(Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For SB vocal soli, SATB choir, oboe, violin, basso continuo. This edition: Paperbound. Score available separately - see item CA.3115800. Cantatas, Special days, Easter and Eastertide. Level 2. Vocal score (G/E). Language: German/English. Composed 1723/1735. BWV 158. 12 pages. Duration 12 min. Published by Carus Verlag

(Sing to the Lord a newmade song). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Soli SATB, SATB/SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Stuttgart Urtext editions. Score available separately - see item CA.4007500. Psalms, German, Easter and Eastertide, Praise and thanks, Psalms. Level 3. Study score. Language: German/English. Composed 1843. Opus 91. 48 pages. Duration 8 min. Published by Carus Verlag

(Kantate zum ersten Ostertag). By Johann Sebastian Bach (1685-1750). Edited by Marker, Michael. For Soli STB, Choir SSATB, Oboe, 3 Trumpet, Timpani, 2 Violin, 2 Viola, Basso Continuo, [2 Oboe, Taille, Bassoon]. This edition: paperbound. BWV 31. Full score available separately - see item CA.3103100. Cantatas; Use during church year: Easter and Eastertide. Piano/Vocal score. Language: German/English. Composed 1715. 32 pages. Duration 24 min

Cantata for Easter Sunday. Composed by Johann Sebastian Bach (1685-1750). Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Der Himmel Lacht, Die Erde Jubilieret. Sacred vocal music, Cantatas, Easter and Eastertide. Full score. Composed 1715. BWV 31. 68 pages. Duration 24 minutes. Carus Verlag #CV 31.031/00. Published by Carus Verlag (CA.3103100).

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bach composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711019

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 27.110/19. Published by Carus Verlag (CA.2711019).

ISBN 9790007138899. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711009

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. 1x 27.110/31 clarino, 1x 27.110/32 trombone 1, 1x 27.110/33 trombone 2, 1x 27.110/34 trombone 3. Sacred music from Salzburg. Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Set of Orchestra Parts. 20 pages. Duration 4 minutes. Carus Verlag #CV 27.110/09. Published by Carus Verlag (CA.2711009).

ISBN 9790007200510. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work. Score and parts available separately - see item CA.2711000.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, [3 trombones], 2 violins, basso continuo

SKU: CA.2711000

Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. German title: Terra Tremuit /Offertorium Ostersonntag. Sacred vocal music, Easter and Eastertide. Full score. 28 pages. Duration 4 minutes. Carus Verlag #CV 27.110/00. Published by Carus Verlag (CA.2711000).

ISBN 9790007087777. Key: C major. Language: Latin.

Eberlin's programmatic setting of the offertory Terra tremuit was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin's basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word tremuit. The Resurrection is depicted musically by ascending figures at the words dum resurgere. An Alleluia concludes the work.

SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso continuo - Level 4

SKU: CA.3100409

Easter Sunday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.004/31 cornett, 1x 31.004/32 trumpet 1, 1x 31.004/33 trumpet 1, 1x 31.004/34 trombone 1, 1x 31.004/35 trombone 2, 1x 31.004/36 trombone 3. Hymns by Martin Luther: Christ lag in Todes Banden. German title: Christ lag in Todes Banden 6. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed circa 1707/08 (before 1714). BWV 4. 24 pages. Duration 22 minutes. Carus Verlag #CV 31.004/09. Published by Carus Verlag (CA.3100409).

ISBN 9790007041526. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name. Score and parts available separately - see item CA.3100400.

SATB vocal soli, SATB choir, 2 oboe d'amore, 2 oboe d'caccia, 2 violins, viola, cello piccolo, basso continuo - Level 3

SKU: CA.3118314

Cantata for the Sunday Exaudi. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Single Part, Cello piccol. Composed 1725. BWV 183. 4 pages. Duration 15 minutes. Carus Verlag #CV 31.183/14. Published by Carus Verlag (CA.3118314).

ISBN 9790007050436. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and part available separately - see item CA.3118300.

SATB vocal soli, SATB choir, 2 oboe d'amore, 2 oboe d'caccia, 2 violins, viola, cello piccolo, basso continuo - Level 3

SKU: CA.3118319

Cantata for the Sunday Exaudi. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Sie werden euch in den Bann tun. Sacred vocal music, Cantatas, Special days, Easter and Eastertide. Set of Orchestra Parts. Composed 1725. BWV 183. Duration 15 minutes. Carus Verlag #CV 31.183/19. Published by Carus Verlag (CA.3118319).

ISBN 9790007136956. Key: A minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

The cantata Sie werden euch in den Bann tun [They will banish you] BWV 183 for Exaudi Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The cantata opens with Jesus's words from the Sunday gospel reading in an accompagnato recitative for bass - representing the vox Christi - accompanied by four oboes which, together with the strings, are also deployed in the cantata's second accompagnato recitative. The first of the virtuoso arias is accompanied by violoncello piccolo, the second by two oboes da caccia together with the string ensemble. The cantata concludes with an unusually animated final chorale. Score and parts available separately - see item CA.3118300.