Choral (ChoirTrax CD)

SKU: HL.248985

Arranged by John Leavitt. Sacred Choral. Concert, General Worship, Sacred, Spiritual. CD. Duration 160 seconds. Published by Hal Leonard (HL.248985).

UPC: 888680710279. 5.0x5.0x0.15 inches. Hebrews 11:16, Numbers 33:51, Revelation 21:2.

For many worshipping churches, this strong version of a traditional hymn is a treasured song of the journey. Many existing arrangements of this time-honored song are set in major but this creative new adaptation utilizes the minor variant. From Bound for Glory, this setting brings freshness to the familiar and adds depth to the whole concept. A distinctive three-part men's section is featured in one verse with stunning results, later trading places with an angelic women's moment that shines with brilliance. Every measure is packed with beauty! Score and Parts (pno, perc 1-2, vn 1-2, va, vc, db) available as a digital download.

Band Bass Clarinet, Bass Drum, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Timpani and more. - Grade 1.5

SKU: CF.FPS81F

Composed by Sean O'Loughlin. SWS. Carl Fischer First Plus Performance Series. Full score. With Standard notation. 16 pages. Duration 2 minutes, 23 seconds. Carl Fischer Music #FPS81F. Published by Carl Fischer Music (CF.FPS81F).

ISBN 9780825873829. UPC: 798408073824. 9x12 inches. Key: C minor.

Promised Land is a serious-sounding, new piece for the developing band that sounds much more difficult than it plays, allowing your students to show off while remaining at their ability level. The title has its roots in the ideals of John Humphrey Noyes, who founded the Oneida community in the late 1840s. He built a thriving agricultural and spiritual community that became his “promised land.” The music depicts the struggles and triumph of those first settlers in the area, who worked the land and fought for their ideals through much persecution. Promised Land contains all of the rhythmic interest and memorable motives that Sean's music is so known for. It is also an excellent choice for contest/festival.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

SATB choir, divisi, piano reduction, oboe, english horn 1 & 2, bassoon, violin 1, violin 2, cello 1 & 2, bass - Advanced

SKU: GI.WW1761

Composed by Ken Burton. Jason Max Ferdinand. Classical. 36 pages. Walton Music #WW1761. Published by Walton Music (GI.WW1761).

UPC: 785147021360. English. Text Source: Various Authors.

This work for chorus and chamber orchestra was premiered to acclaim by the Oakwood University Aeolians at the 2019 National ACDA conference. Composer Ken Burton has combined new material with spirituals and text by important historical figures to create a piece that follows the experience of black Americans during and after the Civil Rights period. Includes texts by Martin Luther King, Jr., Paul Laurence Dunbar, Thomas Day, John Bicknell, and William Blake. This substantial work will be a good fit for collegiate, professional, and community ensembles. Can be performed unaccompanied or with chamber orchestra.

(Easy Anthems for two-part Choirs). Composed by Lloyd Larson. For 2-part voices and piano. Published by Lorenz Publishing Company

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Sacred. 182 pages. 9x12 inches. Published by Creative Concepts

Choral 3-part choir mixed Voices, Piano

SKU: CF.CM9643

Composed by Traditional Spiritual. Arranged by Catherine DeLanoy. Fold. Performance Score. 12 pages. Duration 2:30. Carl Fischer Music #CM9643. Published by Carl Fischer Music (CF.CM9643).

ISBN 9781491157152. UPC: 680160915712. 6.875 x 10.5 inches. Key: F major. English, English. Traditional Spiritual.

For the emerging mixed choir, Delanoy's arrangement of this timeless spiritual favorite offers energy, variety and is sure to inspire through its uplifting melody of hope and determination for a better life -no matter the obstacle. Concert and festival approved!.
Let Me Fly is an American spiritual which, on the surface, tells of a yearning for the promised land of heaven. On a deeper level, its early singers envisioned an escape from slavery, with the Underground Railroad serving as the chariot. In either case, the song is an uplifting melody of hope and determination for a better life, no matter the obstacle. Please take note of the layered section in mm. 55-62, which starts with Part II, adds Part I in m. 57, and completes the layering with Part III at m. 59. The repeated measures of 59-60 allow for an accompanist or soloist to improvise while the choir sings and claps along for as many repeats as desired. The number of repeats is up to the discretion of the conductor. If there is no improvisation, it is recommended that mm. 59-60 be sung three times before moving on.
Let Me Fly is an American spiritual which, on the surface, tells of a yearning for the promised land of heaven. On a deeper level, its early singers envisioned an escape from slavery, with the Underground Railroad serving as the chariot. In either case, the song is an uplifting melody of hope and determination for a better life, no matter the obstacle.Please take note of the layered section in mm. 55-62, which starts with Part II, adds Part I in m. 57, and completes the layering with Part III at m. 59. The repeated measures of 59-60 allow for an accompanist or soloist to improvise while the choir sings and claps along for as many repeats as desired. The number of repeats is up to the discretion of the conductor. If there is no improvisation, it is recommended that mm. 59-60 be sung three times before moving on.

by William Bay. For Harmonica (Diatonic). solos. All Styles. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 80 pages. Published by Mel Bay Publications, Inc

By Michael Burkhardt. For organ. All Saints, General, Funeral. Level: Moderately Easy. Published by MorningStar Music Publishers.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1.5

SKU: CF.FAS105

Composed by Bud Woodruff. First-Plus String Orchestra (FAS). Set of Score and Parts. With Standard notation. 8+8+2+5+5+2+5+8 pages. Duration 1 minute, 46 seconds. Carl Fischer Music #FAS105. Published by Carl Fischer Music (CF.FAS105).

ISBN 9781491151365. UPC: 680160908868. 9 x 12 inches. Key: B minor.

Composer Bud Woodruff continues to present compositions that students will love to perform and will learn from playing. The title, Dorian's Barn has a unique double meaning in that it is dedicated to a man named Dorian and it is in the Dorian mode. The addition of the word 'barn' in the title also adds to the music a fun country backwoods aesthetic.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

A The title Dorian's BarnA is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

A As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.

I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed.

The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too.

As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.

.
I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.
I had promised a piece for my valued friend, Dorian Barnes, in exchange for some repair work he performed on my violin at an inconvenient time for him. He is a very gifted luthier, which is a very ancient craft, and in addition to carving modern instruments, he has also carved more archaic stringed instrument. So I wanted to write a piece that captured the gist of what those original instruments might have performed. The title Dorian's Barn is a twist on his name (Dorian Barnes), but also gave a good bit of inspiration to the piece, too. There are many ancient, deserted, old barns where I live, and they are all wonderfully made, but there is no telling what one might find inside of one of them. There is a real sense of mystery one feels when approaching one for the first time, and I wanted to capture that feeling in the music, too. It turns out that there was an old barn on the land where Dorian grew up, and that image has really stuck in his mind, too. As a further twist on Dorian's name, the piece is primarily in the E-Dorian mode.