SKU: HL.49001437
ISBN 9790001016650. 7.5x10.5x0.045 inches. English - German.
SKU: HL.4006631
UPC: 840126924947. 9.0x12.0x0.027 inches.
Based on Purcell's Come, Ye Sons of Art, this carefully crafted arrangement for second year players features a nice variety in scoring and dynamic contrasts. Phrases are traded between the woodwind and brass sections (cues included), then the full band comes together for the final segment.
SKU: HL.418082
UPC: 196288059622. 6.75x10.5x0.019 inches. Ephesians 1:3, I Samuel 7:12, John 4:14.
Two recognizable tunes are perfectly partnered with a classic hymn text in this creative arrangement. Thoughtfully presented with well-balanced choral parts and an engaging accompaniment, this distinctive pairing will be welcome in any service.
SKU: M7.DUX-895
ISBN 9783934958494.
Come Together ist eine Sammlung von Eigenkompositionen, die als Unterrichts- und Vortragsstücke verwendet werden können. Sie sind beeinflusst von unterschiedlichen musikalischen Stilrichtungen, die von Blues bis Bossa Nova reichen. Die Begleit-CD enthält alle Stücke in zwei Versionen (Gitarre Solo und Duo).
SKU: HL.14048146
UPC: 888680660789. 8.0x11.75x0.036 inches.
Thy Kingdom Come, O God is a work by Nico Muhly, taken from the four-movement work Our Present Charter, commissioned by the Choir of the Temple Church, Mother-Church of the Common Law, to celebrate the 800th Anniversary of the Sealing of Magna carta on 15th June 1215. This is the vocal score, scored for SATB choir and organ accompaniment, lasting around 4.5 minutes.
SKU: HL.35031896
ISBN 9781540012685. UPC: 888680717025. 5.0x5.0x0.19 inches.
Get into the holiday spirit with this stand-out arrangement of Pentatonix' O Come All Ye Faithful which reached No. 2 on Billboard 200. Set a cappella, it includes optional piano accompaniment and percussion making a fresh new take on the timeless carol and sure to be a holiday staple year after year.
SKU: GI.G-3373G
Scripture: Psalm 51, 72, 98, 104:1, 24, 29-33, 121, 122, 139, 146, Matthew 11:28-30.
Includes one each of the following octavos: All the Ends of the Earth (Psalm 98) - Come to Me - Be Merciful, O Lord (Psalm 51) - I Will Praise the Lord (Psalm 146) - Take and Eat - Send Forth Your Spirit - Let Us Go Rejoicing - Guiding Me - A Nuptial Blessing - I Heard the Voice of Jesus Say - Every Nation on Earth - You Have Searched Me.
SKU: HL.357636
UPC: 840126943658. 6.75x10.5x0.029 inches. I Corinthians 11:17-34, John 6:53, Psalm 34:8.
A sparkling piano pattern provides the underscore for this joyful song of grace, and pleasing themes adorn the text as the anthem unfolds to inspire a spirit of worship. The invitation to come to the table is an ideal moment to encourage unity, and this song of faith is an excellent choice for communion gatherings or any time!
SKU: LO.20-1893L
ISBN 9780787748531.
You will reference this arrangement again and again for your Communion service needs! This set offers the flexibility to perform each tune on its own or string them together to meet the varying lengths of your service. Come to the Table will provide a wonderful meditative addition to your repertoire and will only require a little rehearsal time to master it.
SKU: LO.10-2008S
UPC: 000308047196.
SATB Optional Flute and Oboe/General An introspective, appealing anthem urging all to come, go out with me from Emmaus, based on Luke 24:13. Diverting vocal writing and a haunting organ accompaniment complete the presentation. The optional instrumental parts are included in the octavo.
SKU: HL.4008097
UPC: 196288119715. 9.0x12.0x0.035 inches.
Composed using a single fast tempo throughout, this dynamic work for 2nd year players is filled with imagery and intensity beyond what you normally find at this easy level. Whether the approaching “red comet” is a warning of impending doom, or simply an exciting flash in the sky is left to your own imagination! Dur: 1:45.
SKU: HL.263038
UPC: 888680952907. 12.0x16.5x0.565 inches.
“Over the years my orchestral music has become simpler and more expansive. Clouds of Forgetting, Clouds of Unknowing (1991-95) contains four different musical textures. In the White Silence (1998) has three. For Lou Harrison (2002) reduces this to just two. In Dark Waves (2007), I finally got to one. When I first heard that piece I began to wonder if I could sustain a similar sound for a longer span of time. The result is Become Ocean, a meditation on the vast, deep and mysterious tides of existence. The title is borrowed from a mesostic verse that John Cage wrote in honor of Lou Harrison's birthday. Likening Harrison's music to a river in delta, Cage writes: Listening to it we become ocean. Life on this earth first emerged from the sea. And as the polar ice melts and sea level rises, we humans find ourselves facing the prospect that once again we may quite literally become ocean.†John Luther Adams.
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