SKU: HL.48186493
Georg Melchior Hoffmann: Methode elementaire d'Harmonium ou Orgue expressif (Organ).
SKU: HL.14003116
ISBN 9788774553397. 12.0x8.25x0.42 inches. Georg Fjelrad - Author.
Chorale from Cantata 147 commonly known as 'Jesu, Joy of Man's Desiring'. Arranged for Organ by Georg Fjelrad.
SKU: BA.BA05897-67
ISBN 9790006563104. 32.5 x 25.5 cm inches.
Chorale settings form a central part of Telemann's oeuvre. His 1754 setting of the church hymn Christus, der ist mein Leben, based on Melchoir Vulpius' melody from the Hamburg Hymnal, is especially well-suited to display his mastery in depicting the words of the chorale. The so-called Ausfullungsbass (a vocal bass added to the principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg's churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.* First Urtext edition based on Georg Philipp Telemann Musical Works* An attractive addition to the repertoire with a view to the Telemann Year 2017* Bilingual Foreword (Ger/Eng)* Uncluttered idiomatic piano reduction.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BR.EB-6310
ISBN 9790004166444. 12 x 9 inches.
Im Gegensatz zu seinem Zeitgenossen Joh. Seb. Bach hinterliess Georg Friedrich Handel kaum Werke fur die Orgel. Ausser den bekannten Konzerten fur Orgel und Orchester schrieb er 6 Fugen, die diese Ausgabe der Praxis erschliessen mochte. Der Grund, dass Handel sich in seinem kompositorischen Schaffen in so geringem Masse der Orgel zuwandte, ist nicht in erster Linie in seinem kunstlerischen Aufgabenkreis zu suchen, sondern liegt wohl hauptsachlich an der primitiven Beschaffenheit der englischen Orgeln seiner Zeit. Weithin fand man das Pedal entbehrlich und liess es weg. Fr. Chrysander berichtet: (,,G. Fr. Handel III, S. 218) ,,Handel, dessen Ohr an die deutschen Orgelbasse gewohnt war, nahm zu einem Stuck Blei Zuflucht, um einen tiefen Ton fortklingen zu lassen und beide Hande frei zu haben..
SKU: M7.DOHR-17695
ISBN 9790202036952.
Bei dem klangprächtigen Prélude (Procession) c-Moll handelt es sich dem Titel wie der Faktur nach um einen Trauermarsch; mit einem Umfang von 51 Takten und einer Aufführungsdauer von drei Minuten ist es eine der kürzeren eigenen Kompositionen, die Georg Schmitt in der von ihm selbst herausgegebenen Orgelmusiksammlung Le Musée de l'Organiste veröffentlicht hat. Entgegen den meisten anderen Orgelwerken Schmitts trägt es keine Widmung. Als Werk ist Grand Chour im Untertitel vermerkt, so dass sich konkretere Registrieranweisungen erübrigen. Ein ausführliches Nachwort informiert über Leben und Schaffen des Komponisten sowie das hier vorgelegte Stück.
SKU: BR.EB-9306
ISBN 9790004187708. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles.
SKU: BR.EB-9415
ISBN 9790004188897. 12 x 9 inches.
SKU: BR.EB-9305
ISBN 9790004187692. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. Contains the Critical Commentary of the subvolumes I/1 and I/2.
SKU: BR.EB-9304
ISBN 9790004187685. 12 x 9 inches.
This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.pure source edition (no mixture of different transmissions); comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only)); good page turnsflexible division of voices (on 2 or 3 systems, good legibility); contains facsimiles. The corresponding Critical Commentary is contained in Volume I/2 (EB 9305).
SKU: BA.BA11263
ISBN 9790006569588. 24 x 30.2 cm inches.
The composition “Silberklänge†was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig.The composer noted: “During my first visit to the Georgenkirche in Rötha, I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721), the endless variety of possible timbre combinations, the stellar acoustics of the church, and the historic atmosphere, which shaped and tamed my musical thoughts, transporting me into my very own ‘baroque’ world.â€This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with different registration possibilities will open up a new spectrum of possible timbres.
SKU: CA.5027500
ISBN 9790007298418. Key: F minor.
As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends.The Fugue in F minor (JWV 3) on three themes shows the remarkable contrapuntal skill of a composer then aged just 14 (1853). Rheinberger dedicated it to his organ teacher Johann Georg Herzog, who remained a follower of the German Bach tradition.Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.
SKU: CA.5027600
ISBN 9790007298432.
Before Rheinberger came to public attention as an organ composer with the publication of his first Organ Sonata op. 27, he had already written a few shorter works for his favorite instrument. These include the three Preludes and Fugues JWV 10, 13 and 16 which Rheinberger composed at the age of just 15. He dedicated his early contributions to this tradition-rich genre to his organ teacher and supporter Johann Georg Herzog, who found these to be of such high quality that he offered them to a colleague for publication.Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.
SKU: CA.1817900
ISBN 9790007188979. Language: all languages.
It is no coincidence that the Toccata from Widor's Vth Organ Symphony is his best-known composition. Who can resist its thrilling verve? Not only this, but also the other movements of this unique work of the organ repertoire win you over immediately - the first with its march-like, majestic, much-varied theme; the second with its wonderfully elegiac oboe melody, flowing along over staccato sixteenth notes; and the two slow movements, of which the melancholy, almost static Adagio forms the greatest contrast imaginable to the following triumphal Toccata. The Carus Urtext edition is based on the Paris edition of 1928/29, the last one to be published during Widor's lifetime. The corrections which the composer made after the publication of this edition have also been taken into consideration. As well as this, earlier editions have been consulted for comparison to clarify individual variant readings. Editorial suggestions on the performance of individual passages complete the new edition. Great organ works: Series A: - Symphony II op. 13 no. 2 - Symphony IV op. 13 no. 4 - Symphony V op. 42 no. 1 - Symphony VI op. 42 no. 2 - Symphony Romane op. 73 in preparation Subscription offer for Series A: 20% discount off the retail price.
SKU: SU.80101528
A four-movement work (Ostinato marcato; Bicinium; Aria; Gigue-Finale) suitable for service or recital based on the familiar hymn tune by Georg Neumark usually paired with the English text If You But Trust in God to Guide You).Organ Duration: 11'30 Composed: 2023 Published by: Zimbel Press.
SKU: CA.1817800
ISBN 9790007187217. Language: all languages.
Widor's early organ symphonies op. 13 have a quite special character because of their suite-like structure. The six-movement Symphony II also combines different types of movement in an unusual way; for example, it includes a Praeludium Circulare, which explores all the twelve keys, a Salve Regina based on the Gregorian antiphon of the same name, and a grand Toccata as the Finale, an interesting precursor of the famous Toccata from the 5th Symphony. The Carus edition is based on the Paris edition of 1928/29, the last one to be published during Widor's lifetime. The corrections which the composer made after the publication of the 1928-29 edition have also been taken into consideration. As well as this, earlier editions have been consulted for comparison to clarify individual variant readings. Editorial suggestions on the performance of individual passages complete the new edition. Great organ works: Series A: - Symphony II op. 13 no. 2 - Symphony IV op. 13 no. 4 - Symphony V op. 42 no. 1 - Symphony VI op. 42 no. 2 - Symphony Romane op. 73 in preparation Subscription offer for Series A:20% discount off the retail price.
SKU: OU.9780193707948
ISBN 9780193707948. 12 x 8 inches.
This ground-breaking collection revives the music sung by girls and boys in the chapels of the Charity Institutions of Georgian London. It contains ten mostly short anthems for varied liturgical use by men and women composers, scored for one or two upper voices featuring solo, duet, semi-chorus and tutti combinations, with organ accompaniment.
SKU: CA.1817700
ISBN 9790007171919. Language: all languages.
Widor's early organ symphonies op. 13 have a quite special character because of their suite-like structure. And so the 4th Symphony delightfully combines classical forms such as toccata and fugue with Romantic character pieces. It includes the well-known Andante cantabile, which is one of the composer's most beautiful slow movements. The Carus edition is based on the last edition published during Widor's lifetime, issued Paris 1929. Corrections made by the composer after the edition of 1929 was published have been taken into consideration. In addition, for purposes of clarification, earlier print runs were consulted. Editorial suggestions on the performance of individual passages complete the edition.
SKU: MN.10-936
UPC: 688670109368.
May be performed independently or as a suite. Includes: Bouree (Handel) from Water Musick Gavotte (Corelli) from Violin Sonata Lento (Bizet) from L Arlesienne Suite No. 1.
SKU: CA.1038249
ISBN 9790007191078. Language: German/Latin.
Score available separately - see item CA.1038200.
SKU: HL.50576958
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