral. Concert, Contest,
Festival. Octavo. 8 pages.
Hal Leonard #HLP. Published
by Hal Leonard
$2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classic Canons - Book Choral [Sheet music] Alfred Publishing Choral/Vocal (Music and
Classroom Publications).
Published by Alfred
Publishing.
$4.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| There Is No Rose Choral 3-part SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580). ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol. $1.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gloria - Spiritus Dei Piano, Vocal and Guitar [Score] Lemoine, Henry
Composed by Pretres Les. For voice, guitar or piano. Album. Pop / Jazz. Score. 8...(+)
Composed by Pretres Les. For voice, guitar or piano. Album. Pop / Jazz. Score. 86 pages. Published by Editions Henry Lemoine
$34.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Tarik O'Regan: Alleluia, Laus Et Gloria Choral SATB SATB A Cappella St Rose Music Publishing
SATB a cappella. Composed by Tarik O'Regan. Choral. Octavo. 16 pages. S...(+)
SATB a cappella. Composed by
Tarik O'Regan. Choral.
Octavo. 16 pages. St. Rose
Music #NOV296637. Published
by St. Rose Music
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In Excelsis Gloria! Organ [Sheet music] Lorenz Publishing Company
(Seasonal Alleluias for Organ). By James Southbridge. For Organ. Sacred: Christm...(+)
(Seasonal Alleluias for Organ). By James Southbridge. For Organ. Sacred: Christmas. 2-staff. Book. Published by Lorenz Publishing Company
$33.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gloria, Alleluia (based on the "Gloria" from Missa Latina) Choral SATB SATB, Piano Subito Music
SATB Chorus & Piano SKU: SU.92070490 For SATB Chorus & Piano. Comp...(+)
SATB Chorus & Piano SKU: SU.92070490 For SATB Chorus & Piano. Composed by Roberto Sierra. Vocal/Choral, Sacred Large Choral Works. Choral Octavo. Subito Music Corporation #92070490. Published by Subito Music Corporation (SU.92070490). Adapted and edited by Judith Clurman SATB Chorus & Piano Duration: 4' Composed: 2013 Published by: Subito Music Publishing Minimum order quantity: 8 copies. To order quantities fewer than 8, please write to sales@subitomusic.com. $3.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Come and Receive - Music Collection GIA Publications
SKU: GI.G-7362 Composed by Carol Browning. Sacred. Collection. GIA Public...(+)
SKU: GI.G-7362 Composed by Carol Browning. Sacred. Collection. GIA Publications #7362. Published by GIA Publications (GI.G-7362). UPC: 785147736233. English, Latin, Spanish. This release by Carol Browning intertwines songs heralding the coming of Christ with songs celebrating our own return to the Lord. Her rich arrangements give depth to her inspiring texts. The selections on this recording are filled with an emotion of longing. Many songs on this recording are perfect for use at funerals and memorial services. Your fall remembrance services will have an air of added tenderness with “We Remember—Reading of Names.†As the pastoral musician in a culturally diverse parish, Carol also brings to this project her experience with not only bilingual but trilingual liturgical music. CONTENTS: Creator of the Stars of Night/ De las Estrellas, Creador (G-7333) - Lead Us to Your Light (G-5323) - Come to the Stable (G-5421) - Deo Gloria! (G-5889) - Child of Joy and Peace (G-5903/) - Lord Jesus Christ (G-5905/) - Come and Receive (G-6255/) - Trilingual Intercession Response (G-5906) - All of Us in Exile (G-7257) - Healer of My Soul (G-5904) - The Lord Is My Light/El Señor Es Mi Luz (G-7256) - Deo Gloria Alleluia—Easter Gospel Acclamation (G-6402) - We Remember (G-7332) - We Remember—Reading of Names (G-7332) - Peace Be with Those (G-6922). Inspiring new liturgical music from Carol Browning. $18.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Star Carol Choral 3-part SAB, Piano [Octavo] Alfred Publishing
Composed by Cathryne E. Parks, music by Gary E. Parks. Choir Sacred. 3-Part ...(+)
Composed by Cathryne E.
Parks, music by Gary E.
Parks. Choir Sacred. 3-Part
Mixed Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Sacred; Winter.
12 pages. Published by
Alfred Music
$1.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Deo Gloria Alleluia Choral 3-part SAB - Beginner GIA Publications
SAB choir, cantor, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpe...(+)
SAB choir, cantor, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, guitar, flute - Beginning SKU: GI.G-6402 Easter Gospel Acclamation. Composed by Carol Browning. Eastertide, Easter Sunday, Ascension, Pentecost, Easter 2 A, Easter 2 B, Easter 2 C, Easter 3 A, Easter 3 B, Easter 3 C, Easter 4 A, Easter 4 B, Easter 4 C, Easter 5 A, Easter 5 B, Easter 5 C, Easter 6 A, Easter 6 B, Easter 6 C, Easter 7 A, Easter 7 B, Ea. Ritual Prayer. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6402. Published by GIA Publications (GI.G-6402). UPC: 785147640202. English. The flute and trumpet parts are optional. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Antiphonal Gloria Alleluia Choral SATB SATB Shawnee Press
By Antonio Vivaldi (1678-1741). Edited by Patrick M. Liebergen. Arranged by Patr...(+)
By Antonio Vivaldi (1678-1741). Edited by Patrick M. Liebergen. Arranged by Patrick M. Liebergen. For SATB choir (SATB). Choral. Shawnee Press. Sacred, Masterwork. 12 pages. Shawnee Press #A2354. Published by Shawnee Press
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Notre Dame Mass Choral SATB SATB [Sheet music] - Easy GIA Publications
By David Clark Isele. For SATB Chorus, Cantor and Organ accompaniment. Mass. Sac...(+)
By David Clark Isele. For SATB Chorus, Cantor and Organ accompaniment. Mass. Sacred. Level: easy. 48 pages. Published by GIA Publications.
$4.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Holy Cross Mass Choral GIA Publications | | |
| III. Alleluia Choral SATB SATB A Cappella Boosey and Hawkes
From Gloria Patri. By Urmas Sisask. (SATB A Cappella). Boosey and Hawkes Sacred...(+)
From Gloria Patri. By Urmas Sisask. (SATB A Cappella). Boosey and Hawkes Sacred Choral. Size 8.5x11 inches. 4 pages. Published by Warner/Chappell Music.
$5.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Alleluia! A Praise Gathering For Believers Choral SATB Hal Leonard
(SATB) SKU: HL.8767211 Composed by Bill Gaither, Gloria Gaither, and Ronn...(+)
(SATB) SKU: HL.8767211 Composed by Bill Gaither, Gloria Gaither, and Ronn Huff. Arranged by Ronn Huff. Gaither Music. General Worship, Non-Seasonal. Softcover. 116 pages. Hal Leonard #GG4501. Published by Hal Leonard (HL.8767211). UPC: 797242316593. 6.75x10.5x0.258 inches. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Deo Gloria Alleluia - Guitar edition Guitar GIA Publications
Guitar SKU: GI.G-6402G Easter Gospel Acclamation. Composed by Caro...(+)
Guitar SKU: GI.G-6402G Easter Gospel Acclamation. Composed by Carol Browning. This edition: Guitar edition. Eastertide, Easter Sunday, Ascension, Pentecost. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #6402G. Published by GIA Publications (GI.G-6402G). English. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Let the Men Sing! Choral 2-part TB [Sheet music + CD] Shawnee Press
((10 Reproducible Chorals for Tenor and Baritone Voices)). By Greg Gilpin. For m...(+)
((10 Reproducible Chorals for Tenor and Baritone Voices)). By Greg Gilpin. For men's choir. Shawnee Press. Softcover with CD. 76 pages. Shawnee Press #GN0124. Published by Shawnee Press
$52.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Essential Repertoire for the Young Choir Hal Leonard
By Janice Killian, Michael O'Hern, Linda Rann. (Tr/st). Essential Elements Choir...(+)
By Janice Killian, Michael O'Hern, Linda Rann. (Tr/st). Essential Elements Choir. Size 8.5x11 inches. 168 pages. Published by Hal Leonard.
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The New Gloria Deo, Volume 2 Choral [choral collection] Augsburg Fortress
By Thomas Keesecker. For choir. Sacred. Choral collection. 96 pages. Published b...(+)
By Thomas Keesecker. For choir. Sacred. Choral collection. 96 pages. Published by Augsburg Fortress
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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