| 2 Madrigals, Vol. 5, Trombone Brass Quartet: 4 trombones BrassWorks4
By Thomas Morley (1557-1602). Arranged by McDuffie. For Trombone Quartet (3 teno...(+)
By Thomas Morley (1557-1602). Arranged by McDuffie. For Trombone Quartet (3 tenor trombones, 1 bass trombone). Published by BrassWorks4
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 2 Madrigals, Vol. 3, Trombone Brass Quartet: 4 trombones BrassWorks4
Composed by Thomas Morley (1557-1602). Arranged by McDuffie. For Trombone Quarte...(+)
Composed by Thomas Morley (1557-1602). Arranged by McDuffie. For Trombone Quartet (3 tenor trombones, 1 bass trombone). Published by BrassWorks4
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Organ and Keyboard Works - Complete Edition, Vol. 4 Organ [Score] Barenreiter
Das zweite Buch der Toccaten, Canzonen usw von 1637. 11 Toccaten, 1 Madrigal, 6 ...(+)
Das zweite Buch der Toccaten, Canzonen usw von 1637. 11 Toccaten, 1 Madrigal, 6 Canzonen, 3 Hymnen und 17 weitere kurze Kompostionen. By Frescobaldi, Girolamo. Edited by Pierre Pidoux. For Organ/ Piano/ Harpsichord. Playing Score (paperbound). Published by Baerenreiter-Ausgaben (German import).
$46.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cantaria - Volume 2 [Score] Van de Velde
Chorus SKU: LM.VV252 Collecté par Françoise Cornu. Method, s...(+)
Chorus SKU: LM.VV252 Collecté par Françoise Cornu. Method, studies. Score. Editions Van de Velde #VV252. Published by Editions Van de Velde (LM.VV252). ISBN 9790560052526. ATTAINGNANT Pierre : J'ay espere (chanson de la Renaissance, 3 vx) - Helas ! Que c'est ung grant remort (chanson de la Renaissance, 3 vx) - VECCHI Orazio : O Felice nocchiero (Canzonette, 3 vx) - L'ultima volta ch'io (Canzonette, 3 vx) - MARENZIO Luca : Lasso no e cor mio (Villanella, 3 vx) - Se il dolce sguardo (Villanella, 3 vx) - MONTEVERDI Claudio : Quando sperai (Canzonette, 3 vx) - Son questi i crespi (Canzonette, 3 vx) - BATESON Thomas : Your shining eyes (Madrigal, 3 vx) - CARISSIMI Giacomo : O Felix anima (Motet, 3 vx) - MOZART Wolfgang A. : Due pupille (Nocturne, 3 vx) - HAYDN Joseph : Psaumes 31 et 69 (3 vx) - SCHUMANN : Mich zieht es nach dem Darfchen (3 vx) - JOHNSON Tom : Wesley's Challenge (3 vx) - INGENIERI Marco Antonio : O bone Jesu (4 vx) - ANERIO Giovanni Francesco : O Salutaris hostia (4 vx) - CASCIOLILI Claudio : Panis angelicus (4 vx) - BACH J.S. : Ach, Gott, wie manches Herzelied (Choral, 4vx) - Ach wie fluchtig, ach wie nichtig (Choral, 4 vx) - BRAHMS J. : Erlaube mir, feins Madchen (4 vx) - GERSHWIN : Somebody loves me (4 vx) - PETIT Jacques : Margie, Barber shop song (arrangement, 4 vx) - MEYER Marc : Every time I feel the Spirit (Spiritual, 4 vx) - JOHNSON Tom : Wesley 's Challenge (4 vx). $23.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Consolations, Grand solo de concert and Other Work Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A). English-German-Hungarian. Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.
Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.
Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war. $118.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Consolations Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other Works (Suppl. B 10). By Adrienne Kaczmarczyk_Ãgnes Sas. By Franz Liszt. EMB Liszt Works. Book Only. Composed 2014. 208 pages. Editio Musica Budapest #EMBZ14505. Published by Editio Musica Budapest (BT.EMBZ14505). English-German-Hungarian. Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.
Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.
Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war. $49.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fiddle Sessions 2-4 Violins Violin Shawnee Press By Livingston Gearhart.
For Violin. Sheet Music.
Published by Shawnee
Press.
(1)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Oh Lord, Creator of all thing [Score] - Easy Carus Verlag
2 Soprano voices, baritone voice, basso continuo - Level 2 SKU: CA.2045050(+)
2 Soprano voices, baritone voice, basso continuo - Level 2 SKU: CA.2045050 Sopra Deh poi ch'era nei fati del Marentio. Composed by Heinrich Schutz. Edited by Helmut Lauterwasser. Carus digital: Extra digital products. Full Score. SWV 450a. Duration 4 minutes. Published by Carus Verlag (CA.2045050). ISBN 9790007293697. Key: A minor. German. A sacred madrigal for three solo parts with basso continuo for Christmas time. Schutz composed this short piece in imitation of a secular Italian madrigal by Marenzio. In the source, Schutz's work is lacking the soprano part. The editor Helmut Lauterwasser has reconstructed this with the help of the Marenzio madrigal. The work, first published in Vol. 19 of the Complete Edition, is published here as a separate edition with basso continuo realization. Separate edition taken from Vol. 19 of the Stuttgart Schutz Edition (Complete Edition Carus 20.919).. Score available separately - see item CA.2045000. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Masterpieces for the Modern Pianist Piano solo - Easy Willis Music
A Unique Classical Collection of Favorites and Undiscovered Gems. Composed by ...(+)
A Unique Classical Collection
of Favorites and Undiscovered
Gems. Composed by Various.
Edited by Charmaine Siagian
and Sonya Schumann. Willis.
Classical. Softcover. 272
pages. Published by Willis
Music
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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