SKU: HL.386716

UPC: 196288023623. 6.75x10.5x0.029 inches.

Sing a new song, Cantate Dominum, are the words that begin this energetic and celebratory piece. The opening section in 7/8 absolutely dances and thankfully returns for a joyous conclusion. The middle section poetically brings in the beauty of creation. This SATB voicing can be sung together with the SSA voicing, P1715. A great festival piece that can also be sung in worship.

SKU: OU.9780193379725

ISBN 9780193379725. 12 x 8 inches.

For SSATB & piano or string orchestra The Shipping Forecast is in 3 movements: 'Donegal', 'They that go down to the sea in ships', and 'Naming'. The first and last movement are settings of poems by the poet, broadcaster, and academic, Sean Street.

SKU: CA.744700

ISBN 9790007300050. English. Text: Woodward, George Ratcliffe.

Manuel Grunden has created an impressive modern interpretation of the English Christmas carol Ding, dong merrily on high, which itself is based on a 16th century French dance tune. Piquant and well-conceived harmonies turn the classic carol into a scintillating jazz/pop work that is sure to captivate with its colorful vocal writing and creative accompaniment patterns.Manuel Grunden’s reimagining of this traditional festive song with a contemporary sound has created a piece suitable for any Christmas concert program.

SKU: CA.926400

ISBN 9790007261870. French. Text: Victor Hugo.

In his poem Soiree en mer, Victor Hugo describes how the sea can be perceived very differently by two lovers at the same time in the same place. While the man perceives the deepening shadows on the dancing waves, the woman marvels at the stars shining ever brighter in the firmament. In nature, as in the words of the poem, the painful ambiguity that represents life at its core can be experienced. Like no other poet, Hugo captures this almost unbearable simultaneity of living and dying, of love and suffering. Saint-Saens translates this into music - probably the most ephemeral and contemporary of all art forms. His balanced musical form leaves plenty of room for the poetry and his subtle variations in timbre, which also inspired Denis Rouger to his choral arrangement, create a seething motion under the surface of the sea.

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larger ensemble, without losing any of the qualities of the original in the process. Each part in the choir has a melodic line drawn from the harmonic and rhythmic framework. In the process, the variety and refinement of the choral language combines with an enormous flexibility in form and expression, as French melodies or German art song demand from a soloist and pianist. The songs have been recorded by the figure humaine chamber choir on the CD ...wo die Ztronen bluhn (Carus 83.514).