SKU: BT.DHP-1185891-404
ISBN 9789043154512. English.
Nowadays Look, Listen and Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupilsââ¬â¢ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listenand Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty.
SKU: BT.DHP-1185920-404
ISBN 9789043155007. English.
Nowadays Look, Listen & Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download.
SKU: CF.WF228
ISBN 9781491153529. 9 x 12 inches.
Compiled and edited by Amy Porter, Treasures for Flute and Piano is acollection of Philippe Gaubert’s shorter works for flute and piano. Gaubertwas a multi-talented musician, a marvelous flutist as well as a composer,teacher, and master conductor. Over his lifetime, he became one of the mostimportant musical figures in France between the World Wars in the first halfof the 20th century. Trained in theory and harmony at the Paris Conservatory,Gaubert was also deeply influenced by other composers at the time, includingDebussy, Fauré, and Dukas. Editor Amy Porter is a distinguished Professorat The University of Michigan School of Music, Theatre & Dance, and hasbeen praised by critics for her exceptional musical talent and her passion forscholarship. This edition represents eleven of the sixteen works from AmyPorter and Dr. Penelope Fischer’s video study guide, “The Gaubert Cycle: TheComplete Works for Flute and Piano by Philippe Gaubertâ€.Philippe Gaubert (1879–1941) was a very important teacher and flutist in our classical flute playing lineage. In this edition we have gathered his beautiful, shorter compositions for flute and piano all in one place, to be cherished as “Gaubert’s Treasures.â€Philippe Gaubert personified the modern French school of flute playing as introduced by his teacher Paul Taffanel (1844–1908) at the Paris Conservatory. Gaubert was a multitalented musician, a marvelous flutist as well as a gifted composer, teacher and master conductor. Over his lifetime he became one of the most important musical figures in France between the World Wars in the first half of the twentieth century. Gaubert’s musical andpedagogical gifts to us are passed along through generations of students and continue to touch the hearts of many who listen to his fine, and refined, music.Philippe Gaubert studied composition at the Paris Conservatory with Raoul Pugno, Xavier Leroux, and then for a brief time with Charles Lenepvu. It was after this study that he won the famous Prix de Rome second prize in composition. Even with his schooling of theory and harmony in Paris, he was deeply influenced by other composers of the time, namely Debussy, Fauré and Dukas. Between the years of 1905–1914 Gaubert’s early workswere arrangements and short pieces written for the year-end final exam pieces at the Conservatory.Between 1914–1918 Gaubert served in the French Army during World War I, most notably in the battle of Verdun in 1916. This was considered one of the largest battles against the Germans in WWI. He was wounded but his creativity level was not dampened. He was rewarded for his service and awarded medals for his bravery. It was during this time that he found the energy to compose his Deux Esquisses or 2 Scenes, and sketched out his first flute sonata.Gaubert composed his remaining five flute and piano works after 1922 in Paris, and clearly his poetic soul was transformed from the earlier years. He took in new forms and styles of compositions such as a Suite, a Ballade and a Sonatine. He also completed his Second and Third Sonatas for Flute and Piano, all of them dramatic works in terms of compositional techniques and grandeur of tone.Gaubert composed music easily throughout his lifetime, especially during summer breaks when the orchestra and Paris Opera seasons were on hiatus and he was not conducting. He loved literature and poetry which inspired over thirty vocal works from 1903 through 1938.He also wrote twenty-six instrumental chamber works for other instruments: oboe, cornet, clarinet, trombone, violin, viola, cello, harp and combinations of these instruments with piano. Some of these were commissioned jury pieces, but many were for his musician friends.Six full-length stage works, both ballets and operas for the stage, several tone poems and symphonies were written throughout his lifetime.This edition represents eleven out of the sixteen works from our video study guide “The Gaubert Cycle: The Complete Works for Flute and Piano by Philippe Gaubert†with guest pianist Tim Carey. Omitted in this edition are Sonatas Nos. 1–3, Ballade, and Sonatine.
SKU: IS.FP4175EM
ISBN 9790365041756.
Jozef (Jef) Schampaert's 1952 Notturno e Danza (Nocturne and Danse) for flute and piano, written as a concours piece for the Royal Conservatoire Antwerp in Belgium, is a bit of a curious beast. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch. The Nocturne and Danse is no exception. The core of the Nocturne is a relatively straightforward melody, but it's quickly pulled apart into Debussyian fragments and melodic cells - a rhapsody in miniature, with touches of Ibert's stranger runs and figures through. The Danse retains a clearer sense of melody, but one that's even closer to Debussy and Ravel - grace notes and intertwined, changing runs are integral melodic material, by turns dark then playful. A small cadenza again touches on a sense of Ibert before the piece is brought to a quiet close.
SKU: HL.48180783
Number 80 of the collection Classics for Flute by Marcel Moyse, Minuet of Mr. Duport is a piece initially composed by Mozart and arranged for flute and piano accompaniment. The main theme starts with a Tempo di Minuetto, which is then followed by four variations and a final part Allegro ending up with a Cadenza. Quite amazing, this piece is difficult to play and will fit upper intermediate players. It is a great piece to listen to that would definitely work well in a concert or in a recital.
SKU: PR.114418900
ISBN 9781491129517. UPC: 680160668632.
A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling†leads directly to the rapid Mvt. 2 “Sparkling, glistening,†followed by another slow-fast pair: Mvt. 3 “Under Winter†which leads directly into Mvt. 4 “Spring Spirits.†In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.
SKU: FL.FX071388
During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The Twinning is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it !
SKU: M7.DUX-1185
ISBN 9783868491135.
16 weltbekannte populäre Melodien aus allen Bereichen der Musik. Der Bläser findet unvergessene Standards und Classics, Pop-Songs, Filmmusik und Evergreens. Die passende Playalong Doppel-CD ist mit der Bestellnummer D1180 separat erhältlich. Der Ausgabe liegt ein 32-seitiger Einleger mit der Solo-Stimme bei.
SKU: BT.1771-11-400-M
ISBN 9789043134583. 9x12 inches. International.
This collection contains works from the so-called “Belle Époqueâ€, the time period right around the turn of the 20th century which have been arranged for flute and piano by Franco Cesarini. It includes pieces by Dukas and Massenet, two early works by Ravel that are on the cusp of the impressionistic period and compositions by Bizet and Saint-Saëns which represent the late-romantic period. The book comes with a CD which contains a demo of each piece, followed by the piano accompaniment which you can play along with.Er is geen ander tijdperk waarin emoties zo sterk naar voren kwamen als de 19e-eeuwse romantische periode. In die tijd vervolmaakte de instrumentenbouwer Theobald Böhm de dwarsfluit, die de vorm kreeg waar we nu aan gewend zijn. Defluit was bij de componisten uit de romantiek een bijzonder geliefd instrument. Dit album bevat werken die grotendeels zijn ontstaan tijdens de zogeheten belle époque -de periode van rond de eeuwwisseling (van 1900). In het boekvind je stukken van Dukas en Massenet, evenals twee vroege werken van Ravel, in impressionistische stijl gecomponeerd, terwijl de composities van Bizet en Saint-Saëns de laat-romantische periode vertegenwoordigen.Op de meegeleverdecd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.Diese Ausgabe, die einige romantische Sätze aus der so genannten Belle Epoque“ in Bearbeitungen für Flöte und Klavier vorstellt, will allen fortgeschrittenen Flötisten die Möglichkeit geben, mehr Musik der Romantik aus der Perspektive eines Solisten kennenzulernen. Neben Dukas und Massenet ist auch Ravel sowie spätromantische Musik von Bizet und Saint-Saëns enthalten. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Ce recueil rassemble des oeuvres datant essentiellement de la Belle Époque (1900-1920), divinement arrangées par Franco Cesarini pour Fl te Traversière et Piano. Sur le CD inclus, vous trouverez deux versions par pièce : une version intégrale et une version où ne subsiste que l‘accompagnement (version papier jointe au recueil). Questo volume che contiene opere scirtte in gran parte durante la cosiddetta “Belle Époqueâ€, include brani di Dukas e Massenet e due tra le prime opere di Ravel collocabili alla fine del periodo dell'impressionismo. Le due composizioni di Bizet e Saint-Saens appartengono invece al periodo del tardo romanticismo. Il CD incluso propone l'incisione completa di ogni brano, seguita da una traccia con il solo accompagnamento del piano.
SKU: HL.49046132
ISBN 9783795716639. UPC: 888680955762. 9x12 inches. German - English - French.
Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client -with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing.
SKU: BT.1770-10-400-M
ISBN 9789043134477. 9x12 inches. International.
This book, which contains several arrangements of Romantic movements for flute and piano, is intended to give advanced flutists the opportunity to experience and become acquainted with more music of the Romantic era from the perspective of a soloist.The CD provides a demonstration of each piece, followed by the piano accompaniment with which to play along.De symfonische literatuur uit de 19e eeuw bevat veel grote, indrukwekkende solo's voor fluitensemble, terwijl er weinig solo- of kamermuziekwerken voor fluit te vinden zijn. Deze uitgave met pianobegeleiding bevat romantische delenvan Rossini, Respighi, Casella, Sgambati en Simonetti in mooie arrangementen voor fluit en piano. Het geeft de gevorderde fluitisten de kans meer muziek uit het romantische tijdperk als solist te verkennen. Op de bijgevoegde cdstaat een volledige opname en de begeleiding van ieder werk.Diese Ausgabe, die einige romantische Sätze von Rossini, Respighi, Casella, Sgambati und Simonetti in Bearbeitungen für Flöte und Klavier vorstellt, soll allen fortgeschrittenen Flötisten die Möglichkeit geben, mehr Musik der Romantik aus derPerspektive eines Solisten kennenzulernen. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stuückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Alors que le répertoire symphonique du XIXe siécle foisonne de traits pour Fl te solo, les oeuvres de musique de chambre ou solos pour F te sont plus rares. Cet ouvrage rassemble quelques-unes des plus belles pages du romantismemusical italien, de Rossini Casella, en passant par Sgambati, Simonetti et Respighi. Sur le compact disc, vous trouverez une version intégrale et une version où ne subsiste que l'accompagnement.La letteratura sinfonica del 19° secolo é ricca di opere per flauto solo, mentre sono più rari i pezzi per musica da camera. Questa pubblicazione é pensata per dare ai flautisti di livello avanzato la possibilit di eseguire branidei più importanti esponenti del romanticismo quali Rossini, Respighi, Casella, Sgambati e Simonetti. Il CD propone una traccia con lincisione completa, e una con il solo accompagnamento.
SKU: BT.DHP-1115152-400
ISBN 9789043145510. 9x12 inches. German.
Starke Töne ist eine Sammlung, die in Zusammenarbeit mit der Bläserjugend des Bundes Deutscher Blasmusikverbände (BDB) entstanden ist. Die Sammlung enthält eine Auswahl der beliebtesten Titel aus den Literaturlisten zum Jungmusiker-Leistungsabzeichen Bronze (D1) bzw. Junior. Die Vorteile liegen dabei klar auf der Hand: Die Instrumentalisten sparen mit diesem Buch nicht nur wertvolle Vorbereitungszeit, sondern auch bares Geld, denn wer früher mehrere Hefte anschaffen musste, hat mit Starke Töne bereits das Beste in einem Band versammelt. Somit befriedigt diese Ausgabe eine lang bestehende Nachfrage. In jeder Ausgabe ist jedes Stück mit einerKlavierbegleitung notiert; ursprüngliche Solostücke wurden eigens mit einer neu komponierten Begleitung versehen. Der Klavierpart ist in der Regel einfach bis mittelschwer, sodass die Begleitung auch von fortgeschrittenen Klavierschülern übernommen werden kann.Ein gro�er Vorteil für die Vorbereitung auf die praktischen Leistungsprüfungen ist die jedem Heft beiliegende CD, welche die auf einem echten Konzertflügel aufgenommenen Klavierbegleitungen enthält. Neben Einspielungen im Originaltempo sind die meisten Stücke zum leichteren Einstudieren auch in einer weiteren Version im langsameren Tempo zu hören.Mit Starke Töne ist in Zusammenarbeit mit dem BDB eine wertvolle Sammlung für alle Blasinstrumente und Klavier sowie für Schlagzeug entstanden, die selbstverständlich auch unabhängig von den Leistungsabzeichen das Unterrichts- und Vortragsrepertoire für jede dieser Besetzungen bereichert.
SKU: FG.55011-613-9
ISBN 9790550116139.
The music of Finnish composer Kai Nieminen (b. 1953) does not conform to any isms. He remarks: I feel like I am a painter in music, who having seen or experienced something attempts to give that something a shape in music. The flute concerto Palomar was written for Patrick Gallois and premiered 2001 in Milan, Italy. The idea for his Flute Concerto came to Nieminen at the Villa Lante in Rome when he was kept awake by persistent birdsong in the heat of the night. The title alludes to the last novel, Palomar, by Italo Calvino. Though Nieminen finds inspiration in literature, the visual arts and nature, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire his listeners' imagination and to make them savour musical visions with a mind as open as that of Calvino's Mr Palomar examining the little wonders of the world around him. The orchestral score is available for sale (ISMN 9790550096370) and the performance material for hire from Fennica Gehrman.
SKU: HL.44005962
ISBN 9789043149495. UPC: 884088044329. 9x12 inches. English-German-French-Dutch.
Tasty Tunes is a collection of short repertoire or concert pieces forthe developing instrumentalist. The descriptive titles, such as JellyCopters, Dough Raises Me, A Cream Tease and Cornish Pastichehelp conjure the mood of the music and act as a stimulus for theperformer. With a mixture of styles and tempi these piecesrepresent a worthwhile challenge for players of grades three tofive standard. Pieces may be performed individually or combinedin any number to create a suite - or perhaps a sweet? Although themusic is approachable and light in character, it provides importantand technical musical experience. Enjoy playing and wet youraudience's appetite! A separate pianoaccompaniment part isincluded with this book. 'Leckere Melodien' - ist voll von kurzen Repertoire oder Konzertstucken fur den etwas fortgeschrittenen Instrumentalisten. Aussagekraftige Titel beschworen verschiedene musikalische Stimmungen herauf und machen dem Spieler die Musik schmackhaft. Die Stucke konnen einzeln oder in beliebiger Anzahl kombiniert zu einer Suite gespielt werden. Der Charakter der Musik ist zwar eingangig und leicht, mit Tasty Tunes werden aber auch wichtige technische und musikalische Erfahrung gesammelt. Die CD enthalt Demo- und Mitspielversionen aller Stucke.Tasty Tunes (Melodie saporite) si sviluppa attraverso un percorso musicale gustoso punteggiato di brani corti e variati. Le musiche possono essere interpretate singolarmente oppure unite in una suite. Nonostante le musiche siano accessibili e leggere di carattere, offrono un materiale tecnico motivante per un'esperienza musicale interessante.
SKU: BT.DHP-1023131-401
ISBN 9789043115582. English-German-French-Dutch.
Piano accompaniment for concert performances. Hören, lesen & spielen ist die individuelle Bläserschule für dreizehn verschiedene Instrumente, die im Einzel- oder Gruppenunterricht eingesetzt werden kann. Die bewährte Methode ist nach den gegenwärtigen Regeln und Ansprüchen der Musikerziehung zusammengestellt. Sie enthält viele Spiele, Puzzles, Hörübungen, Lieder und Originalkompositionen.Ergänzend zu Band 3 von Hören, lesen & spielen stellen Jaap Kastelein und Michiel Oldenkamp den Instrumentalisten im Stilbuch eine Vielzahl verschiedener Musikstile vor: Von Barock und Klassik über diverse Jazzstile bis hin zu Popmusik. Speziell für jedes Instrument komponiert, sind diese Stücke ebensolehr- wie abwechslungsreich. Alleine oder zusammen mit einem Pianisten eignen sie sich ausgezeichnet für Soloauftritte, Konzerte oder gar Prüfungen. Die Klavierbegleitungen sind separat erhältlich.
SKU: BT.AMP-427-400
ISBN 9789043148580. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: BT.AMP-404-400
ISBN 9789043148467. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introducesthe beginning player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both pianoaccompaniment and a demo/play-along CD.Philip Sparkes 15 Easy Christmas Carols sind Teil der Anglo Music Play-Along Reihe und richten sich an junge Instrumentalisten, die den Tonumfang von einer Oktave beherrschen. Auf jedes Instrument zugeschnitten, führen diese Ausgaben,für die einfache und zugleich ansprechende Melodien ausgewählt wurden die sich für diesen begrenzten Tonumfang eignen, den Anfänger an die weltweit beliebtesten Weihnachtslieder heran. Dieser Band bietet wertvolles Ergänzungsmaterial, das zu jederInstrumentalschule passt und sowohl eine Klavierbegleitung als auch eine Play-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Easy Christmas Carols(15 chants de Noël faciles) de Philip Sparke visent les jeunes instrumentistes qui arrivent jouer un peu plus d’une octave. Adapté pourconvenir chaque instrument spécifique, ce recueil introduit le joueur débutant aux chants de Noël les plus populaires en sélectionnant des mélodies simples les plus intéressantes qui correspondent leur registre limité. Ce recueil fournit dumatériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: BT.DHP-1094524-401
ISBN 9789043129664. 9x12 inches. English.
This separate piano accompaniment book is useful for live performances and also helps to develop the listening and interactive skills required for playing as part of an ensemble.
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